Búfalo americano

Watching this film on screen and on stage (I imagine) wouldn't be a hell of a lot different. It's still a 3-character film that revolves around the same setting--most of the time. But when you see great acting like this, how can you complain?? Dustin Hoffman is great at whatever he does, and he's perfectly believable as the foul-mouthed Teach. He has some of the greatest lines. My favorite is "Guys like that, I'd like to f**k their wives." He is rude and obnoxious with barely a sympathetic quality, but he's the guy you love to hate. I just recently started watching "NYPD Blue" and just from watching a few episodes, I can say that Dennis Franz is one of the best actors I've ever seen. He deserves to be on the big screen a lot more, because he has abilities as an actor that only few TV actors also possess. He delivers every line and every emotion with such power that your eyes are wide open with amazement every minute he's on screen. Even young actor (I assume he's now in his late teens) Sean Nelson is perfectly cast, blowing me away with a performance I'm sure very few young actors can pull off just as effectively. He only has about 20 or 30 minutes of screen time, yet he's the character you most feel sorry for at times, despite the fact that he lives an unclean life, dealing with thugs and earning his money via dishonest methods. You can just sense that he didn't have any parental leadership, and he wasn't sure what path in life to take, so he took the most easy one--and also the most dangerous one. In a way, the two guys are like his surrogate parents.

I've never seen the play, but when I see the name "David Mamet" under the writing credits, I immediately know that I'm gonna hear some priceless dialogue. I don't know how he does it, but he just has a relentlessly quick wit when it comes to creating dialogue. Like a play, this movie is composed of 80 % dialogue, but the dialogue is so great that I don't really care if there's no exciting visuals. And last but no least, I loved the opening and closing theme song. It just has that grungy quality that perfectly fits the tone of "American Buffalo." If you're a fan of superb acting, this will be a real treat! A real treat!

My score: 8 (out of 10)

...so why couldn't they find a more imaginative director? Michael Corrente's direction of this would have seemed static and lethargic even if it had been done on the stage, which it practically was. If you're going to do a filmed staging, do a filmed staging. But if you're going to go through the motions of making a film, try to make it the least bit visually interesting. What does this guy have against moving the camera, for chrissake?? It's a shame, really, as Franz and Hoffman are flawless, and really have a handle on the tough delivery of Mamet dialogue. To see how easy it is to make Mamet-speak sound odd and out of place, check out the performance of Pinky in the recent "Heist". Mamet is as difficult to act as Shakespeare, all submerged rhythms and unusual language. American Buffalo is a powerful work, and the performances reflect the power of the text...but all that power crashes to the ground like a 747 with Corrente's static presentation. I'm giving this a 7/10, simply because the script and performances were SO brilliant. If directing were all I was taking into account, it'd be a 3/10. So disappointing.

"American Buffalo" is an excellent example of how a director with a breadth of vision can take an established, award-winning play and expand it to mesmerize big-screen and VHS audiences. All the action takes place in an inner-city junkshop, where Donnie (Dennis Franz) and Teach (Dustin Hoffman) plot to steal a valuable coin collection. From the movie's opening lines to the closing scene where one of the characters is being wheeled to the hospital, "American Buffalo" makes plain that, in America, people's business interests often turn them on one another, and sometimes turn them violent. The real star of the show is Dustin Hoffman's flawless and addicting interpretation of the character "Teach," once again showing Hoffman's dedication not just to the craft of interesting filmmaking - but to presenting the minute details an actor can reflect when given such a well-written character.

American Buffalo is an example of David Mamet's ear for dialogue and his way with the gritty underbelly of society. Perhaps no other movie has so deftly demonstrated Mamet's unique sense of rhythm in spoken language. The movie is engrossing and entertaining, all the while using only one location and three characters. Dustin Hoffman is revoltingly slimy as Teach, and Dennis Franz perfects the conflicted role of Don that he originated on stage many years ago. A must see for any fan of Mamet or student of the human condition.

A film starring Dustin Hoffman, plus the chief super from the Hill Street Blues, from an adapted script by screen writing legend David Mamet, at a pocket-money price? Why hadn't I heard of it, what was wrong with it.

Nothing - except it's more a filmed play than a film, with almost all the talky dialogue taking place in a dusty old New York junk shop. Dustin Hoffman is superb, mixing a florid torrent of irrelevant comment, swearing and unease that is not a far cry from his brilliant turns in Rain Main and Midnight Cowboy. Dennis Franz, meanwhile is the shop's proprietor and is an almost opposite, a masterclass in understated body language as the rants from Teach (Hoffman) have become like water off a duck's back.

A third character, black youth Sean Nelson is the dog's body of the outfit and has his own agendas to deal with. The U.S coin of the title is one that might be worth a lot of money, or is it? Having sold it for more than they thought it worth, do they steal it back, just in case it's worth thousands?

Mamet's dialogue crackles with a crisp reality - Teach swears like a trooper, with F and C swear words jumbled up along with everything else. He's harmless, you conclude, if not obviously emotionally damaged. Donny, (Franz) says as much and as little as most shopkeepers say; only when it's needed to get a deal done; to clarify a point.

It undoubtedly would have had more impact and urgency within the confines of a set in an actual theatre, but on DVD it's OK. The shop, at least looks like a proper shop with a plethora of junk, the clutter adding to the feeling of messed up lives, somehow.

Sadly, this won't appeal to everyone. There's no real action to speak of, no pretty women to break up the squalid male-ness and like Teach's dialogue, the story goes round in circles. However, this tale of emerging bitterness and feelings of underachievement is palpable and engaging, if you let it. Personally, I'm glad I chanced upon it.