CALIFICACIÓN DE IMDb
6.0/10
13 k
TU CALIFICACIÓN
Basada en la novela de Terry McMillan, esta película sigue a cuatro mujeres afroamericanas muy diferentes y sus relaciones con los hombres.Basada en la novela de Terry McMillan, esta película sigue a cuatro mujeres afroamericanas muy diferentes y sus relaciones con los hombres.Basada en la novela de Terry McMillan, esta película sigue a cuatro mujeres afroamericanas muy diferentes y sus relaciones con los hombres.
- Dirección
- Guionistas
- Elenco
- Premios
- 9 premios ganados y 10 nominaciones en total
Donald Faison
- Tarik
- (as Donald Adeosun Faison)
Theo Mizuhara
- On Air D.J.
- (as Theo)
Opiniones destacadas
This was a good movie, even though I'm not the target audience. It's nice to see that black women had a movie about them, and thanks to the star power of Whitney Houston it became no.1 and was a big hit. I am actually tired of reading little comments saying that Whitney isn't that good of an actress because all of those comments are based on the fact that she's a singer. If she wasn't a famous singer, nobody would say anything bad about her acting. IMO, she acted very well just like in all her movies, she's not an oscar caliber actress (very few are) but she definitely has screen presence, charisma and gets the job done. Stop hating her because she's a singer, unlike Madonna or Mariah, Whitney at least did some quality work with some quality people, and she hasn't had flops & horrible movies.
I did not find this film to be particularly enjoyable. I haven't read the book, so I don't know how they compare. However, the film didn't seem to have anything that appealed to me. It appears to be about a group of women who become bitter and spiteful when their husbands leave them. Then they sit around talking about how all men are terrible. While one can sympathize with the women for being upset, they quickly become extremely unsympathetic. The whole point of their conversations seems to be that women are superior to men, because a woman would never do such evil things. Additionally, the main focus of their concern seems to be that the men have left them for white women. I thought these ideas of racial purity went out with the civil rights movement. One almost senses that they wouldn't have minded so much if they'd been replaced by other black women. I was also irritated by the one woman's burning her husband's possessions after he left her. I realize she's angry about the whole situation, but that destruction is very childish. Her first thought was probably to burn him, but she felt that burning his things would be better, particularly since he'd be alive to suffer.
I was generally disappointed by the film and frustrated by the characters. I would never have considered it to be a comedy, although I'm sure I would have liked it better if it had been funnier, since that would have softened the impact of the unappealingly bitter and spiteful nature of the women. As it was, however, the film did nothing but irritate me.
I was generally disappointed by the film and frustrated by the characters. I would never have considered it to be a comedy, although I'm sure I would have liked it better if it had been funnier, since that would have softened the impact of the unappealingly bitter and spiteful nature of the women. As it was, however, the film did nothing but irritate me.
That's the word I'd use to describe the film, an adaptation of Terry McMillan's 1992 best-seller. It's not great, it's not bad, but it's frustrating to watch, and the fact that I'm of the male persuasion undoubtedly had something to do with it.
Now, let me be the first to say that I did enjoy seeing a group of strong black women portrayed onscreen. To say that Hollywood has been exceedingly lax in this regard is an understatement. But it would've been nice if their collective talents hadn't been squandered on this disgustingly anti-male tirade. Especially Angela Bassett and Loretta Devine, who otherwise shine in everything their names are attached to. Good, solid movies about sisterhood are probably needed now more than ever, but not at the cost of shortchanging the good, upright, decent brothers out there, whom this movie largely forgets about (with some notable exceptions -- Gregory Hines, for example.)
And the frustration doesn't end there. Both Savannah and Robin manage to find themselves involved with the most shady characters (a married man and a dope fiend, respectively), yet they complain about the lack of good men out there. I suppose it would be silly to question just where they've been looking, even though it might hold the answer. The sad thing is that there are fellas out there who have little to no regard for women ("the scum of the f__king earth", to quote Savannah), and women who fall for fellas like that for the most silly, shallow reasons.
If it wasn't for Bassett, Devine, and Babyface's score, this movie would barely be watchable. As it is, it's a moderately entertaining diversion, albeit a frustrating one.
Now, let me be the first to say that I did enjoy seeing a group of strong black women portrayed onscreen. To say that Hollywood has been exceedingly lax in this regard is an understatement. But it would've been nice if their collective talents hadn't been squandered on this disgustingly anti-male tirade. Especially Angela Bassett and Loretta Devine, who otherwise shine in everything their names are attached to. Good, solid movies about sisterhood are probably needed now more than ever, but not at the cost of shortchanging the good, upright, decent brothers out there, whom this movie largely forgets about (with some notable exceptions -- Gregory Hines, for example.)
And the frustration doesn't end there. Both Savannah and Robin manage to find themselves involved with the most shady characters (a married man and a dope fiend, respectively), yet they complain about the lack of good men out there. I suppose it would be silly to question just where they've been looking, even though it might hold the answer. The sad thing is that there are fellas out there who have little to no regard for women ("the scum of the f__king earth", to quote Savannah), and women who fall for fellas like that for the most silly, shallow reasons.
If it wasn't for Bassett, Devine, and Babyface's score, this movie would barely be watchable. As it is, it's a moderately entertaining diversion, albeit a frustrating one.
9jazp
While this movie truly is bound to be more appealing to women than men, it is a touching story of four best friends. How they stick together and grow together through life's mistakes, joys, and bad taste in men. I love Angela Bassett and she is outstanding in this movie. The other 3 ladies, Whitney,Lela, and Loretta do great jobs too. This movie is filled with sweet moments, great laughter, and maybe some tears. Just a wonderful movie that shows what friendship is about. I have not read the book, but I have heard many times that the book is better... but hey thats true for almost every book turned movie. So all I know is I love this movie, and every time I watch it, it gives me great pleasure. Not too mention the soundtrack is fabulous! Whitney, Brandy, Babyface,Faith Evans,and Mary J Blige make the music in the film absolutely great.
I got an opportunity to see Waiting To Exhale for the second time recently, the first time shortly after it came out, and now now. I can't say time has improved my thoughts of the film, which is odd, as I seemed to recall really enjoying this the first time it came out. (Maybe I should watch 'Homeward Bound' again, as I LOVED that movie the first time I saw it) The only actress really to impress in this movie is of course the amazing Angela Bassett who growls and hisses every chance she gets! I really liked this character, and I felt for the trials she was going through. The other character I liked was the one played by Loretta Devine, who was cute as the overweight mother who unexpectedly falls in love. I kind of thought the Lela Rachon character was underwritten, and seemed to almost revel in her wantonness. lol. As for Miss Houston, when I was watching her "act", well, Chesty Morgan's performance in "Deadly Weapons" came to mind for some odd reason, as it appears the acting thing was becoming a struggle, and wasn't going to last for too long.. All in all, I wasn't really disappointed in the film, it just slid off...
¿Sabías que…?
- TriviaDuring the car burning scene, Angela Bassett's monologue was completely improvised.
- ErroresGloria's right earring appears and disappears during her conversation with her ex-husband about their son.
- Citas
Bernadine Harris: I give you 11 fucking years of my life and you're telling me you're leaving me for a white woman?
John Harris, Sr.: Would it help if she was black?
Bernadine Harris: No. It would help if you were black.
- ConexionesFeatured in Whitney Houston: Exhale, Shoop Shoop (1995)
- Bandas sonorasExhale (Shoop Shoop)
Performed by Whitney Houston
Written by Kenneth 'Babyface' Edmonds (as Babyface)
Produced by Kenneth 'Babyface' Edmonds (as Babyface) for Ecaf Productions
Whitney Houston appears courtesy of Arista Records, Inc.
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- How long is Waiting to Exhale?Con tecnología de Alexa
Detalles
- Fecha de lanzamiento
- País de origen
- Idioma
- También se conoce como
- Esperando un respiro
- Locaciones de filmación
- Productora
- Ver más créditos de la compañía en IMDbPro
Taquilla
- Presupuesto
- USD 16,000,000 (estimado)
- Total en EE. UU. y Canadá
- USD 67,052,156
- Fin de semana de estreno en EE. UU. y Canadá
- USD 14,126,927
- 25 dic 1995
- Total a nivel mundial
- USD 81,452,156
- Tiempo de ejecución
- 2h 4min(124 min)
- Color
- Mezcla de sonido
- Relación de aspecto
- 1.85 : 1
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