Mientras empareja a amigos y vecinos, una joven inglesa del siglo XIX casi pierde su propia oportunidad de amar.Mientras empareja a amigos y vecinos, una joven inglesa del siglo XIX casi pierde su propia oportunidad de amar.Mientras empareja a amigos y vecinos, una joven inglesa del siglo XIX casi pierde su propia oportunidad de amar.
- Dirección
- Guionistas
- Elenco
- Ganó 1 premio Óscar
- 3 premios ganados y 7 nominaciones en total
- Dirección
- Guionistas
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Opiniones destacadas
I like Gwyneth Paltrow, and I love Jane Austen. (That sounds bad. Sorry Gwyneth.)
And this is a great movie for its writing, and a stiff and imperfect movie for its acting. And for Austen fans (and fans is an understatement for some of them) this is almost awful movie. Awful if you love sublime writing and can't stand to see it so wooden.
Paltrow is good. She's pretty. She's appropriately upright. But she insists on "delivering" her lines. She has them memorized, yes. But she doesn't inhabit the character. And Emma, the character, is one of the best of all literature, filled with sassy individualism and social blindness due to ordinary teenage arrogance. The material is there, and it's a great story (if you like early 19th Century melodramas bordering on soap opera of the highest level).
So, it's not a terrible presentation of the movie, but it is, to be sure, a presentation. I honestly think (and don't tremble in rage here) that Alisha Silverstone in "Clueless" gets the spirit of Emma much closer. There is of course a gap of sensibilities here that I'm ignoring—a girl in 1995 (Silverstone) is no match for a girl in Austen's time. I'll leave that one vague.
About "Emma" it's worth saying that the sets and costumes are so convincing you don't really think about them. Everything is brightly lit (which I suppose is a reasonable choice, though it flattens the film emotionally as opposed to, say, the Merchant-Ivory approach). The whole spectacle is spread before the camera lovingly, if a bit predictably.
In the end it's Austen who wins. The writing, both in the specific dialog and in the general plot outline, are delicate and witty and insightful. Nothing sensational here, just drawing room observation at its best. Kudos for that much, and a reasonable translation to film. It's Austen who wins all those stars.
If you're looking for a film that you can watch with the whole family, or looking for a romance for yourself, look no further. Emma is that movie. With a beautiful setting, wonderful costumes, and an outstanding cast (have I mentioned the gorgeous Jeremy Northam?), Emma is a perfect ten!
Accompanied by Oscar-winning Composer RACHEL PORTMAN's lush, emotional and dreamy music, this film remains a pure delight worthy of viewing more than once a year.
Incredible casting...
Gwyneth Paltrow was perfect for the role of Emma. Toni Collette was great as Harriett Smith.
The character who stole the film was MISS BATES!!! She was mesmerizing to watch, one finds oneself on the edge of ones' seat just hanging on her every word and laughing hysterically WITH her. One of the most endearing characters I have come across in ages. From one of the opening scenes when she is thanking Mr. Woodhouse for sending "that lovely quarter-hind of pork... PORK, MOTHER!!!" she shouts into her daffy and clearly hearing impaired Mother, Mrs. Bates (played by Emma Thompson's mother, Phyllida Law) who looks forlorn and lost.
The comical ways that Emma would avoid the grating Miss Bates builds itself up for one truly gut-wrenching scene at the picnic when Emma insults Miss Bates who takes her cruel dig to her heart. We then see poor Miss Bates stammering and on the verge of tears and just so crushed one can not help but feel one's heart ripped out to her on her behalf. It is a classic scene, one to be rewound and played over & over...
The ending is right up there with "Sense & Sensibility" and provides one of life's greatest lessons about how one should marry one's best friend...
I hope that this film delights you all as much as it has myself.
I ADORED it!
I am taken aback by those who criticized the film for its lush scenery. That is one of the things I enjoy and look forward to seeing in period pieces set in the English countryside. The film's beautiful backgrounds are a major contributor to its appeal and success. If your idea of escapist fare is something bleaker, then perhaps you should rent something like "Death Wish III!"
The English country settings are as attractive and charming as the cast, and combine with the story and soundtrack for entertainment that makes you not tire of repeat viewings. McGrath is a wonder at choreographing the interplay of subtle expressions that are so essential in conveying the complicated romantic intrigue that occurs in this story.
¿Sabías que…?
- TriviaToni Collette had to gain weight to portray "the Rubenesque Harriet" and she explained, "I think it's important for people to look real in films. There's a tendency to go Barbie doll and I don't agree with that at all."
- ErroresFrank Churchill's hair changes length in the scenes when he says goodbye to Emma - shorter when he arrives and longer when he leaves.
- Citas
Mr. Knightley: Emma, how could you be so unfeeling to Miss Bates? How can you be so insolent to a woman of her age and situation? I had not thought it possible.
Emma: How could I help saying it? I daresay she did not understand me.
Mr. Knightley: I assure you, she felt your full meaning. She cannot stop mentioning it. I wish you could have heard her honour your forbearance in putting up with her when her society is so irksome.
Emma: I know there is no better creature in all the world, but you must allow that blended alongside the good, there is an equal amount of the ridiculous in her.
Mr. Knightley: Were she prosperous or a woman equal to you in situation, I would not quarrel with you about any liberties of manner. But she is poor, even more so than when she was born. And should she live to be an old lady, she will sink further still. Her situation being in every way below you should secure your compassion! Badly done, Emma. Badly done. She has watched you grow from a time when her notice of you was an honour to this, humbling her, laughing at her in front of people who would be guided by your treatment of her. It is not pleasant for me to say these things, but I must tell you the truth while I can, proving myself your friend by the most faithful counsel, trusting that sometime you will do my faith in you greater justice that you do it now.
- Créditos curiososThanks to ... the people of Evershot.
- ConexionesFeatured in Siskel & Ebert & the Movies: Chain Reaction/Matilda/Emma/Stonewall (1996)
- Bandas sonorasDeck the Halls with Boughs of Holly
Traditional tune, lyrics by Thomas Oliphant (uncredited)
Arranged by Rachel Portman
Selecciones populares
- How long is Emma?Con tecnología de Alexa
Detalles
- Fecha de lanzamiento
- Países de origen
- Sitios oficiales
- Idioma
- También se conoce como
- Емма
- Locaciones de filmación
- Evershot, Dorset, Inglaterra, Reino Unido(Highbury village)
- Productoras
- Ver más créditos de la compañía en IMDbPro
Taquilla
- Presupuesto
- USD 6,000,000 (estimado)
- Total en EE. UU. y Canadá
- USD 22,231,658
- Fin de semana de estreno en EE. UU. y Canadá
- USD 240,649
- 4 ago 1996
- Total a nivel mundial
- USD 22,231,658
- Tiempo de ejecución2 horas
- Mezcla de sonido
- Relación de aspecto
- 1.85 : 1