Las brujas de Salem

Thanks to the director who let Arthur Miller do the screenplay- so the movie is a honest rendition of the great play. Daniel Day Lewis is very good- and the movie is true to the original. Winona Rider also does well- but Joan Allen is excellent. This is a true classic of American Theater and since we can't always get to a live performance the movie is a good substitute... recommend every student of am. lit see it and anyone who wants to delve into the deceit of the human spirit... nothing is new people are still jealous and still vindictive and Miller writes of these two traits so well. The whole cast does a credible job

The Raymond Rouleau French version of the fifties featuring Simone Signoret and Yves Montand as the Proctors seems to have vanished in the air.It's never on French TV and it's not available on tape or DVD either.In the fifties this could not be filmed in the USA ,because it was a highly topical issue,hence the Rouleau version which was first a stage production.

Actually,this masterwork is so strong that it can't be connected only with MCCarthyism.Its scope reaches far beyond.It's a plea for tolerance,freedom of thinking and dignity of the human being wherever and whenever they may be endangered.An excellent cast does the play justice.Daniel Day-Lewis gives a powerful performance (I say God is dead!)that few of his peers can equal.Wynona Ryder is efficient in her ambiguous part.Joan Allen gives a subdued but moving interpretation.Paul Scoffield personifies the inhuman law with authority.Bruce Davison ("Willard"'s hero ,1971).

All in all, a magnificent show ,thanks to all concerned.

...And I also happen to be a very critical person of most films. With that being said, The Crucible completely blows me away with its virtually flawless cinematic achievements!

Daniel Day-Lewis is absolutely superb as John Proctor; there is no other way to put it. He is simply perfect, from his bitter, withdrawn opening few lines to when he is accused of witchcraft by his former adulterous--and scorned--lover (Winona Ryder) and begins passionately fighting for his very life and existence--and, of course, his name.

Winona Ryder turns in a beautiful performance as the disturbed and tragic Abigail Williams: a Puritain orphan raised by her super-strict, brutal, and overall villainous uncle. She becomes infatuated with John Proctor, a married man and a bit of an outcast to their society, and is willing to do anything and everything to 'obtain' him, if you will.

Joan Allen's Oscar nomination for Best Supporting Actress was not undeserved. Her portrayal of the honest and saintly Elizabeth Proctor (not fake innocence, like Abigail's) was touching and a bit heart-wrenching toward the end (won't give that away here).

It wasn't just the awesome acting that won me over, but the authentic Old English dialog, the somewhat grainy cinematography (which provided an uneasy feeling in viewing the town of Salem), and wonderful sets and costumes that really made this a classic for me, and my all-time favorite movie. Highly recommend it! A perfect 10/10!

Arthur Miller wrote the play on which this movie was based in 1953. 1953 in the United States was the height of the Red Scare, with McCarthy and Nixon among others seeking to hunt down and destroy Communists - often with little or conflicting evidence, and often to the ruin of those accused on such flimsy evidence. Miller couldn't write a play depicting the abuses of the Communist witch-hunt, so he did the next best thing - he wrote a play based on the incident in American history that might be the closest thing to the Communist witch-hunts: the Salem Witch Trials of 1692, in which rumours led to suspicions, and personal jealousies and ambitions led to accusations and people lied about their neighbours and friends in order to deflect attention away from themselves and innocent people were forced to confess to witchcraft because if they denied it (no matter their innocence) they'd hang and the courts became less interested in discovering the truth than in rooting out the evil. It's actually quite a good parallel.

This 1996 movie is based on Miller's play, and the screenplay for it was written by Miller himself. It's a sometimes chaotic movie - quite in keeping with the subject matter (either the official subject matter of the 1690's or the unofficial subject matter of the 1950's) - but in its chaos one picks up the basic point of how easily otherwise good people with normally good intentions can get caught up in evil ways. The devil may well have been on the prowl in Salem in 1692 - not through the accused but rather through their accusers and the system that encouraged and empowered the accusers.

Generally speaking the performances here were pretty solid. Both Daniel Day-Lewis (as John Proctor) and Winona Ryder (as Abigail Williams) carried themselves well and the supporting cast was strong. The portrayal of life in a 17th century Puritan community is a little bit difficult to relate to, and even the Puritan manner of referring to virtually all married women as "Goody" (short for "Goodwife") grates for a while and sometimes creates confusion for the viewer in trying to keep the characters straight, because it's so unusual to modern ears - although, on the other hand, it does provide an air of authenticity to the movie.

One can only be grateful that the Witch Hunt ended fairly quickly (although a good number of people were executed.) The Communist witch hunt lasted unfortunately longer with a greater number of people being scarred for life by the experience (and, indeed, some losing their lives as a result of it.) One would like to think that we've progressed over the years, although the demonization of Moslems since 9/11 - although is hasn't perhaps reached the depths of 1692 or the 1950's - suggests that the possibilities for such excesses are still present with us. (7/10)

An evening's dancing in the woods catches attention, Reverend Parris has to make an intervention, as young girls are all dishevelled, subjects raptured and bedevilled, although confessions may just lead to their redemption. But the ball begins to roll and can't be stopped, within this crucible of faith doors are unlocked, aspersions, defamation, no evidence, or firm foundations, as the innocent are harvested and cropped. A chance to be redeemed is offered up, John Proctor takes the pen, signature put, alas defeat is soon retaken, the next day he'll not awaken, he's the devil incarnate, it's quite clear-cut.