Un delincuente juvenil huye de una trabajadora social que viaja a la casa de su abuela y es perseguida por un asesino en serie y pedófilo.Un delincuente juvenil huye de una trabajadora social que viaja a la casa de su abuela y es perseguida por un asesino en serie y pedófilo.Un delincuente juvenil huye de una trabajadora social que viaja a la casa de su abuela y es perseguida por un asesino en serie y pedófilo.
- Dirección
- Guionista
- Elenco
- Premios
- 6 premios ganados y 4 nominaciones en total
- Flacco
- (as Guillermo Díaz)
- Dirección
- Guionista
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Opiniones destacadas
Twisted and richly humorous, Matthew Bright's movie oozes originality and quite frankly deserves to be better appreciated: never mind better known! Going into it for a first time completely oblivious to its structure will arguably aid the experience. Suffice to say that the less known about it prior to viewing it the better. All I have to say is that it's violent, sweary and contains very sexually explicit dialogue, so if those things are likely to offend then perhaps stay away from it. But what if I offer up that those things are dealt with a satirical bent? That the tough scenes, and some of them are very tough, are basis to a caustic narrative about social hypocrisy and the often stupidity of the law? Interested? You should be, because once viewed you're unlikely to forget it. It's no surprise to see Oliver Stone's name etched onto the production credits, since this very much feels like a dirty second cousin to his Natural Born Killers. I'd argue that here we have the better acted film with Witherspoon and Sutherland giving virtuoso performances: with admirable support coming from the likes of Bodison, Shields and Murphy.
One of the most undervalued film's of the 90s? You bet it is! 8.5/10
Reece Witherspoon (pre-Legally Blonde) gives a performance that surprised me. I did not realize that she was so capable of bringing this character to life. Her counterpart, the illustrious 'Wolf', played by 80s child Keifer Sutherland, is yet another powerful force in this film. The two of them nearly carry this film on their shoulders. This is one of those perfect examples of a film that did not have much publicity after its release, but has since then obtained 'cult' status through avid viewer's word of mouth. This is definitely a film for all movie critics, film buffs, and fanatics to gaze at just once. I know there were some poor reviews when it was first released, but I am sure that a second viewing would bring this gem back to life.
I would also like to add that director Matthew Bright is a film genius. He successfully took a very wholesome and good natured story (or that we think) and transforms it into the fearsome dark story that it should be. Our society has the consistency of taking dark elements and transforming them into stories for our children. A wolf eats a grandmother in this story how happy and uplifting is that? I applaud Bright for taking this story and transforming it into a modern day fairy tale. It is gripping, fascinating, and downright beautiful.
If you enjoyed Natural Born Killers and was hoping for a nicer twist, this film is your answer. I also suggest that if you couldn't get enough of Freeway that you try to get your hands on the very rare Freeway 2: Confessions of a Trickbaby. See how Bright delicately transforms yet another dark fairy tale (Hansel and Gretel) into a modern masterpiece.
Grade: ***** out of *****
Reese Witherspoon is dynamite as the white trash lethal Lolita Vanessa Lutz. Along with 'Election' her best role to date. Kiefer Sutherland gets his most interesting part in years as her nemesis, the slimy Bob. And the supporting cast is equally strong, especially dependable character actor Dan Hedaya ('Blood Simple', 'The Usual Suspects'), the cute Brittany Murphy ('Clueless') who oozes sex appeal, and Amanda Plummer ('Pulp Fiction') and Michael T. Weiss (er... 'Howling IV') as the parents from hell. I also got a real kick out of the cameo by veteran Sydney Lassick ('..Cuckoo's Nest', 'Sonny Boy'). Pity we don't get to see much of him here, or anywhere for that matter!
Witherspoon has gone on to well deserved stardom, but this remains one of her finest accomplishments. Bright faltered with the largely disappointing 'Freeway 2', but my money is on him. Anyone who can create a movie this fresh and cool deserves to be remembered!
Freeway doesn't introduce any characters that are particularly likable, and all are guilty to a degree. Most audience members will be on the side of Witherspoon's character, as although she certainly has personality problems, she's great fun to watch and her twisted logic isn't usually far from being spot on! Witherspoon got one of her best roles in this film, and really does carry it despite her young age. Kiefer Sutherland stars alongside her, and it's rather odd seeing him in the psycho role after getting so used to him being Jack Bauer in 24. He does do it great, however. Perhaps the best thing about this film is the pitch black humour that goes hand in hand brilliantly with the absurdity of the piece. The plot is really freewheeling, and the film jumps from road thriller to prison drama to the court room in the blink of an eye, and this helps to ensure that the audience is always kept on their toes. This film won't appeal to people that don't like their movies to be pitch black and unpleasant, but anyone who enjoys a good does of absurdity shouldn't hesitate to track this film down!
¿Sabías que…?
- TriviaReese Witherspoon used an exaggerated version of her natural Tennessee accent for the role of Vanessa Lutz.
- ErroresIn the opening scene, Vanessa can hardly read the simple sentence "The cat drinks milk", but she seems to have no trouble reading the menu in the "Hi-Way Cafe".
- Citas
Vanessa Lutz: Holy shit! Look who got beaten with the ugly stick! Is that you, Bob? I can't believe such a teeny weeny little gun made such a big mess out of someone! You are so ugly, Bob! And, hey, I heard you have one of those big poop bags that's like attached to where the shit comes out the side, you're just a big old shitbag ain't you, Bob! You just think of me every time you empty that motherfucking thing, motherfucker!
- Créditos curiososThe beginning credits play over a series of color drawings (in a style similar to cartoonist Robert Crumb) in a hip retelling of the Little Red Riding Hood story.
- Versiones alternativasThe UK version suffered two cuts, totalling about 7 seconds. The first occurs when Mimi Wolverton discovers her husbands porn magazine collection. The missing footage briefly showed the cover of a magazine "Cock Sucking Toddlers". The second missing shot is of Vanessa's murdered grandmother in her trailer home. The cuts were fully waived for the 2007 Blackhorse DVD release.
Selecciones populares
Detalles
- Fecha de lanzamiento
- Países de origen
- Idiomas
- También se conoce como
- Freeway
- Locaciones de filmación
- Sunland, Los Ángeles, California, Estados Unidos(EB I-210 at Sunland Blvd., Vanessa's car breaks down)
- Productoras
- Ver más créditos de la compañía en IMDbPro
Taquilla
- Presupuesto
- USD 3,000,000 (estimado)
- Total en EE. UU. y Canadá
- USD 295,493
- Fin de semana de estreno en EE. UU. y Canadá
- USD 14,945
- 25 ago 1996
- Total a nivel mundial
- USD 295,493
- Tiempo de ejecución1 hora 44 minutos
- Color
- Mezcla de sonido
- Relación de aspecto
- 1.85 : 1