CALIFICACIÓN DE IMDb
8.0/10
63 k
TU CALIFICACIÓN
Un grupo de socialistas serbios se prepara para la guerra en un refugio surrealista lleno de fiestas, tragedias, amor y odio.Un grupo de socialistas serbios se prepara para la guerra en un refugio surrealista lleno de fiestas, tragedias, amor y odio.Un grupo de socialistas serbios se prepara para la guerra en un refugio surrealista lleno de fiestas, tragedias, amor y odio.
- Dirección
- Guionistas
- Elenco
- Premios
- 8 premios ganados y 11 nominaciones en total
Predrag 'Miki' Manojlovic
- Marko
- (as Miki Manojlovic)
- …
Srdjan 'Zika' Todorovic
- Jovan
- (as Srdjan Todorovic)
Danilo 'Bata' Stojkovic
- Deda
- (as Bata Stojkovic)
Nele Karajlic
- Falling Gypsy
- (as Dr. Nele Karajlic)
Opiniones destacadas
Kusturica believes (and so do I) that countries don't fall apart but are actively ripped apart. So if you want to see a short summary of Yugoslav history 1941-92 and an artist's view of why it fell apart, this movie will tell you more about it than many political books or articles. Almost everybody is portrayed with varying degrees of guilt: the communists for lying to the people, Germany for bombing Belgrade in 1941, Germany again for supplying the weapons in 1991, all nationalists... Please do not be surprised if you read negative reviews for Kusturica has stepped on many folks' feet. Invest some time, it's one of the best films in the past 15-20 years. BTW: The soundtrack is excellent, go listen.
If you get a chance to see this projected on a sheet in an unheated high school gym with hard chairs and flat Pepsi, DON'T MISS IT. You can get a VHS copy--DO IT. (Unfortunately, there's no DVD ... YET, right, New Yorker Films?) I walked into an art house theatre in Nashville, Tennessee, no reviews, no word of mouth, just this poster of a woman wearing a red dress, her arms wrapped around the barrel of a tank's cannon. I came out one second (or was it two and half hours?) later a different person. People and movies are imperfect things--this one is messy, joyous, horrific, ecstatic, beat, danceable, romantic, provocative, drunk--this movie tastes like Slivovitz and sounds like Heaven's carnival. And there's a monkey. Once there was a country ...
10ycornu-1
Underground is The Film, my favorite... And nobody hasn't written any greeting comments in 2005. So, I'm happy to be the first and I wish the best year 2005 to all the Underground's fans. If you never had this chance to see the long version (5 hours) of the film, give your priority, this year, to watch it. After this, the Palme d'Or version will feel you so short!!! If you live in Paris, I can help you to discover the complete Chef d'Oeuvre.
Therefore, I understand that the film could be criticized on the political depths. But it is so easy to make movies without any involvement. Kusturica worked for 3 years on the film and involved himself on the content. But the film treatment is not only about Balkans war, but mainly about human ferocity and betrayment. Speaking Cinema, there is no film controlling so well aestheticism, scenario, actors, music and creativity. Emir did it and I am sorry that some arrogant journalists killed the film, getting it off the Cinema theaters without the popular success that Underground deserved.
Therefore, I understand that the film could be criticized on the political depths. But it is so easy to make movies without any involvement. Kusturica worked for 3 years on the film and involved himself on the content. But the film treatment is not only about Balkans war, but mainly about human ferocity and betrayment. Speaking Cinema, there is no film controlling so well aestheticism, scenario, actors, music and creativity. Emir did it and I am sorry that some arrogant journalists killed the film, getting it off the Cinema theaters without the popular success that Underground deserved.
Those who have seen "Underground" have probably noticed that we are not watching one film but a collection of at least 10 films in one single masterpiece!!
I watched with great enthusiasm the work of Kusturica after "Underground" in films like "Arizona Dream" or "Black Cat White Cat" films which prove to be more elaborate and "smoother" in terms of direction (brilliant works as well!!) but none of these films could ever equal the "nerve" and strength of a very young Kusturica at his best! One could see the passion and boldness that is at stake in this motion picture. It's as if he gambled his own life doing "Underground"
How else can you describe this work of art if not a mixture of devilish and holy images that take the shape of a flawless piece of theater-dance!!
The actors speak, dance and create (more than interpret) with a vigor rarely found outside the Balkan Circle!
In terms of theatrical aesthetics the film incorporates Stanislavski( realism at its best), Brecht (at certain points the actors step out of their roles and mock at themselves) and Artaud (they are flames more than humans)
Needless to say more!
Shocking, raw, heart-breaking!!
One of the most beautiful I have ever seen! 10/10
I watched with great enthusiasm the work of Kusturica after "Underground" in films like "Arizona Dream" or "Black Cat White Cat" films which prove to be more elaborate and "smoother" in terms of direction (brilliant works as well!!) but none of these films could ever equal the "nerve" and strength of a very young Kusturica at his best! One could see the passion and boldness that is at stake in this motion picture. It's as if he gambled his own life doing "Underground"
How else can you describe this work of art if not a mixture of devilish and holy images that take the shape of a flawless piece of theater-dance!!
The actors speak, dance and create (more than interpret) with a vigor rarely found outside the Balkan Circle!
In terms of theatrical aesthetics the film incorporates Stanislavski( realism at its best), Brecht (at certain points the actors step out of their roles and mock at themselves) and Artaud (they are flames more than humans)
Needless to say more!
Shocking, raw, heart-breaking!!
One of the most beautiful I have ever seen! 10/10
Comical, chaotic, patriotic, satirical, philosophical, questioning, critical, ironic and many other things, throughout the plot we perceive the different layers of the plot, which in turn, requires a certain abstraction from those who watch, because in general, the characters and lived situations are just abstractions or representations.
Divided into three acts, it tells the story from the beginning to the end of Yugoslavia, through WWII, the Cold War and the dissolution of the country. We have four characters, and here, I'm going to talk a little bit about what each one represents, according to what I understand.
Crni: The Partizans, who truly love the country, fight and die for it.
Natalija: Yugoslavia itself, which at a certain moment is with Germany represented by the Official, at a certain moment with the Rebels, and a good part with the Politicians.
Marko: The corrupt, politicians, generals who, in order to stay in power, commit the greatest atrocities and betray the trust of even their brothers, friends and family.
Ivan: The Yugoslav people, who, don't understand what's happening when the war starts, much less when the war ends and Yugoslavia ends. Perhaps symbolized as on crutches, due to the country's institutional fragility.
In the first act, we have the second world war, where Natalija has love for the first three characters (Crni and German Officer, Marko), representing, the passage of domination throughout history, Crni at one point tries to date Natalija, but who does date her? Is the officer, and after the war with the Allied victory ends up staying with Marko. Also, we have a memorable scene of Ivan hitting the officer and saying, "You think you're going to have her, you filthy pig."
In the second act, we have the cold war and also the longest act of the film, I believe due to the long 40 years of the period. Right now we have The characters trapped living in a basement forced to build weapons, living under sub-human conditions, which to me means, the curtain of communism in relation to capitalism. The guns, it represents, perhaps the arms race. Marko, the politician/general who profits and lives very well from this arms trade (portrayed in Lord of War) while leaving the people living in fear of enemy domination, closed to the world that exists beyond the basement.
In the last act, we have Ivan, totally weakened from having lived through so many wars, who discovers he is being deceived all the time about the basement and the lies told as a form of control, coming across the capitalist world for the first time, having a shock to discover that your country no longer exists. In fact, the doctor who talks to him, perhaps represents NATO.
The most interesting thing for me is that the film does not seek to point out right and wrong, villains and heroes, only to portray the facts in a raw and comic way.
Anyway, I hope that my interpretation of what this film tries to tell will help other cinephiles. I'm Brazilian so I may have misunderstood the film if that's the case forgive me, I did a quick read about Yugoslav history to write this review.
Divided into three acts, it tells the story from the beginning to the end of Yugoslavia, through WWII, the Cold War and the dissolution of the country. We have four characters, and here, I'm going to talk a little bit about what each one represents, according to what I understand.
Crni: The Partizans, who truly love the country, fight and die for it.
Natalija: Yugoslavia itself, which at a certain moment is with Germany represented by the Official, at a certain moment with the Rebels, and a good part with the Politicians.
Marko: The corrupt, politicians, generals who, in order to stay in power, commit the greatest atrocities and betray the trust of even their brothers, friends and family.
Ivan: The Yugoslav people, who, don't understand what's happening when the war starts, much less when the war ends and Yugoslavia ends. Perhaps symbolized as on crutches, due to the country's institutional fragility.
In the first act, we have the second world war, where Natalija has love for the first three characters (Crni and German Officer, Marko), representing, the passage of domination throughout history, Crni at one point tries to date Natalija, but who does date her? Is the officer, and after the war with the Allied victory ends up staying with Marko. Also, we have a memorable scene of Ivan hitting the officer and saying, "You think you're going to have her, you filthy pig."
In the second act, we have the cold war and also the longest act of the film, I believe due to the long 40 years of the period. Right now we have The characters trapped living in a basement forced to build weapons, living under sub-human conditions, which to me means, the curtain of communism in relation to capitalism. The guns, it represents, perhaps the arms race. Marko, the politician/general who profits and lives very well from this arms trade (portrayed in Lord of War) while leaving the people living in fear of enemy domination, closed to the world that exists beyond the basement.
In the last act, we have Ivan, totally weakened from having lived through so many wars, who discovers he is being deceived all the time about the basement and the lies told as a form of control, coming across the capitalist world for the first time, having a shock to discover that your country no longer exists. In fact, the doctor who talks to him, perhaps represents NATO.
The most interesting thing for me is that the film does not seek to point out right and wrong, villains and heroes, only to portray the facts in a raw and comic way.
Anyway, I hope that my interpretation of what this film tries to tell will help other cinephiles. I'm Brazilian so I may have misunderstood the film if that's the case forgive me, I did a quick read about Yugoslav history to write this review.
¿Sabías que…?
- TriviaThe director's cut ran for over 320 minutes.
- Versiones alternativasThere is a 300 minutes version of this film produced for television.
- ConexionesFeatured in Cannes... les 400 coups (1997)
Selecciones populares
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- How long is Underground?Con tecnología de Alexa
Detalles
- Fecha de lanzamiento
- Países de origen
- Idiomas
- También se conoce como
- Underground
- Locaciones de filmación
- Plovdiv, Bulgaria(Tunels)
- Productoras
- Ver más créditos de la compañía en IMDbPro
Taquilla
- Presupuesto
- USD 14,000,000 (estimado)
- Total en EE. UU. y Canadá
- USD 171,082
- Total a nivel mundial
- USD 182,134
- Tiempo de ejecución2 horas 50 minutos
- Color
- Mezcla de sonido
- Relación de aspecto
- 1.85 : 1
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Principales brechas de datos
What was the official certification given to Había una vez un país... (1995) in Brazil?
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