Children of the Revolution

I'm heartened to see that several other critics in this column were apparently as confused as I was by this movie. The individual gags are quite funny, but overall, what is this movie about? Is it a comedy? Certainly that's part of it, but is that all? Is it an anti-communist film that relies on comedy to make its point? Well, it might be, but if so, then I think it fails. Or does it have no overall statement to make at all? A bit difficult to believe, given some of the plot lines.

Judy Davis is a young communist in 1950 Australia. She corresponds with Stalin and gets an invitation to Moscow. The trip changes her life (of course) which we get to follow for the next 40 years. You'll be hooked after the first two minutes of this very original film. Great performances (especially from Judy Davis) and unique plot twists made this film worth watching.

This film is about a woman obsessed with Communism, and her life after bearing Stalin's child.

The film is meant to be a comedy, and it should be viewed as so. Forget the political backdrop of it, and you will find it quite amusing. I find Judy Davis' performance as the obsessed woman very magnetic. She has this dedicated enthusiasm towards Communism, and she portrays it so well. Her despair towards the end of the film, when Communism experiences downfall, is also depicted well. Though it is a comedy, I find the pace rather slow, which is more like a drama. Overall, I think it is an intelligent comedy, much better than the average toilet joke films.

As a son who grew up in a family of communists, I found this movie very insightful: the twists and turns of what fervent idealists took to be worker's paradise through the 50s, 60s, 70s and then to the end of the dream in the late 80s/early 90s was very well portrayed, especially with Judy Davis' stalwart commitment, which was portrayed quite sympathetically; the dark side of her family relationships was also poignantly sketched, as were her son's struggles with history: both global and personal; all in all, a superb blend of the comic and the dramatic: a genre it's very easy to screw up and is rarely, if ever, handled as deftly as it was here.

When I saw this film in the TV listings, I thought "could be some good tack." It's much better than that. It starts off almost comedic like, culminating in Stalin singing. Then it enters into the emotional problems Anna has over killing Stalin. The film then focuses on her son Joe, and his problems in finding out he is the son of Stalin, and his gradual descent into Stalinism. The film serves as a warning against Stalinism, about how any abuse of power, no matter the end, is wrong. The interest is held with some superb acting by the cast and the idea of Stalin producing a child and "heir." The movie could use more of an ending, and it does treat itself as being "true" particularly at the end. Having said that this is well worth watching and I recommend it to anyone intrigued by Communism and Stalin.