Bastard Out of Carolina

This film is a heart wrenching look at child abuse. The plot revolves around a young girl as she suffers mental, physical and sexual abuse at the hands of her stepfather. She watches her mother struggle between the love she has for her child and the love she has for her husband.

Let's start off by saying that the performances in this film are sincere and it pulls the viewer into the reality of this child. I found myself feeling for her and hating the mother and stepfather. It was almost a relief to see that extended family was so willing to be there for the child. So, the story here is difficult but touching. My only complaint was that I wanted to see more. I wanted to see this child excelle despite her circumstances.

I'm really glad I decided to finally sit down and watch this. It was so worth it.

I just finished watching this movie again for the third time in the last two days. Each time I watch it I discover something I missed in the previous viewing. There are no wasted lines or scenes. It is a powerful 1996 movie with excellent performances, dealing with the touchy subject of child abuse.

Anjelica Huston is the director and this is her first attempt at directing a feature length movie. The results are stunning. It is altogether a flawless movie, with an excellent script based on the Dorothy Allison novel, and stars Jena Malone as the young protagonist. Jennifer Jason Leigh is in the tough role of the mother torn between the choices she faces in loving both her daughter and the abusive stepfather. Many times throughout the movie I sat on the edge of my seat stunned by the action happening onscreen. It is not a movie with pat answers and predictable solutions, but manages to show the complexities involved in each situation. There are no cardboard characters either, as in real life not everyone is totally good or evil, though their actions may dip into either category from time to time.

The most compelling performance, in a film loaded with excellent acting, comes from young Malone, who commands a role that many adult actresses would no doubt have trouble handling. Her face tells a thousand stories with each shot giving a multi-leveled meaning to the deeper motivations that lie within her character.

After the credits Glenne Headly provides further information about the subject and a child abuse hotline number, which is a great addition to a film of this sort. It is not "entertainment" per se, but more along the lines of an informational public service. The symptoms of child abuse are highlighted throughout the movie and the effect of everyone's participation documented as fair warning to the viewer.

I can't praise this movie enough. A film like this raises my awareness and compassion level and makes me want to reach out to help in any way I can. It exceeds expectations in just about every way imaginable.

This is an often shocking but necessary film about a young girl called Bone and the abuse she suffers at the hands of her stepfather, Daddy Glen. The film is hard to watch at times but there are lighter moments when Bone's extended family are on screen. The book contains a much wider scope and naturally many of these subplots didn't make it into the screenplay. Ultimately, the film feels a little rushed and could have benefited from another half hour or so.

The quality of the acting is patchy. Lyle Lovett's delivery of his few lines of dialogue is very wooden compared to Michael Rooker's excellent portrayal of gentle giant Earl. Jena Malone does a brilliant job in obviously difficult circumstances as young Bone. The look in her eyes breaks your heart whenever things are about to turn violent, making you want to rescue her yourself. Jennifer Jason Leigh is fine as Bone's mother but you feel like you never really get to see beneath the surface of her determined expression to understand her motives for standing by her man in the face of Glen's obvious resentment of her daughter.

Ron Eldard is excellent in his depiction Glen, expertly capturing the character's pathetic childishness behind those icy blue eyes. Eldard often seems to play characters with a dark side and this role plays to his strengths, even if his southern accent slips from time to time. His scenes of violence with Bone are harrowing to watch and you can't help but feel uncomfortable, given the age of Jena Malone at the time. I know it's 'only acting' but the scenes are very realistic and graphic for a young actress to endure.

The film is one that ought to be shown to any single mother tempted to jump into a relationship with a hot-headed young man with questionable intentions.

This is just a usual tale how a deeply stupid, dumb, senseless mother spoils the entire life of her daughter. The same story could be told in any part of the world. Oh yes, and be prepared to have your heart and soul tormented throughout the film.

I just watched this movie in my Advanced Developmental Psychology class, and I was blown away by it. Naturally, the professor warned us that the film contained some very graphic scenes, as it certainly did. There were moments where I absolutely could not look up at the screen. The film is wonderfully directed (by Anjelica Huston) and acted. Jennifer Jason Leigh gives one of the best performances of her career. She's one of those actresses who has talent and I have nothing against her, but rarely do I find myself raving about her performances. Here, she's given a genuinely challenging role, as she has to be both disturbed by her new husband's abuse towards her daughter, yet at the same time deeply in love with him. My class is predominantly female, so most of the girls were groaning and yelling out things like "You're stupid!" when she kept deciding to get back with the creep. But it's easy to say that while you're sitting on your butt looking at a TV screen. Tons of women get into relationships with abusive husbands, and guys who treat them like crap, and how many of them actually get out of those relationships? Love is a strange, strange thing. There's no way to explain it. But I didn't feel it was in any way inaccurate for Leigh's character to keep wanting to get back with Ron Eldard.

I know Eldard from his role on the cancelled sitcom "Men Behaving Badly" and his supporting roles in films like "Sleepers" and "The Last Supper." Prior to this movie, I would've never envisioned him in this sort of role, as I didn't really think of him as a daring, intense actor. I would envision an actor like Ray Liotta or James Woods in this sort of role. But I think Eldard's apparent naivete really gives dimension to this role. He doesn't in any way appear like someone who would act abusive towards anyone, as it usually turns out in real life. He also plays the character with a certain charm, which gives us some insight into why Leigh decided to stay with him. Of course, he never gets a handle on the Carolina accent (at times even sounding like an Englishman, as he struggles so hard), but as I got more and more into the film, I barely paid attention to the flaws in his accent. After watching this film, I will definitely look at Eldard much differently, as much more than the fun-loving buddy of Rob Schneider on "Men Behaving Badly" (a show I used to watch pretty frequently).

The cast is also composed of fine character actors, like Glenne Headley and Michael Rooker--who's absolutely terrific as Leigh's short-fused brother. Of course, that isn't an unusual role for him, but he plays it very well and packs a great dramatic punch in this performance especially. Jena Malone shows why she grew up to star in big films like "Stepmom" and "For Love of the Game." Even at this age, she is fully convincing as a tortured young girl. I just kept on wondering what the director gave her as motivation for her different emotions, since I'm guessing they couldn't outwardly address the issues or rape and abuse to a girl of her age.

The film contains some of the most disturbing scenes in American cinema (I stress the word "American," because I've seen more graphic rape scenes in foreign films like "The Bandit Queen" and "Pixote"), so even those with stomachs of steel should beware. But how many films you watch really get you talking and thinking, and send you an emotional journey--without using cheap shots? I don't have A.D.D. or anything, but rarely do I get so lost in a film that my attention never drifts and I never take time to look at my watch. This is one of those rare powerful, touching films that I will never forget!

My score: 9 (out of 10)