Evita

I knew before, that Madonna can sing but now I know what she also can act. Meanwhile, I knew before that Antonio Banderas can act, but now I know what he can sing. And in Evita he sang incredibly good. I agree, Madonna wasn't bad, but Antonio really stole the show. He brings to the movie incredible latin style. Also very good Jonathan Pryse as president Peron. This movie was very well directed and have very good cast. But, best in Evita, of course, are music and songs. With excellent songs and pretty good singing Evita becomes on of the best musical movies ever made. Alan Parker bring out the political climate from that years very well. Maybe whole movie was too political, but now too many time have passed and nobody shouldn't care about that. Best songs for me are Don't cry for me Argentina and nearly all Antonio's songs. In fact, only one minor problem in the movie is that Madonna in the beginning of the movie looks too old.

Worth seeing for any music and movie lover. Sorry for my bad English

8,1 out of 10.

"Evita" is an opera, albeit a rock opera, in the true sense of the word -- there can't be fifty words of spoken dialogue in the entire movie. Music drama is a highly stylized form, which admittedly is not everyone's cup of tea. Perhaps that is why the overall rating given the film by IMDb voters, 6.3 out of 10, is as low as it is. To those of us who like the operatic form, though, this is an outstanding film, beautiful to look at, well acted, and most importantly well sung. The only weakness I found was the one that inheres in every Andrew Lloyd Webber piece: too much recycling of too few musical themes over two-plus hours. Nevertheless, Tim Rice's lyrics are wonderful, they are consistently inventive and drive the story. Madonna was good in the title role but Antonio Banderas's performance as Ché was great, both dramatically and musically. "Evita" is highly recommended, 8 out of 10.

a surprising film. for the recreation of an image in each detail. for the flavor of great musicals. for Madona and her impressive work. for Jonathan Pryce. and for Banderas. it is a melodramatic story, remembering, in the same measure, the soap operas and the propaganda about Evita. but it is a film who descend from a musical. and this explains everything - the side of fairy tale, the love story, the chance to become, for many viewers, the film of a song. this is all.

I love musicals and was eager to watch Evita. I'm not the biggest of all Andrew Lloyd Webber fans, though Phantom of the Opera is phenomenal and all his work has at least one standout song(Memory for Cats, Don't Cry for me Argentina for Evita and Any Dream Will do for Joseph).

This Evita was so much better than anticipated. I cannot deny the music is wonderful, but I was also sceptical because of Madonna, who I like as a singer but not so much as an actress. I was proved wrong, Madonna while not quite my idea for Evita is wonderful in the role, she does justice to Buenos Aires and Don't Cry for me Argentina and the whole performance is very moving.

She has a good cast, with the dashing Antonio Banderas exuding tremendous chemistry with her and Jonathan Pryce a revelation as Juan Peren. The visuals are spectacular, the cinematography is sumptuous and the colours, costumes and settings are wonderfully vivid. The story might just lack the spark of the musical itself, but it is still emotionally resonant and the script and direction are more than credible.

Evita may drag a little towards the end, but overall it was a very good film and much better than I thought. 8/10 Bethany Cox

I used to think that there were a couple of absolutes in this world other than the standard issue ones. One is that I will always hate Andrew Lloyd Webber and another is that Madonna will never be a good actress. After seeing Alan Parker's 1996 musical "Evita" however, starring Madonna and featuring the music of Andrew Lloyd Webber, I have had to amend those two statements slightly.

"Evita" tells the true story of Eva Peron, the wife of Argentina's former president (and dictator) Juan Peron. In a story that was ready-made for Hollywood, she started out as the illegitimate and poor daughter of a man who dies when she is very young, sleeps with a mediocre nightclub singer at the age of 15 in order to gain passage to Buenos Aires, and from there begins her struggle to reach whatever achievements her ambitions require (which is a lot). Using her body to gain important friends (because, frankly, she didn't have any acting talent) she becomes an actress and radio star before she meets Juan Peron, at the time, an up and coming politician. They get married and the two work to get him elected as the president of Argentina on the platform that "they are workers too". When he is elected, Evita's popularity grows even more, to the point where her dreams of becoming the vice president of the country could be realized, until she is stricken with cancer and dies, essentially with the image of a saint, at the age of 32.

"Evita" is a gorgeous, lush film, full of thousands of extras, great location scenes and features a very talented cast. It acts almost as an incredibly big budgeted and elaborate music video, mainly because it features almost constant singing, and well, it stars one of the most visible music video stars of all time. Madonna finally found her part in this film, and no, it wasn't just easier because she didn't have a lot of speaking lines. It is clear that not only did she take voice lessons (which actually is true) because her voice quality was better than "normal", and has stayed that way since the making of this film, but she was able to knock off some decent dramatic moments. Banderas, though he spent a lot of the film looking pretty furious with the camera, doesn't have to prove any acting mettle (anyone who has seen him in an Almodovar film can attest to this) but did come up with a surprisingly good singing voice. Jonathan Pryce, who was curiously cast as Peron also did a good job, though his part was fairly minor, and even at that he was relegated to giving Evita a lot of loving looks. All in all, however, the slick production, some catchy music (I cannot believe I am actually saying that I actually really like a film featuring the music of the insipid, mainstream, gnome-like Webber) that is good enough to listen to extra-curricularly and performances that weren't bad made for a pretty good and very entertaining viewing.

Don't get me wrong – there are more than a few eye-rolling moments in "Evita", but the good definitely outweighs the bad, exponentially. The story, while coherent, was pretty mediocre, and I found that I felt that there were some things that were glossed over or trivialized with a cute musical number. Admittedly, however, this IS a musical and you don't sign up for a hard-hitting knowledge fest when you watch one. This wasn't the first time I had seen this film, and yet I still end up getting so wrapped up in the action that I end up bawling a couple of times, and this viewing was no exception. More importantly, though, I didn't feel like a doofus when I recommended it as a movie that three guys and I should watch together, because while it's slick and a musical, (and therefore, traditionally, a chick film) there's enough compelling elements to the film that will keep some guys happy as well. Good job, Parker and thanks a lot for blowing two of the absolutes I normally stand by. 6/10 --Shelly