Suite 16

A wheelchair bound millionaire struggles with impotence. He catches the services of a beautiful and tough blond hustler named Chris. Chris is no more than a common thug and he is out on a lamb escaping a murder charge. Glover uses him to lure women so he can watch Chris fornicate with a barrage of willing women to pay for Chris' services.

This movie is rather slow and has corny dialogue. Kammerling's physical appeal with his chiseled beauty and glorious brawn carry the film so far. But Postelwaite's creepy control takes charge as we see him take advantage of Chris.

If you want to see some softcore sex with good looking people and an old voyeur in a wheelchair, this can be satisfying. For eye candy purposes this film is alright.

I was thinking that this would be an american film, and it turned out to be a pale European-film. The acting is so unbelievably poor and especially the young lad is very unconvincing. It tells something that is my first DVD that I just couldn't bear watching. Waste of money,then.

There are a few semi-nude-scenes but unfortunately not strong enough to keep me coming back for this. Avoid at all costs!

In this film of sexual manipulation and head games it quickly becomes clear that Chris, the beautiful hustler on the make is living a life totally out of control. When he first meets wheelchair-bound Glover, he has the upper hand. His physicality and his threats of violence can only take him so far though. As their relationship continues, Glover more and more becomes the one in control.

Many folks reviewing this movie seem to hate it and yet I found the dynamic between the two individuals and their ambiguous sexual orientation was interesting enough to carry the plot along to its eventual conclusion.

That dynamic and the eye candy provided by Antonie Kamerling was certainly enough to keep me interested until the end.

The whole point of antonie kamerling in suite 16 is eye candy. The character played by pete is obviously sexually repressed and finds the character played by Antonie extremely attractive yet he is unable to act upon it due to his physical deformaties. The woman only comes into it to make the character played by antonie jealous. antonie plays an excellent role in what could be called, at best, a bad movie. He was hired for his beauty and he used it to its full extent in the inadequate directing of this movie.

Chris (Antonie Karmeling) is a violent and ignorant small-time Dutch crook. He uses his body and beautiful face to seduce old married women, and then he robs them. One day, after assaulting a friend of him, he steals his van and moves to Nice. There, he goes with an old woman to her room in a fancy hotel, and when he is robbing her, she fights with him, hurts his face and he attacks her. Chris believes he has killed her, and while escaping from the employees of the hotel and from the police, he hides himself in the suite 16. Chris meets the owner of the suite, the wealthy paraplegic Glover (Peter Postlethwaite). They make an agreement, and Chris gets paid for staying in the suite having sex with prostitutes for Peter watch it through a camera. The story finishes in a tragic way. Yesterday I watched this European movie and I found it very intriguing. The character of Chris is violent, ignorant, impulsive, alienated, athletic and makes anything for money (indeed, the guy is obsessed for money). Glover, magnificently performed by Peter Postlethwaite, is the opposite: very well controlled, intellectual (he makes many citations along the film), paraplegic and unhealthy, wealthy and very intelligent, he plans each step, like a cat playing with a mouse before eating it. The story is not well resolved: my impression is that the writer did not know how to finish the plot. This erotic, violent and intriguing film is recommended for a very specific public, who certainly will have the attention hooked along the story. My vote is seven.

Title (Brazil): `Aconteceu na Suite 16' (`It Has Happened in Suite 16')