Hard Core Logo

To try and comment on this film without mentioning Spinal Tap would be hard considering not only all the comments that have gone before but also the synopsis provided on this site. And the fact that not even real Rockumentary's can be reviewed without mentioning it hints at the brilliance of that film. Hard Core Logo, is not, however, Spinal Tap......and it's none the worse for it.

Hard Core Logo is an intelligent drama (with the occasional comic moment) about the intense love between two friends and their mutually destructive force on each other when their paths once again entwine together years after the dissolution of their band.

The copy I watched was pretty pore so I can't really comment on the cinematography but I can imagine, from the fuzzy version I did see, that its strikingly beautiful in it's own slightly decrepit way. The plot line is almost non-existent leaving the main focus on the four members of the band, mainly founding members Joe Dick and Billy Talent.

So without good actors this film would sink. As it is the director has pulled fantastic, three dimensional, heart rending performances from both Hugh Dillon and Callum Keith-Rennie. Hugh Dillon's Joe Dick is a self destructive black hole that pulls in those around him. His love for Billy can never be doubted but he can't stand to think he's been left behind and will do almost anything to bring Billy back into his life. Dillon's energy and screen presence is quite extraordinary.

Billy on the other hand is trying to get out, not just for money reasons but because he sees it as a way of salvaging his life from his group of self destructing band mates. Keith-Rennie's performance is all in the close ups of his face or his performance in the background of a scene while watching those around him. Billy talks crap but his face never lies.

well, at least that was my take on this film...and that really is where Hard Core Logo comes into it's own. With so much of what the characters actually mean not being said (they chose, instead, to spout the generally expected views of a rock band) it really does depend on the viewer what film they watch. Bruce McDonald is a director that knows the beauty of well acted silence. They don't need to say anything for us to know exactly what these characters are feeling. Truly spectacular.

But I'm rambling, seriously, watch it, don't watch it, but if you don;t you're genuinely missing out!!

It resembles "Spinal Tap" only in that it's about a fictitious rock band on its way down. This is a more ambitious movie, and its mood is much darker -- while it has its comic moments, it's not a film to watch when you're feeling down.

This particular American viewer had no trouble with the Canadian references -- yes, we can tell Canadian cities apart and know exactly which Quebeckers the bassist was talking about. In fact, the Canadianness of the movie was part of its appeal, and I'm not just talking about the stunning scenery. I do have to admit overlooking the angle about Canadian musicians selling out to the American scene -- I was more attuned to the sellout on the personal rather than national level. Bands in the States lose musicians to L.A., too.

At its core, this is a movie about friendship and betrayal, and in the end, betrayal wins. It's a hard, honest movie, not easy watching but worth the effort.

(Parents, this one isn't for the kiddies -- lots of obscenity and some violence, though none of it is gratuitous to the story.)

This is a dramatic comedy, and more than any other type of dramatic comedies, it''s dark and very real. Though there are quite a few jokes, many inside jokes, it melts into the tension of the four guys like a fast gliding bird would melt into a brick wall in a cartoon. Worthy to be a classic. Hugh Dillon is a great actor and has perfect chemistry with Callum Keith Rennie.

Let's get it over with right from the beginning: the only thing that "This Is Spinal Tap!" and "Hard Core Logo" have in common is the documentary set up. While Spinal Tap was a comedy that - as the name of the genre "mockumentary" suggests - mocked the heavy metal scene, "Hard Core Logo" is a character study that takes an honest look at a band and life on the road. Actually, the whole framework is rather unnecessary in this movie as it serves no real purpose and characters didn't act like they were in front of a camera (unlike say "The Office", where people behaved as if they were aware of being filmed). Besides, the pictures are shot too beautifully anyway for this to feel like a real documentary. That's not to say "Hard Core Logo" isn't realistic, though. The movie gives us a quite real impression of being in a punk band, caught between different agendas, personalities, power struggles and the sheer need to survive. This is why, apart from a few moments that will make you chuckle, "Hard Core Logo" isn't really trying to be funny, either. Just like real life the tragic moments outweigh the comedic ones by far. The acting is great and the soundtrack is accurate, two very important things to make a movie about punk rock work. Apart from maybe the drummer the band members aren't over-subscribed and you can really see guys like Joe Dick or Billy Talent playing in actual bands (guess what, Hugh Dillon actually was the singer of his own band, The Headstones). "Hard Core Logo" works on every level and is very entertaining to watch, too. There are quite a few details in the story hinted at rather subtly, which you're probably not going to get the first time around, so a second or third viewing is recommended.

Really interesting film for anyone familiar with the hardcore music scene that deals with the problems and moral dilemmas of a reunited band. The problem is the movie is mismarketed as a comedy. Humor in the movie is quite present though dark and dry (though still very funny). This movie is actually quite a bit better than spinal tap. It's not mocking a bad band of a genre, but exploring the problems of the scene by looking at what's viewed to be a good one. The only similarity between this film and spinal tap is the narrative framework, which is that of a documentary, though in this film, that device becomes less obtrusive, and in all honesty could have been removed. Also, this movie has much more of a human heart than a film like spinal tap or fear of a black hat (another movie that got lumped into the "mockumentary" genre). The big problem I think is that this movie is represented as a comedy, and it's as dramatic as it is humorous. Terrific ending too. Recommended to those who enjoy dark comedies and punk rock.