Luz de día

In the 90's the disaster movie had a mini comeback for a couple of years, but being the 90's they all pretty much played out like action hero flicks.

Daylight had Stallone heading up the man muscle, which is one of the movies plus points, he is a master of stunt work and he spends most of the movie tackling the ultimate underground assault course.

The group of survivors have a handful of your usual stereotypes and it's pretty easy to spot the obvious, 'you'll be squashed later', characters, but there are still a few surprises for other cast members that don't make it.

The movie falls a bit flat with these characters though as although it's a pretty large ensemble, they're all very quickly introduced to get the action going early on and are hyper versions of themselves throughout.

That said the character mix works well to get the plot moving, the action sequences are great and there's enough plot to keep you entertained until the end.

Daylight is definitely at the top of the 90's disaster game, (it's certainly no awful Volcano), and it's worth a watch on Netflix, it's just to 90's in a bad way to make it a great movie.

Not the greatest movie but also not bad. Lots of action by Stallone. Unrealistic as many action films are but entertaining enough. As an animal lover, I loved the dog addition and did not like the "s*** with legs" part. It's a little cheesy but watchable.

An accidental explosion rips through a tunnel beneath the Hudson river, sealing off both ends trapping the survivors inside. In steps Stallone, a disgraced former emergency services chief, who hopes to save the day in usual hero style.

Daylight has a good blend of interesting characters, suspense, drama, action and special effects that all add towards the entertainment of the movie.

Overall it's good fun to watch, and it does refrain from becoming silly or over-sentimental.

7/10

Fasten your seatbelts and brace yourself for an non-stop thrill ride that will have you holding your breath from start to finish.

"Daylight" is one of the most intense movies I have seen in a long time. Sylvester Stallone gives one of his best performances in "Daylight" leading a group of civilians to safety after a New York tunnel engulfs in flames. Stallone works his magic as a former EMS chief sent in to save these civilians.

When I heard Stallone's name mentioned as part of the cast of "Daylight," I knew it would be a non-stop thrill ride; however, what I didn't realize it would be a thriller that had depth mixed in with everything else. "Daylight" is a credit to Stallone's ability and this remains one of his best roles to date.

Adding to this awesome film are Stallone's co-stars, which include Amy Brenneman, Viggo Mortensen, Jay O. Sanders and Stan Shaw. I enjoyed watching this ensemble work together because they seem to need no direction when on screen. It was as if they were really trapped in the tunnel. From the fear to the heroic actions they took, these actors were top notch.

I concede that "Daylight" is predictable. However, I disagree with those who say it hurts the film. My point is it doesn't matter whether a film is predictable, rather how it is presented. "Daylight" is presented with quite unique special effects, a plot with depth and endearing performances.

In addition to the excellent performances, "Daylight" had some of the best special effects I have seen. The explosion at the beginning of the movie was a work of art. I was in awe of how well the special effects were pulled off because I don't believe that "Daylight" would have worked as well as it did if they were done with less than 100 percent effort.

"Daylight" will keep you on the edge of your seat from start to finish.

Geez, that cab driver sure knows a lot about rescue procedures. Hey, he's Sylvester Stallone! Sly plays Kit Latura, a disgraced EMS hotshot who was fired for a major men-killing mistake (even though he's still clearly the #1 guy in this particular line of work) and happens upon some major trouble. A couple of thieving imbeciles inadvertently cause an explosion in a tunnel under New York's Hudson River, trapping a multi-culti band of survivors between a rock and an impossible place. Latura volunteers to shimmy into the proverbial hell and lead the bedraggled few to---say it with me---'Daylight'. Would he have been as gung ho if he'd known he'd get so wet?

Label this one 'Die Hard' in a tunnel or 'The Po-Sly-don Adventure'. In fact, director Rob Cohen probably screened 'The Poseidon Adventure' a few times while prepping his film. That's my favourite of the absurd '70s catastrophe flicks and 'Daylight' strikes the same notes, often successfully. There's water and fire, rats and stereotypes, it's dank and dark, and you're never sure which mid-level movie star will die next. And credit where it's due, there's even plenty of pathos in the "we all gotta work together" vein and touching scenes of quiet humanity that stop an inch short of treacle. I was moved more than usual by a Stallone picture.

The movie made squat at the box office back in December '96, but it's worth a DVD rental for its solid craftsmanship. The F/X and sound design are money. As for the acting, the lead characters (Stallone, Amy Brenneman, Viggo Mortensen) aren't especially memorable, but some of the lower-billed performers (Stan Shaw & Colin Fox, to name two) escape the movie with some dignity. The only real villain is human idiocy---people go where they're not supposed to go and do things they're not supposed to do. 'Daylight' is formulaic, but it's still better than most disaster crap I've seen.