Dead Man's Walk

This is a great adaptation of the Larry McMurtry novel. The script follows the novel very closely, which is the number one requirement of any film adaptation of McMurtry's work. McMurtry's dialogue compels readers to fall in love with the characters, so it must be preserved. David Arquette and Jonny Lee Miller are very believable as young versions of Gus McCrae and Woodrow McCall. Arquette has even picked up some of the physical mannerisms that Robert Duvall used earlier in Lonesome Dove. Patricia Childress really captures the role of the tender-hearted young prostitute Mattie Roberts. Eric Schweig is chilling as the dangerous Comanche Chief Buffalo Hump, and the stunt work by Judson Keith Linn when doubling for Schweig is fantastic. The sequence where he rides down one of the Texas Rangers and scalps him from horseback is thrilling and terrifying. An equally terrifying nighttime sequence involves Buffalo Hump chasing down Gus on foot during a lightning storm and spearing him with his lance. The cast is full of noted character actors including Brian Dennehy, Keith Carradine, Harry Dean Stanton, F. Murray Abraham, and Edward James Olmos. Olmos is particularly effective as Mexican Army Captain Salazar. I love this mini-series, but it should not be compared to Lonesome Dove. Every adaptation of McMurtry books is different, using different casts, etc. Don't compare them, just enjoy them!

The author of the book "Dead Man's Walk" also wrote the screenplay for this film, which is obvious when one sees how closely the film adheres to the book. Although I have read the book in question, it didn't curtail my enjoyment of the movie.

One notices how closely the young actors portraying Gus McRae and Woodrow Call (David Arquette and Johny Lee Miller) resemble older versions of the same characters as actualized by Robert Duvall and Tommy Lee Jones. My guess is that making that resemblance a fact was of paramount importance to the filmmakers, as the primary audience for "Dead Man's Walk" has already seen "Lonesome Dove" and would be disappointed if Arquette's performance didn't recall Duvall's and Miller's work wasn't reminiscent of Jones'.

Although it may have been primarily a marketing decision, the strong resemblance between young and old Gus and Call works for me and, oddly enough, binds the two miniseries together.

May we now see a miniseries based on McMurtry's second prequel, "Comanche Moon"?

I'm a Texan and as such it's hard to take the obvious mistakes made in reference to Texas geography. One minute they're supposedly on the staked plains near the Palo Duro Canyon (in the TX Panhandle) and then suddenly they're showing mountains in Southwest Texas near Big Bend National Park. Then there's the Grizzly Besr incident. At that time there wouldn't have been any more Grizzly's left in Texas where they did once range a very long time ago. With all that said, this is a good movie and enjoyable to watch. I was impressed with how the Comanches were portrayed with some very accurate depictions of Comanche horse prowess. The acting is solid. It was nice to see it was filmed in Texas in areas where I've done a lot of hiking and camping.

This old fashioned style T.V western yarn has some brilliant actors and is a prequel to the famed 'Lonesome Dove'. The strongest aspect of the story is seeing these Texas Rangers battle it out against the fearsome Apache and (lesser known) Comanche warriors. Although the show has quite a sentimental romance running through the three episodes, it also shows more than a few white folk getting scalped; a fate worse than death (but usually resulted in the latter). The quality of the cast raise it above the normal viewing standards and anyone who enjoys Westerns will certainly enjoy. Watching this it might put the Comanche at nearly number one, as bad-ass Indians as they hone torture down to a perfection.

I've watched this movie about 4 times, and really enjoyed the personifications of these historic characters (albeit apocryphal).

Johnny Lee Miller and David Arquette are very convincing as Gus and Woodrow. The most memorable performance is easily that of Keith Carradine. He portrayed Bigfoot Wallace, a larger than life frontiersman, who actually outlived the firing squad at Saltillo, in a clever, poetic and humorous way. The only downer of the movie, is the same with any and all Larry McMurthy films: they're depressing as hell! Death, tragedy and sufferin'! And as with all of his films, the conquering will of the human spirit shines through. A fine example of a Western film.