Encuentro con el lobo

I remembered Kiefer Sutherland played a psychotic killer....and IMDB lead me right to this one. I had seen bits and pieces of this movie on cable and couldn't believe how good it was, but back in those days we didn't have "channel info". This movie is wickedly funny, and Reese Witherspoon plays the most hilarious, bad-girl, tough trailer trash role I've ever seen and plays it fantastically. The slutty makeup and outfits she wears as well as the endless stream of profanity she swears are definitely a lot different than her "modern day" good girl roles she seems stuck in now. This movie is funnier than you can possibly imagine, as things keep happening that just blow you away or shock the pants off you and no main character is what they seem to be at first. Definitely unpredictable, this dark comedy is a rare lost gem I was glad to find again.

Based on the classic Grimm Brothers tale, Little Red Riding Hood; Freeway is the disjointed and frankly weird odyssey following a young girl on the way to her grandmother's home. The film begins much like any other hitchhiking film, with a young girl being picked up by a slightly sinister driver. However, you won't be able to predict where it's going to go from there, as Freeway continually puts its characters in absurd situations and delivers the unexpected. The plot doesn't exactly adhere to the story of Little Red Riding Hood, and after the basics have been laid down, it's basically anyone's game right down to the gripping and hilarious climax. The film sees Reese Witherspoon's juvenile delinquent being picked up by Kiefer Sutherland's child psychologist after fleeing from her home when her mother and step father are arrested. After telling the psychologist of her relationship with her step father, she soon realises that he's enjoying what she's saying a little too much; and it's not long before she asks him if he's the infamous I-5 killer, and he doesn't do anything to convince her he's not...

Freeway doesn't introduce any characters that are particularly likable, and all are guilty to a degree. Most audience members will be on the side of Witherspoon's character, as although she certainly has personality problems, she's great fun to watch and her twisted logic isn't usually far from being spot on! Witherspoon got one of her best roles in this film, and really does carry it despite her young age. Kiefer Sutherland stars alongside her, and it's rather odd seeing him in the psycho role after getting so used to him being Jack Bauer in 24. He does do it great, however. Perhaps the best thing about this film is the pitch black humour that goes hand in hand brilliantly with the absurdity of the piece. The plot is really freewheeling, and the film jumps from road thriller to prison drama to the court room in the blink of an eye, and this helps to ensure that the audience is always kept on their toes. This film won't appeal to people that don't like their movies to be pitch black and unpleasant, but anyone who enjoys a good does of absurdity shouldn't hesitate to track this film down!

In my opinion, this was hands downs Reese Witherspoon's best role before Legally Blonde. I wished she played more roles like this, (urban, raunchy, touch, the trailer pk side wasn't bad at all neither). After watching this, You can see she has been hollyweird whitewashed (the only way to get an academy award) now. But this role in Freeway truly tells me that she has depth of character for the film industry. This is one of my oldies but goodies I've seen now more than ten times already. Hey Reese, can you bless with a role like this again? No harm in asking.

I know, it may seem ridiculous to some, but actually, even after all these years (now well into 2012), this is still a film to watch, and no one could have delivered the key role more perfectly than Reese Witherspoon. She is simply spectacularly spot on with her characterization of the theme and culture that is her character here.

The story is a bit hard edged for some, but sadly, not entirely outside the realms of reality in the current world.

Do characters like hers in this film really exist as portrayed? Absolutely yes. Do characters like that portrayed by Sutherland, the predatory pedophile sociopath who appears to be so acceptably "normal" to the outside world? Absolutely yes, as recent history has shown only too clearly.

On the surface this may have appeared to be a sort of whacky, creepy crime thriller, but actually, if one actually takes the time to watch this film, there is much more to this than the ad copy may have suggested at the time.

It is still currently viable, to this very day . . . has stood the test of time.

And it is absolutely one of Reese's best ever performances.

Sadly, her more recent work has sort of flattened out into much less risky, complex roles, but hey, a great actress she is.

While watching this film I was disgusted, disturbed, and horrified while all the while LOVING THIS FILM. Living in a house where fairy tale literature is commonplace (my wife studies Children's Literature), I was surprised by this film. Seeing it in the value bin at most video stores, I expected poor production, horrible direction, and a pathetic cast. We have all seen these films that boast big names, but somehow never fully follow through. Freeway is nothing of the kind. It is a carefully written and delivered retelling of one of our most beloved fairy tales with a extremely dark twist.

Reece Witherspoon (pre-Legally Blonde) gives a performance that surprised me. I did not realize that she was so capable of bringing this character to life. Her counterpart, the illustrious 'Wolf', played by 80s child Keifer Sutherland, is yet another powerful force in this film. The two of them nearly carry this film on their shoulders. This is one of those perfect examples of a film that did not have much publicity after its release, but has since then obtained 'cult' status through avid viewer's word of mouth. This is definitely a film for all movie critics, film buffs, and fanatics to gaze at just once. I know there were some poor reviews when it was first released, but I am sure that a second viewing would bring this gem back to life.

I would also like to add that director Matthew Bright is a film genius. He successfully took a very wholesome and good natured story (or that we think) and transforms it into the fearsome dark story that it should be. Our society has the consistency of taking dark elements and transforming them into stories for our children. A wolf eats a grandmother in this story … how happy and uplifting is that? I applaud Bright for taking this story and transforming it into a modern day fairy tale. It is gripping, fascinating, and downright beautiful.

If you enjoyed Natural Born Killers and was hoping for a nicer twist, this film is your answer. I also suggest that if you couldn't get enough of Freeway that you try to get your hands on the very rare Freeway 2: Confessions of a Trickbaby. See how Bright delicately transforms yet another dark fairy tale (Hansel and Gretel) into a modern masterpiece.

Grade: ***** out of *****