Under Siege 2: Dark Territory

Yes, the earthquake beam from space (heck, the whole story line and all of the villains too) are totally unbelievable. Frankly, if you can find a "believable" action movie, I have a beach house in Arizona you might want to buy. Yes, the production values were not the finest.

But -- if you like watching the hero exterminate the bad guys, few do it with the style of Seagal. Like Jet Li (yeah, I am old enough to remember Bruce Lee the original, and Chuck Norris), he is one of the few action heroes who is a real martial arts guy, and he moves so fast and fluidly it is hard for the eye to follow, but fascinating to watch. This is brainless entertainment, full of hilariously cheesy B-movie one-liners you can laugh at ("Assumption is the mother of all f-ups!"), often bad acting, a story line you could describe in one sentence, and zero character development.

There are worse ways to spend 90 minutes. Believability is for films that take themselves seriously. Seagal is more like stand-up comic straight man meets Aikido ace. At least he handles a handgun like someone who has actually fired one.

With the overwhelming success of the first Under Siege, it was inevitable that a sequel would be wheeled out before too long. Sure enough here it is, Under Siege 2 – Dark Territory.

Quite why they bothered with the last subtitle I do not known as it is not readily obvious within the action as to its reference but I digress.

This time the terrorists and Segal are all clumped together on a train. Basically it's a similar scenario from the first film, complete with the same Admirals, CIA boss etc from the first instalment.

The weapon of choice this time is a daft satellite weapon controlled by a nutcase and his band of hired mercenaries. The two leading bad guys do however have some wonderful much quotable lines, one in particular I cannot repeat here in print, you will just have to make your own assumption…..

Once again Segal is on his own with just an annoying sidekick/comedy relief (this time a Porter) for company and again he single handed takes on the non-descript bad guys and duly despatches them one by one as per standard procedure in an effort to stop the weapon, save the train and also save his irritating but nice to look at niece.

Sadly the quality of the seemingly recycled script is poor and Segal is hopelessly out acted by the two lead bad guys (Eric Bogosian and Everett McGill) who in turn are out acted by the two former Alaskan Railroad GP7 type locomotives hauling the train!!

Also not helping in my appreciation of this film is the fact that the UK DVD release is badly chopped about and obvious badly done cuts abound throughout. Thankfully an excellent soundtrack from Basil Poledouris saves this film from being just average.

Steven Seagal reprises his role as a one time SEAL team captain, a counter-terrorist expert who had to rely only on his personal skills in order to survive, and protect the hostages... He happens to be on the Grand Continental passenger train traveling from Denver to L.A... Seagal joins the only family he has, a 'cute kid' named Sarah (Katherine Heigl) after her parents died in a plane crash...

Seagal has an electrifying screen presence... Seeing him in action is similar to appreciating modern art...

The train is hijacked by a team of 'ugly men' with guns... Their chief, Travis Dane (Eric Bogosian), is a high-tech mastermind, who fakes his own death in order to gain control of a top-secret nuclear satellite... For this crazy technical genius, technology can be used for beauty or debasement, and 'until you plug it in, you just can't tell.'

Dane's henchman Penn (Everett McGill) is a soldier of fortune freak, whose relationship with his boss resurfaced during Desert Storm...

Morris Chestnut's focus is on humor and breath-taking sequences...

Geoff Murphy's film is incredibly entertaining, combining action, martial arts, and dark sense of humor...

Casey Ryback (Steven Seagal) having left the Navy to open a restaurant must now escort his niece (Katherine Heigl) home via train after her father's recent death. While on the train, a group of terrorists lead by crazed engineer Dane and bloodthirsty mercenary Penn (Eric Bogosian and Everett McGill respectively) hijack the train to use it as a base of operations to hijack a black ops satellite weapon capable of causing earthquakes with the intent being to destroy Washington D.C. once again only Ryback can save the day.

After the massive critical and commercial success of the first Under Siege, Warner Bros. was so eager to do a sequel that they allowed Seagal to direct and star in his vanity project On Deadly Ground....after, whatever that was came Under Siege 2: Dark Territory which throws out all pretense of taking place on planet Earth and goes into insanity normally reserved for 90s comics and video games that I can't help but love.

Like the last Under Siege, the true stars of the movie are the villains and location. Eric Bogosian and Everett McGill while somewhat similar in terms of motivation and character to Tommy Lee Jones and Gary Busey from the first movie (down to Bogosian having a bone to pick with the CIA after having been burned) they bring a different approach to similar characters to make them feel unique to the situation. Bogosian in particular is great as an unhinged tech genius playing the role in a manner similar to Elliott Gould or Dustin Hoffman circa 1970 that makes him feel more authentic than I think the movie was trying to do. Their plan is completely detached from reality unlike the first one which at least pretended to take place in some realistic fashion, and now the villains are involved in Lex Luthor level shenanigans involving what amounts to an "Earthquake Machine" but never directly called that and tap danced around with a lot of technical jargon. The insanity of the plot as well as Bogosian's and McGill's ability to maintain seriousness adds to the film's charm and makes it somewhat endearing.

The Train despite seemingly more limited in terms of possibilities to a battleship is used to great effect in Under Siege 2. The train is used for some great shootout sequences, closed quarters combat, and even chases across the train's rooftops (an unwritten rule for any thriller featuring a train as a centerpiece). Everything that can be done with a train, IS done with a train, right up to an absolutely insane climax that involves another train that must be seen to be believed. The supporting cast is a little more dialed back this time around as Seagal is given more screen time than in the first one, which leads to some minor detriment to some of the characters. Katherine Heigl is good playing Ryback's niece, but despite her being established as a fighter like her uncle it never comes into play in any meaningful fashion. Morris Chestnut however in an early performance is quite good playing a porter who reluctantly teams up with Ryback to help stop the terrorists from executing their plans. Chestnut shows a lot of charisma in his role and adds some nice touches of humor and humanity to what could have easily been a throwaway role.

While Under Siege 2 lacks novelty, tension, and punch of the first movie, it more than makes up for it with sheer amounts of excess and silliness that keeps you engaged throughout. From its villains over the top plan that feels like it belongs in a 90s arcade game to the sheer dedication to treating this situation seriously, it's an entertaining rush from start to finish that every action fan owes themselves to experience.

This film is one of Steven Seagal's best and has all the elements of a Bond film: a driven hero, a villain brilliantly played by Eric Bogosian, and a hard-hitting assassin played by Everett McGill. Beauty is respected as a formula that ensures success and the action sequences are precisely dosed by Geoff Murphi, who here offers his best film. What is most surprising is that despite having had many successful films Steven Seagal chose the path of destroying his career with questionable products that instead of entertaining had other objectives. It is a film that does not lose its validity and that is enjoyable. This same recipe was the one that ensured the success of Kingsman and other sagas. We must never forget history if we want to make money.