Fire

In the contemporary India, Jatin (Jaaved Jaaferi) is a man in love with the Chinese Julie (Alice Poon), who does not want to get married and become a housewife, since she intends to move to Hong Kong and become an actress. Due to the pressure of his family asking for a baby, Jatin decides to get married with the virgin Sita (Nandita Das) in a arranged marriage. Sita moves to the house of Jatin's family, where live on the second floor the matriarch Biji (Kushal Rekhi), the servant Mundu (Ranjit Chowdhry) and the unfertile Radha (Shabana Azmi) and her husband Ashok (Kulbhushan Kharbanda). On the first floor, they run a small business of video rental and food. Ashok opted for the celibate, since in his opinion, sex would be only for procreation and never for lust or desire. Both women are neglected by their husbands, and their loneliness turns into a lesbian relationship. I do not know much about Indian society, but I found this movie a sensitive and delicate love story of two needy women, born and raised in a repressive and male society. The story is never vulgar or erotic, and it is very easy to understand their attraction. The beauty of Nandita Das is very impressive. The direction and the performance of the cast is outstanding. Another excellent example of the Indian cinema. My vote is eight.

Title (Brazil): 'Fogo e Desejo' ('Fire and Desire')

Bold, controversial and taboo-breaking are among the many attention-grabbing words that have been used to describe 'Fire' and this has no doubt helped the film gain recognition. However, I feel that such adjectives undermine the true beauty of that is depicted in this picture. It deals with many themes such as feminism, affection, love and freedom and at the heart of the film lies the relationship between Seeta and Radha. The bond between them is portrayed with such innocence, tenderness, affection and sensibility that its beauty stands out. The growth in the two characters and the development of their relationship is splendid to watch. While the relationship is portrayed with sensuality, there is no titillation or overt skin exposure.

Due to the theme of homosexuality and the questioning of religion, 'Fire' was ridiculously banned in several countries. It is never specified whether Seeta or Radha were exclusively homosexual. They're never shown to not enjoy a sexual relationship with their respective male partners. Radha has made numerous attempts over the years to have that kind of intimacy with her celibate husband but he's the one who refuses while in Seeta's case, sex is a mechanical thing for her husband. What they Seeta and Radha find in each other is affection, love, desire and tenderness, something they yearned for but never had with their husbands.

Many have argued that Deepa Mehta deliberately uses shock value and portrays India as repressed in order to make her film appeal to the Western audience. I don't know whether that was her intention with 'Fire' but to me it felt like an honest movie and the problems portrayed in this film are still very much a reality in India. I would even go as far to say that this is among Mehta's best works. Her use of metaphors is brave and gives the film a poetic feel.

Mehta's films have often scored high in the technical department and 'Fire' is no different. Here the cinematography and A.R. Rahman's score particularly stand out. The music is mesmerizing. The art direction too is brilliant.

Luminous Nandita Das is terrific as the young, vivacious and energetic Seeta. Shabana Azmi is once again transcendent. Her nuanced, quiet and restrained performance easily touch on the heartstrings. Kulbhushan Kharbanda and Javed Jaffrey provide good support.

Forget all the labelling, controversial or not 'Fire' is worth seeing for the beauty it portrays when two people find love and freedom in each other.

A melodramatic tale about the journey of two women towards Self-actualisation. This movie from the award-winning filmmaker Deepa Mehta perfectly depicts the illiberal ideas entrenched in our bigoted society. Mehta's Elements trilogy, Fire, Earth, and Water distinctly personify her visions and her elegance in filmmaking.

Sita(Nandita Das) is entering a new family after her wedding. The family consists of her spouse Jatin(Javed Jaffrey), her brother in law Ashok and his wife Radha(Shabana Azmi) and the matriarch of the family is Biji. Biji is taken cared by the servant Mundu but often infuriates the old lady.

Sita is a soul which dares to dream. She is bound by no shackles. But the married life has been quite tough on her after she found her husband to be cheating on her. During a conversation Radha tells Sita that she is infertile,"No eggs in ovaries " were the exact words to be precise and for that reason, her husband has vowed to celibacy under the influence of a Swamiji who has preached him that desire was the root of all evil. These two women gradually embrace each other and rediscover their sexuality and in the process rediscover their will to live a life that they wished to live in a cloudland.

Mehta's effort to intricately design the characters has a positive impact on screen as it wasn't judgemental rather each character's reflections of their opinions.Azhagi fame Nandita Das has flabbergasted us with her role. Takeshi's Castle fame Javed Jaffrey has made his role look so easy. The entire team has done just to their roles, making this a movie that every movie maniac will savour.

In 1998 Fire was screened in India.For its content of displaying Homosexuality as a non-evil custom, the movie garnered immense controversy. There were riots in various parts the country. Shiv sanaiks and Bajrang Dal members invaded and vandalized the theatres. Even now, After two decades from this film's release, the Section 377 is still a matter of debate. With many countries legalizing homosexuality, India has failed miserably and it nowhere near to making the right verdict. Releasing a movie that is against the prejudices in the 90's was gutsy and they deserve to be applauded but all they received was criticism.

A movie that everyone should watch and a movie that everyone can relate to. Fire beautifully portrays so many human qualities like self-acceptance, self-actualization, Love, Passion, Sexuality. The movie deserves to be celebrated.

one of best movies ever...Fire...it is not much about sociological description of India today...it is the mind blowing use of light that never stops, never becomes...normal...even when...in this sense the movie is almost unique...both leads are of very good quality...the origin of Das as a street performer are pretty obvious...her performance is a superb "cammeo"...but the use of the light...I have look at it and looked at it, again and again...still mind blowing after ages...nothing torrid in the story...rather "pure" way of facing the subject...in a way it is sad that in the bizarre world we live today, a major art work is usually known as a gender film...Fire can stand face to face with Dryer's Jeanne D' Arc or Ichikawa's Biruma no Tategoto or some of the major Kurosawa movies, just to name "some". Wish my input could help a little this movie to its deserved way to fame.

This film powerfully demonstrates the struggle of two women in love in a culture so deeply entrenched in ritual and tradition. All this against a backdrop of an India which itself is struggling for freedom from these same values. This film is both political and personal and never too preachy or idealistic on either front. It is easy to see why "Fire" has caused riots in India, but tragic nonetheless. A true film such as this one deserves to be seen by all people of the world, not just privileged westerners.