El propietario de un cabaret gay y su pareja travesti acuerdan fingir ser heterosexuales para que su hijo pueda presentarles a los conservadores padres de la novia.El propietario de un cabaret gay y su pareja travesti acuerdan fingir ser heterosexuales para que su hijo pueda presentarles a los conservadores padres de la novia.El propietario de un cabaret gay y su pareja travesti acuerdan fingir ser heterosexuales para que su hijo pueda presentarles a los conservadores padres de la novia.
- Dirección
- Guionistas
- Elenco
- Nominado a 1 premio Óscar
- 7 premios ganados y 25 nominaciones en total
Tony Gonzalez
- Goldman girl
- (as Anthony Richard Gonzales)
Dante Henderson
- Goldman girl
- (as Dante Lamar Henderson)
Opiniones destacadas
I've watched this movie countless times and never get bored. It provides sheer entertainment and some of the best one-liners I've heard in a movie. It is equal opportunity in its derogatory remarks and racism, and that's part of the charm. People get too worked up over stereotypes and "being offended" but they shouldn't -- this is a movie, not a political commentary. The actors have done a superb job of creating humour out of an awkward situation -- two men who happen to be gay, live together, own a business and must "play it straight" for the benefit of their son's in-laws.
I think I understand why the critical review has been mediocre -- it's likely because critics keep comparing 'The Birdcage' with the original 'La Cage Aux Folles'. I wish critics would rate a movie for what it is, and not for what it compares to. 'The Birdcage' as a stand-alone movie is witty, funny, silly, and entertaining. And that's what makes it so enjoyable! It's one of my favourite comedies and I can watch it over and over again.
I think I understand why the critical review has been mediocre -- it's likely because critics keep comparing 'The Birdcage' with the original 'La Cage Aux Folles'. I wish critics would rate a movie for what it is, and not for what it compares to. 'The Birdcage' as a stand-alone movie is witty, funny, silly, and entertaining. And that's what makes it so enjoyable! It's one of my favourite comedies and I can watch it over and over again.
Though nothing can beat "La Cage aux Folles," the film on which this American version is based, I still found "The Birdcage" delightful fun and hilarious at times, thanks to the comic geniuses of Robin Williams and Nathan Lane. Lane is the dramatic Albert, an over the top drag queen who has lived for years with Robin Williams, Armand, the owner of The Birdcage, where Albert performs. Armand once had a liaison with a woman, which produced a son, Val, who now wants to be married to the daughter of a conservative politician. In order for that to occur, Armand has to become butch, all gay art work, etc., needs to exit the apartment - and Albert must disappear for a few days.
Williams is hilarious - my two favorite scenes are his rehearsal with Albert and a young man appearing with him on stage, and the scene where he coaches Armand on being macho - priceless. Nathan Lane's shtick is familiar to me, as I've seen him in "The Producers" and "The Odd Couple" - he's a riot as the insecure, jealous, easily hurt Albert.
The role of Val is problematic, because how does one keep him from looking like a complete bastard as he shuts out Armand, who raised him. But Dan Futterman and Calista Flockhart as Barbara make a lovely young couple. Gene Hackman and Dianne Wiest are very funny as Barbara's befuddled parents.
It's been a long time since I've seen the French "La Cage aux Folles," and I saw the musical on Broadway as well. The French is superior to any version. The musical is quite poignant and emphasizes its statement in the song, "I Am Who I Am." The joy of the French film is that the actors playing the lovers, Ugo Tognazzi and Michel Serrault, play their roles very seriously, and the humor and poignancy come out of the situation and the outrageousness of the Armand character (Albin/Zaza in the French). In "The Birdcage," it's played for comedy all the way. That's okay. You'll still enjoy it. But see the original.
Williams is hilarious - my two favorite scenes are his rehearsal with Albert and a young man appearing with him on stage, and the scene where he coaches Armand on being macho - priceless. Nathan Lane's shtick is familiar to me, as I've seen him in "The Producers" and "The Odd Couple" - he's a riot as the insecure, jealous, easily hurt Albert.
The role of Val is problematic, because how does one keep him from looking like a complete bastard as he shuts out Armand, who raised him. But Dan Futterman and Calista Flockhart as Barbara make a lovely young couple. Gene Hackman and Dianne Wiest are very funny as Barbara's befuddled parents.
It's been a long time since I've seen the French "La Cage aux Folles," and I saw the musical on Broadway as well. The French is superior to any version. The musical is quite poignant and emphasizes its statement in the song, "I Am Who I Am." The joy of the French film is that the actors playing the lovers, Ugo Tognazzi and Michel Serrault, play their roles very seriously, and the humor and poignancy come out of the situation and the outrageousness of the Armand character (Albin/Zaza in the French). In "The Birdcage," it's played for comedy all the way. That's okay. You'll still enjoy it. But see the original.
If it weren't for the fact this movie has as its world a gay nightclub and gay men, it could have starred Cary Grant and been one of those wacky comedies of the forties. This is absolutely a hoot. To start with, you have Robin Williams and Nathan Lane, two of the most amazing, on their feet comedians ever. Throw in the plot of "if we could pull this off for one night," and everything else is up for grabs. The dialogue is excellent with all its double entendres and dramatic irony. We have the Senator, thoroughly enjoying himself, without realizing he is flirting with a man, and everything else relating to that. Of course, there is constant backtracking and improvisation. You have to laugh.
I'm disappointed to see that some people can't appreciate the brilliance in this film! Robin Williams is on top form, with 'you're taking your toothbrush to the grave, how Egyptian' brilliantly improvised. Weiss is convincing in her role, as usual. Hackman is great, as usual, and Nathan Lane is overly feminate, as usual. Wonderfully cast and with a great script, it will please anyone with a sense of humour. I pity anyone who can't enjoy it, for whatever reason- homophobia, lack of intelligence, arrogance, narrow mindedness etc. I'll admit that originals are often better, but that doesn't stop this from being a film to be enjoyed. I recommend it to anyone looking for a good laugh, happy watching!
Louis Hartshorn, age 15
Louis Hartshorn, age 15
What do you get when you get two comedy legends like Nathan Lane and the brilliant Robin Williams and tell them to be as camp and lovable as possible? This movie. It's heartwarming how much Albert (Nathan Lane) tries to make himself 'normal' for his stepson's girlfriend, just to finally see he is normal. He's a wonderful mother figure, and that's all that matters. It's a funny, smart and sweet story that's a good thing to watch whenever you just want to feel better.
¿Sabías que…?
- TriviaMike Nichols required that Nathan Lane and Robin Williams filmed at least one good take of each scene sticking to the script before he would allow them to improvise (something both of the actors are known for).
- ErroresIn the kitchen scene where Armand and Val realize Agador never prepared an entrée, Armand slips and falls while bringing the sweet-and-sour peasant soup pot back into the dining room; as he then tells Val "Go, go, she'll be here any minute, go", he is clearly laughing.
- Versiones alternativasThe Blu-ray features additional opening and closing MGM logos.
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- How long is The Birdcage?Con tecnología de Alexa
Detalles
- Fecha de lanzamiento
- País de origen
- Sitio oficial
- Idioma
- También se conoce como
- The Birdcage
- Locaciones de filmación
- Carlyle Hotel - 1250 Ocean Drive, Miami Beach, Florida, Estados Unidos(The Birdcage Club- Exteriors)
- Productora
- Ver más créditos de la compañía en IMDbPro
Taquilla
- Presupuesto
- USD 31,000,000 (estimado)
- Total en EE. UU. y Canadá
- USD 124,060,553
- Fin de semana de estreno en EE. UU. y Canadá
- USD 18,275,828
- 10 mar 1996
- Total a nivel mundial
- USD 185,260,553
- Tiempo de ejecución
- 1h 57min(117 min)
- Color
- Mezcla de sonido
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