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Guy

  • 1996
  • R
  • 1h 34min
CALIFICACIÓN DE IMDb
6.1/10
605
TU CALIFICACIÓN
Vincent D'Onofrio, Hope Davis, and Kimber Riddle in Guy (1996)
Drama

Agrega una trama en tu idiomaA young woman with a camera follows a man around to make a documentary about him, something he is not very happy with.A young woman with a camera follows a man around to make a documentary about him, something he is not very happy with.A young woman with a camera follows a man around to make a documentary about him, something he is not very happy with.

  • Dirección
    • Michael Lindsay-Hogg
  • Guionistas
    • Kirby Dick
    • Renée Missel
  • Elenco
    • Vincent D'Onofrio
    • Hope Davis
    • Kimber Riddle
  • Ver la información de producción en IMDbPro
  • CALIFICACIÓN DE IMDb
    6.1/10
    605
    TU CALIFICACIÓN
    • Dirección
      • Michael Lindsay-Hogg
    • Guionistas
      • Kirby Dick
      • Renée Missel
    • Elenco
      • Vincent D'Onofrio
      • Hope Davis
      • Kimber Riddle
    • 11Opiniones de los usuarios
    • 2Opiniones de los críticos
  • Ver la información de producción en IMDbPro
  • Ver la información de producción en IMDbPro
  • Fotos3

    Ver el cartel
    Ver el cartel
    Ver el cartel

    Elenco principal10

    Editar
    Vincent D'Onofrio
    Vincent D'Onofrio
    • Guy
    Hope Davis
    Hope Davis
    • Camera
    Kimber Riddle
    • Veronica
    Diane Louise Salinger
    Diane Louise Salinger
    • Gail
    • (as Diane Salinger)
    Richard Portnow
    Richard Portnow
    • Al
    Valente Rodriguez
    Valente Rodriguez
    • Low Rider
    Michael Massee
    Michael Massee
    • Mark
    John F. O'Donohue
    John F. O'Donohue
    • Detective
    Lucy Liu
    Lucy Liu
    • Woman at Newstand
    • (as Lucy Lui)
    Sandy Martin
    Sandy Martin
    • Dirección
      • Michael Lindsay-Hogg
    • Guionistas
      • Kirby Dick
      • Renée Missel
    • Todo el elenco y el equipo
    • Producción, taquilla y más en IMDbPro

    Opiniones de usuarios11

    6.1605
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    Opiniones destacadas

    1dedcat

    as painful to watch as a rectal root canal

    It really bugs me when some lame piece of tripe like this, under the guise of 'art' gets puked up on a screen before me. Pretentious nonsense like this which pretends to be insightful and intelligent tends to ruin the reputation of the few good 'artsy' films that manage to get made. My only hope is that they put MST3K back on the air, so if anybody ever has to suffer through this pain parade can at least have a somewhat enjoyable time.
    7Sld84

    Interesting...low budget...but interesting.

    Others here have commented enough on the plot, so rather than be repetitious I will focus on some of the themes. I was fortunate enough to catch 'Guy' the other night on the Sundance Channel. Having been inundated with commentary on reality television for some many years, I was not expecting to glean any new insights into the medium from this film. Much to my surprise and pleasure it seemed to really have something to say about the concept of "the gaze."

    It is interesting to examine the film through the psychological lens of Lacan and also consider the gendered "politics of looking" so often spoken of in feminist theory. These concepts, I believe, are heavily present in the film. The reverse of the power dynamic alone (the female subject and the male object) in is truly fascinating and definitely makes it worth a viewing for those of you versed in feminist theory. It makes me wish I was still in college, so I could write a paper about it.
    4B24

    Neurotic Exhibitionism

    Experimental films are praiseworthy for being just that. In the present instance, however, there is little else to recommend this one.

    Since most films are by nature dramatic, going beyond the commonplace by way of revealing truths requiring vivid action or language, one important measure to be kept in mind is that they are also selective of this or that bit of new or unique presentation allowing us to appreciate the art of the author, the director, or the actors themselves. Just aiming the camera and saying "action" and then allowing the thing to develop sans editing defeats any purpose intended.

    Guy is an example of home video run amok. Moreover it denigrates women in general by featuring a main character whose sole reason for existing seems to be draping his doughy body over every female in sight before vanishing into the mist. It just begs the question to try to justify this cinematic gambit by claiming how "true to life" or deeply introspective it might, as if by accident, be. Second-guessing the experiment, however novel it may at first seem, is not my idea of fun at the movies.
    8surfandski-1

    A serious trip into your own mind.

    i just saw Guy on Sundance and I was completely flatten by it. That someone can make a movie of such impact with just one camera is amazing. Guy also succeeds because Vincent D'Onofrio puts out one Awesome performance as the subject of Hope Davis's camera. I cannot recall any actor putting it all out there like he does in this film. He gets striped of any artifact. You know you are not watching a real person, yet it is really fascinating to watch him, because as the camera follows you know that the ante is going to be raised with each passing hour. The movie is quite visionary in what was yet to come (reality TV). But this is more than that, Guy explores the subject of voyeurism from a complete different angle because this is not just an image of a person, you get the full character with all his pathos, and it pulls you right in as you start analyzing the need to be watched and the value of being watched. The movie is very clever in the interaction between the subject and the film maker. You really want to know more of the woman behind the camera, she speaks very few words and yet the few she says are very revealing. The urgency of certain statements reveals that this is not just a camera rolling, but that the cameraman is fulfilling some deep needs within her. This is not a movie for everyone, it will also get very polarizing opinions, you either love it by its rawness and its power to engage you and suck you into it, or you will find it as boring as following a pedestrian, but if your taste is a bit out of the ordinary watch it.
    10Nicolemorgan83

    Guy - about voyeurism and Vicent D'onfrio

    A fantastic comment on voyeurism and the media in modern times. A pioneer to the truman show this film echo's society's vicarious nature exemplified through the real life TV shows such as 'The real world' and big brother, but hints at the dangers of our own obsessions with others lives.

    Vincent D'Onfrio is amazing as Guy, an initally reluctant victim of a female filmaker's camera who begins to enjoy her attention.....which provokes consequences on his own sanity.

    A brilliant film.

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    Argumento

    Editar

    ¿Sabías que…?

    Editar
    • Citas

      Guy: Sex is healthy, don't you think? And necessary?

      Camera: Why is that?

      Guy: Well, to put up with all this shit around us, y'know? I mean, y'know, it's good to get fucked. That's why when it's really good, people say, y'know, "She fucked my brains out," or "he fucked my brains out." You wanna get your brains fucked out?

    • Conexiones
      References Por un cuerpo de mujer (1947)

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    Preguntas Frecuentes17

    • How long is Guy?Con tecnología de Alexa

    Detalles

    Editar
    • Fecha de lanzamiento
      • 17 de diciembre de 1997 (Estados Unidos)
    • Países de origen
      • Alemania
      • Estados Unidos
    • Idioma
      • Inglés
    • También se conoce como
      • Guy - Gli occhi addosso
    • Locaciones de filmación
      • Los Ángeles, California, Estados Unidos
    • Productoras
      • Filmstiftung Nordrhein-Westfalen
      • KRRWH Inc.
      • Pandora Filmproduktion
    • Ver más créditos de la compañía en IMDbPro

    Taquilla

    Editar
    • Total en EE. UU. y Canadá
      • USD 4,134
    • Fin de semana de estreno en EE. UU. y Canadá
      • USD 2,132
      • 21 dic 1997
    • Total a nivel mundial
      • USD 4,134
    Ver la información detallada de la taquilla en IMDbPro

    Especificaciones técnicas

    Editar
    • Tiempo de ejecución
      1 hora 34 minutos
    • Color
      • Color
    • Mezcla de sonido
      • Stereo
    • Relación de aspecto
      • 1.85 : 1

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    Vincent D'Onofrio, Hope Davis, and Kimber Riddle in Guy (1996)
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