La historia del hundimiento en 1912 del transatlántico de lujo más grande jamás construido, la tragedia que sucedió a más de dos mil pasajeros ricos y famosos, así como pobres y desconocidos... Leer todoLa historia del hundimiento en 1912 del transatlántico de lujo más grande jamás construido, la tragedia que sucedió a más de dos mil pasajeros ricos y famosos, así como pobres y desconocidos, a bordo del barco condenado.La historia del hundimiento en 1912 del transatlántico de lujo más grande jamás construido, la tragedia que sucedió a más de dos mil pasajeros ricos y famosos, así como pobres y desconocidos, a bordo del barco condenado.
- Ganó 1 premio Primetime Emmy
- 1 premio ganado y 8 nominaciones en total
Opiniones destacadas
There are distinct parallels to its more famous 1997 cousin. You get a Jack & Rose type romance, which is written very awkwardly. Catherine Zeta-Jones and Peter Gallagher did their best with it, but it really doesn't evoke the passionate emotion intended. Overall, the idea of the soap-opera entanglements of several characters is a good plan, and the actors mostly do well. However, the constant heavy-handed bashing of rich people is about as subtle as a repeated blows to the head with a tire iron; it really gets old. In particular, the slant on Molly Brown was so far afield it was just dumb. I thought George C. Scott was pretty good as the ill fated Capt. Smith, who inherits the lines of the Titanic's designer, a character that is in other versions, but deleted from existence here.
The film makes an earnest effort to portray the horror and sorrow of the tragedy, but one blunder really hurt the effectiveness: to show the gradually increasing listing of the ship, the director simply has the camera turned at a slight angle, but fails to have the actors lean in the direction. The painfully comic result is characters standing perfectly upright at odd angles where their center of gravity would force them to lean. Also a problem was the unnecessary house-thief crewman (Tim Curry) still wandering around burglarizing state rooms as the water gushes in all around him. Even worse, the character is played as a constantly giggling idiot.
The montage sequence was a good answer for the limited resources available, and the protracted epilogue aboard the Carpathia might have worked better had it been dedicated to giving fates of real survivors; instead, we get the schmaltzy and unrealistic fates of fictional people.
Just fair entertainment, and hardly a good source for the history of the event. If you want the best historical approach at the Titanic's story, see "A Night to Remember," and if you prefer a highly dramatic and fictionalized version, the 1997 Titanic is better than this one.
After I watched A Night to Remember (1958) and this, I too, compared it to the 1997 one. Maybe a couple of you picked up on this and it may not mean a whole lot, but it does to me. A lot of the lines right down to word-for-word were copied into Cameron's. If I really want to go into detail, I could say that the film focuses on a wealthy woman in first class, and a young boy in third class that made his way on to the ship by accident. Although they don't fall into a deep love here, the character images are about the same.
The special effects that didn't take over the entire second half were well designed and not too fake to where it didn't even look half way real. I especially like the departure of the Titanic from Southampton dock. It gives a fairly good look at the ship here and throughout the movie. A ship/model that didn't have a lot of money put into considering it was a made-for-TV movie, was still very enjoyable.
The actors did an okay job. It was good how it focused on a couple of different characters and not just one or two. Really drew a picture of what everybody else was like. Other things like writing, costume design, and music were also drawn well. The attempt to recapture the look and atmosphere of the real ship was partly good. Mainly for the attempt and not actually finding it.
This was a good mini-series with a good topic to go off on. Titanic has been one of the most popular stories and epics of all time and it is good to see a variety of movies trying to portray it. Remember to rate this as a film of itself and NOT a duplicate of James Cameron's.
My Score 7.1/10
The thing with the Allisons' maid was interesting- the maid did, in fact, take the baby and get in a life boat, without the mother's consent, causing the parents and their little girl to roam the ship looking for them until it went down. Whether the maid was actually crazy was anybody's guess, but it was an interesting choice of plot in this film. Though just a touch too ridiculous. Captin Smith, though he had a famous actor behind him, was a little off character I thought. He had too much initiative. I'm not using James Cameron's portrayal as a basis for comparison, but Captain Smith, though he had years of sea-faring behind him, had had very little experience with intense situations of that sort and was actually very unprepared for the disaster. He didn't think anything could possibly happen on that voyage. I like Molly Brown better, I don't know why. And I really like the last shot of the first part (cause this was a TV flick)- when the people are kicking the ice around on deck, the camera focuses to the forground where someone has placed a champagne glass on the railing. It slowly slides down the now slight incline and smashes to pieces on the deck. When I saw that, I felt it was worth watching. Overall, this film, was, well, a TV film. Meaning it wasn't that great. But it wasn't that bad either.
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- TriviaProduced in advance of the imminent James Cameron movie on the same topic, this miniseries was rushed into production and very hastily completed in order to cash in on the latter's before-release hype. This miniseries aired over two nights on CBS in late-November 1996. The first part received high Nielsen ratings, but experienced a huge drop during the second part, because most viewers got thrown off by the lackluster production. Since this miniseries was so rushed, it included mistakes and historical inaccuracies which Titanic enthusiasts found inexcusable given the wealth of knowledge about the liner and its occupants available by the mid-1990s.
- ErroresThere are several errors relating to Margaret Brown. She actually boarded the Titanic at Cherbourg, not Southampton. She was not known as "Molly" until after her death, and in contrast to her portrayal as a raving, oversexed hillbilly, she was in fact an intelligent, well-mannered, social and political activist. She was also much older and less attractive than actress Marilu Henner. Furthermore, she is seen drinking and gambling in the smoking room. In reality, the smoking room was a male-only domain and Brown would not have been there.
- Citas
Captain Edward J. Smith: There's a line... often quoted... in the newspapers. "God himself could not sink this ship". She was appropriately named! The Titans dared to challenge the gods. And for their arrogance, they were cast down into hell.
- Créditos curiososThe opening credits of Part 1 and 2 are set against a background of photos of the Titanic's construction.
- Versiones alternativasThe Croatian video release is heavily cut, trimming many scenes with Alice Cleaver and her employers, the romantic subplot between Isabella Paradine and Wynn Park and Osa's scenes with her roommates, etc. Many subplots and sinking scenes get removed entirely. This version runs approximately 132 minutes.
- ConexionesEdited into Natural World: The Iceberg That Sank the Titanic (2006)
Selecciones populares
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Detalles
- Fecha de lanzamiento
- Países de origen
- Idioma
- También se conoce como
- Титанік
- Locaciones de filmación
- British Columbia, Canadá(a reconstruction of the Titanic was built there)
- Productoras
- Ver más créditos de la compañía en IMDbPro