El Octavo Día

This film is close to be my favorite piece of celluloid. There is really not much I'd need or want to say here. Except maybe "See this film" and "Enjoy the excellent work by Daniel and Pascal", who carries you through this neat, funny and heartbreaking story about 'spending your eighth day' - your own day!

Seeing this film made me think seriously about how I spend my eighth day = my life! It appears, that some of us are wasting precious time doing things we think we need to do. Either if it's pleasing a career or just consuming TV-shows and ballgames. What we tend to miss is the satisfaction of being something for another person - make a difference. About taking room and time to be spontaneous and live - NOW! (on the eighth day)... At least that was what I got from 'The Eighth Day'.

For anyone with a moderate sensibility, a moderate feeling of the human and humane condition, for anyone capable of getting above the Hollywood ilk, for anyone who is satisfied seeing cinema which does not have a series of Seagals/Willis/Van Dammes blasting the brains out of anybody or seeing who gets into bed with whom, for anyone whose intellectual level reaches a capacity to grasp, sympathise with, comprehend, laugh WITH, cry WITH natural tender heart-warming hilarious compassionate HUMAN BEINGS, `Le Huitième Jour' is waiting for you. Jaco van Dormael has not achieved simply a masterpiece, that would have been too simplistic; he has achieved one of those rare monumental works of art in the cinematographic world which defies any kind of encapsuling. Is it a drama? Is it a comedy? No: it is the story of Georges, a wonderful funny pitiful laughable loving frightened beautiful personality, a sufferer of the Downes Syndrome. It is a story which has you laughing through your tears, but this is not one of those classic tear-jerkers; this film moves through a world that has you at once mixing your feelings of compassion or pity or even shame with those of admiration, warmth and even love. A successful banking salesman, Harry, bumps into Georges: they were both going in opposite directions with absolutely opposing ideas, problems and priorities; skillfully van Dormael melts these two unlikely men into a warm friendship, but which is so much more than the good buddy friendship of those having a beer down the road. This is a relationship which develops into a profound needing by both for the other. The cuasi-surrealist scenes fit in perfectly: Georges recalls (or invents) past scenes of his life while either day-dreaming or sleeping; even the almost phantasmagorical final scene is totally correct. The only scene which might be considered a little out of place is when they steal a bus and drive it out of the show-rooms. However, this does not detract from the whole. This film is a monument. Even if your French is not up to much, please bear seeing it with sub-titles. `Le Huitième Jour' is worth the trouble. As for anything else, well, just read the following commentaries – I go along with all of them. This film is a joy, it is majestic, it is unique. If you have seen `Rain Man' which I consider an excellent film, you must see this one: it is far superior because it has not the superficial veneer of famous Hollywood-produced world-renowned actors; it has Pascal Duquenne and Daniel Auteuil – TEN oscars for these two, and three more for Jaco van Dormael. Who cares…………? Yes: 11 out of 10 if the IMDb rating doesn't break down under the strain.

Magnifique! Chapeau!

This is the French and Belgians doing what they do best. It's quirky, visually inventive, exhilarating and emotionally challenging storytelling. Director Jaco van Dormael takes us into the world of Georges, a Down's Syndrome sufferer and his quest for a meaningful relationship with someone, just anyone. This is not done in a patronising way but with a great sense of fun and also honesty. Georges' interplay with corporate management guru, Harry is dazzlingly handled - shifting from comedy to tragedy back to comedy again with breathtaking ease.

The Eighth Day puts similar Hollywood fare like Barry Levinson's Oscar winning Rain Man or Robert Zemeckis's Forrest Gump well and truly in the shade. At times, it evokes the humour of Milos Forman's One Flew Over the Cuckoo's Nest with shades of Dennis Potter thrown in for good measure.

As the emotionally blunted and desperately lonely yuppie, Harry, Daniel Auteuil turns in yet another sublime performance. But it is matched by the brilliant Pascal Duquenne as Georges. It's a movie with uniformly strong performances and so many, memorable set pieces - the shoe shop scene, car showroom scene, George's dance to Genesis's 'Jesus He Knows Me,' the conference scene, the fireworks scene. If you haven't seen it, there's only one thing to do. Just rent it or attend a screening at a retro cinema near you and see what you've been missing. Better still, buy this movie. Sheer genius.....

This film is about 2 worlds colliding- the one of a yuppie motivational speaker on the fast track, the man Harry, and the other of another man, Georges, who has Downs Syndrome.

The cinematography alone is so fresh and exciting- as a visual feast alone the film is worth watching. But the story! Takes you by surprise- its richness and depth.

I just viewed it last night and the scene of the ballet class inside the "mental institution" was one of the most beautiful things I have ever seen via a television or movie screen.

I also haven't laughed so hard in a long time. The laughter of Harry is infectious. Enough to break through Georges hard shell...

With 'Le Huitième Jour' director Jaco van Dormael tells us a moving tale of two complete strangers (who couldn't be more different from each other), whose paths cross as they travel opposite directions. After this odd encounter, together, both take turns heading towards each other's destinations but with heartbreaking results. However, this journey allows them to find something they didn't know they were looking for.

Let's get the flaws out of the way: Certain scenes may feel a little dramatic but it still remains within the tone of the film, never looking out of place. Even though Harry and Georges are the primary focus of the film, some of the important supporting characters are poorly developed, especially Georges's hating sister and Miou Miou's Julie.

But those minuses aside, is 'Le Huitième Jour' a road movie (the landscapes are dazzling)? Is it a study of two characters? Is it a 'buddy' movie (certainly not the typical Hollywood kind)? Is it a dramedy?

It's poetry. The film, in a way, moves from one genre to another but it flows beautifully. The balance in humour, and intensity is first rate. The jokes work well and the timing is just right. I did find the ending to be a tad too dramatic.

What Georges shows the viewer is that, while people desire similarities, it is our differences that make us unique. Yet, that is the very reason why Georges is rejected by the 'real world'. What Harry further shows is that none of these supposed similarities that people look for in each other matters because acceptance, respect, being open to possibilities and being true to oneself are what will bring the greater joy.

'Le Huitième Jour' is stunningly filmed and wonderfully acted. Pascal Duquenne and Daniel Auteuil are superb. Duquenne delivers a very natural performance and Auteuil is terrifically restrained. They are well supported by Isabelle Sadoyan, Michele Maes and the two actors who play Harry's daughter.

'Le Huitième Jour' engages you right from the start. It's funny, intense, enlightening and reaches straight for the heart.