Agrega una trama en tu idiomaAfter a woman cop is shot in a burglary attempt that kills her fiancé and wounds another fellow officer, the two officers join a security agency where large amounts of cash are stored. A cri... Leer todoAfter a woman cop is shot in a burglary attempt that kills her fiancé and wounds another fellow officer, the two officers join a security agency where large amounts of cash are stored. A criminal team captures the agency and begins to break into the company vaults. Led by Mr. Rab... Leer todoAfter a woman cop is shot in a burglary attempt that kills her fiancé and wounds another fellow officer, the two officers join a security agency where large amounts of cash are stored. A criminal team captures the agency and begins to break into the company vaults. Led by Mr. Rabbit and Mr. Pig, a crazed killer, the two hold the staff in the agency hostage while the r... Leer todo
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- (as Ken Camroux)
- Rachel
- (as Sarah Brown)
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Aspect ratio: 1.33:1
Sound format: Ultra-Stereo
Employees of a security agency are forced to combat a gang of professional thieves who invade the premises with a view to stealing cash from the company's heavily fortified safe.
The very definition of DTV fodder, Michael Kennedy's blah programmer is an OK time-waster, nothing more. Top-billed Andrew McCarthy plays the villain, an ambiguous character who's not above killing those who get in the way of his criminal ambitions, but who keeps a tight rein on his psychopathic subordinate (popular German actor Hannes Jaenicke), whose wild behaviour threatens the entire operation. Wolf Larson (TV's "Tarzan") is a former cop who stumbles onto the heist and makes an effort to rescue the hostages, including Cynthia Geary, another ex-cop who switched careers when her boyfriend was shot and killed during a violent confrontation with armed robbers several years earlier. Unfortunately, hunky Larson is sidelined in favour of mousy-looking Geary, whose transformation into a gun-toting action hero during the film's climactic shoot-out stretches credibility to the limits.
Much of the film unfolds in the agency's control room where Geary and her co-workers are held hostage, and the banter between captors and captives isn't particularly compelling, which stifles tension and slows the pace to a crawl. When the narrative DOES move beyond these limited confines, the half-hearted action scenes are compromised by a lack of decent coverage, which further cheapens the production. There's plenty of talent on both sides of the camera (I'll refrain from making the usual comments about McCarthy's painful slide into obscurity), but the movie wears its lack of ambition like a badge of honour. Why do people waste their time making such bland, faceless tripe? Also known as ALARM FÜR SECURITY 13 and THE HEIST.
'The Heist' (the title of this movie when I saw it) refers to what happens on Easter Sunday when millions of dollars are being stored by Riggs Armored Transport in a vault on the company's premises. A group of robbers includes a man with a rabbit mask, a man with a pig mask, and a former Alert Guard employee. The room where Lucy and the other operators work has a broken thermostat, and the door has to be kept open even though that's not the usual procedure.
My main incentive for watching was Cynthia Geary, who was so cute on 'Northern Exposure'. She didn't disappoint here. Lucy could be quite pleasant under normal conditions, and she handled herself very well in a crisis, even making sarcastic comments and using her feminine charm. Andrew McCarthy alternated polite and nasty as the ringleader of the gang. Peter Hanlon gave an interesting performance as Lucy's apparently gay boss. Other than Geary, though, there wasn't anything really special here. The movie was not excessively violent, but it was violent enough. The ending was quite exciting. And if you like watching things blown up, there were a few really big and unnecessary explosions.
Quite possibly one of the most dreary and boring "action" movies of all time. In every angle it's cheap and tacky. Much of it is set around one dingy room where the incompetent robbers don't do much other than argue with each other, and while not doing that they're either terrorising or again arguing with one of the hostages. Everything is incompetently handled. The pacing for one, is dreadful. What relevance did Lucy James's fiance being killed in an earlier robbery have to do with the main plot? The performances are largely awful, with nobody really getting into the material except for the ever talentless Hannes Jaenicke who I recognised from Jim Wynorski's classically bad Extreme Limits, who puts in one of his usual hammy performances and at no point comes off as convincing or scary. Only positive thing I can give it is that the climax isn't as bad as it could have been, but that's hardly a compliment. This scene is mediocre at best, and comes after so much dross that even if it was great, it still couldn't make up for the rest. It includes 1 car exploding, a small gunfight and a fight on top of a moving van. This ends up providing unintentional hilarity, as the moving van is a mid 90's Ford Econoline and the van that ends up rolling over looks like a late 70's van, with circular headlamps. The difference is obvious and this is probably the only thing that made laugh in this rubbish. And the whole dreary feel is carried through to here as well, as this is set among wastegrounds under cloudy skies.
This has to be one of the shortest reviews I've ever written but everything to be said has been said. I just advise you to stay well away. It's not even "so bad it's good", it's just pitiful, dreary, forgettable rubbish that will do nothing but give you a headache and put you in a bad mood.
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- TriviaSarah Brown's debut.
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- The Heist
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- Tiempo de ejecución
- 1h 31min(91 min)
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- Mezcla de sonido
- Relación de aspecto
- 1.33 : 1