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I had no idea this film even existed until it showed up in my Netflix 'recommended' column, and I decided to give it a shot after reading some good reviews on there. Wow, am I happy I did.

This was a truly fantastic sci-fi thriller, with intense action and a truly engaging story. The characters were very well constructed and had a lot of substance to them, and of course the acting was superb. Who knew Ralph Finnes could play such a good lowlife?

Set in an alternate (but totally recognizable) Los Angeles of 1999, the world has seemingly gone completely to hell, due to rampant poverty and class/racial tensions which are pushing society towards an all-out state of anarchy. The authorities are barely maintaining order, despite resorting to draconian measures to try and keep things in check. The director does an excellent job of painting this picture for us through fantastic environment and background shots which effectively build the tension and make us fully believe what is happening.

In this world, they have invented a type of virtual reality which allows an individual to record everything they are seeing and feeling directly through their brain, so as to then be played back later through someone else's brain, which allows the user to then see and feel exactly what was recorded without any danger (other than possible addiction). So needless to say a huge black market has sprung up to provide people with recordings of all kinds of illicit, criminal and sexual activities that they'd never actually get to experience in the real world. The plot of the movie builds from this technology.

However, other than this particular device and general state of social affairs, the alternate 1999 is pretty much identical to our 1999 (very much to it's credit). No flying cars, no wacky fashion, no aliens, no laser guns or anything like that. It was a great decision by the filmmakers to not bite off more than they could chew in that regard, as it would have distracted from a very solid story.

The films weaknesses are few, but are there nonetheless. It was a bit long... although I'm not usually one to complain about that kind of thing, so long as the time is necessary to tell the story. In this case an argument can be made either way, though I personally feel they could have lost about fifteen minutes or so (but to me it's a minor issue).

The director also felt the need to very quickly explain the origin of the virtual reality technology through a throwaway line of dialog, which really added nothing to the plot, and honestly made no sense; they said the technology was originally developed for the FBI so that informants wouldn't have to wear a wire, which is just dumb. The device is WAY more cumbersome and easily discoverable than a wire transmitter. How about saying that the military invented it to train soldiers more realistically? Or just leave it alone... true virtual reality is a technological holy grail. I don't think anyone questions why something like that would be invented in the first place, even if it's purely for entertainment.

Additionally, in my opinion, a couple of the 'bad guys' could have had their motivations fleshed out a tad better, but that is a also very minor quibble.

Beyond that, the look of the movie is quite dated, which could hinder the enjoyment for some people. The 1990's did not age very well to our eyes, and this movie is VERY much a product of that era. If you lived through it, you know what I mean. Younger viewers may not fully get the social and cultural allusions that this movie is built upon (Rodney King riots, 90's hip hop culture, rave clubs... things like that)... just something to keep in mind, although if you did live though it, you'll appreciate the depth that these references add.

But really, I can't recommend this film highly enough. It's a completely under-appreciated piece of work, and one of the best sci-fi thrillers out there.

'Memories were meant to fade' and some years after its release this has become a little diminished and less visible, especially as it attempts to forecast a technological future that even today is somewhat ambitious.

Always tricky predicting what's to come, although this does foresee with great clarity abuse by those in authority against the same classes and races that are so disenfranchised today - but maybe that wasn't such a big gamble to take. If I had a crystal ball I would foresee the same continuing for another twenty five years and quite probably in perpetuity.

All in all a reasonable variation on a theme you have seen plenty of before and will continue to do so if this is your bag.

Strange Days is an interesting film, with a great premise. It also happens to be well-executed, for the most part. The LA of the future (well, future back when it was released in 1995) is quite dystopian in nature, and Strange Days manages to present all facets of that using Taxi Driver-influenced car rides through the city while observing the chaos on the streets. In many ways, Strange Days manages to create a real-life and convincing future, and it feels like a true place, with things going on independently of the events in the movie, rather than feeling like a movie set.

Atmosphere aside, though, the movie has many strengths. The plot is intriguing, and it flows quite smoothly. A lot of the dialogue is really quite interesting and gives the movie a nice feel (not to mention the actors do a pretty good job with the material). The characters are three-dimension and interesting. While the beginning parts were somewhat disjointed (at least in terms of plot), they did serve as an excellent setup. When the movie was its best (during the middle parts) there is a frantic sense of urgency that really drives the picture along. It's a very entertaining movie, and it managed to form an emotional link with me - always a good sign.

Unfortunately, it kind of goes downhill after that. Strange Days ends up resorting to awfully cliche ideas, complete with plot elements seen a million times in movies before. All of this mars what could have been a real classic film. It's too bad that Cameron and Cocks had to resort back to this, since the movie has so many strengths and so many great things that it could have built on. While the movie is still above average, it just isn't as superb as it could have been. Nonetheless, Strange Days succeeds on many levels and is well worth watching.

Strange Days is a truly astonishing science fiction offering, part scripted by James Cameron and directed with relentless panache by maverick lady-director Kathryn Bigelow. It presents a depressing and bleak, yet worryingly probable, view of the near future, and hooks its story threads upon the impending millennium eve celebrations. Although December 31st, 1999, has been and gone since the making of this movie, it is a credit to the makers that this film still offers a plausible viewpoint about where the world might be at in the next decade or so.

Ralph Fiennes seems initially miscast, but soon wins over the audience as Lenny Nero, a sleazy racketeer who sells "memories" captured on some form of disk, similar to virtual reality but recorded from real experiences rather than computerised ones. He is desperately trying to get back with his ex-girlfriend Faith (Juliette Lewis), but she doesn't want him as she has hooked up with a music producer named Philo (Michael Wincott). Lenny acquires two disturbing tapes, one showing the rape and murder of a woman, the other showing a racially motivated slaying, and before he knows it he is on the run from the culprits who want to kill him before he exposes their crimes. The only person he can trust is his best friend, lady bodyguard Mace (Angela Bassett). To complicate matters further, his ex-girlfriend Faith seems to know something about the disks, and may either be involved in the crimes or at great risk from those responsible.

Bassett is the real star here, in the role of a lifetime as a morally strong and physically stronger heroine. Lewis plays the same old white trash girl she has played many times, but at least she has the experience to bring total conviction to the role. The production values are incredibly high, especially the party at the end which seems to realistically convey an entire city celebrating in the streets. The plot unfolds slowly, but this is a strength rather than a criticism. Each new development slots into place beautifully, and the audience is given time to get into the characters and the situations (which, in too many movies, we are not allowed to do since the pace is often too frenetic).

Strange Days is challenging and aggressive and frequently disturbing. It is also inventive and exciting and ingeniously staged. It is simply a terrific science film which any devotee of the genre absolutely must see.

Reading all these glowing reviews, one might get the impression that Strange Days really blew people away in the 90's, but what about now? Is it actually a "good" movie that holds up outside of nostalgia for new viewers? I don't think so.

I'll admit, the first-person memory sequences were cutting-edge at the time and I can see how the original premise, over-the-top story, fun soundtrack, and cyberpunk aesthetics have helped Strange Days amass a cult following over the years. It also clearly influenced better sci-fi movies like The Matrix, so there are definitely some great ideas here. However, once you get past the initial shock value this film offers, you may start to realize why James Cameron let his wife direct it instead.

While I did enjoy the first half-hour of Strange Days, the story ran out of steam fast and I quickly realized there was no engine to keep it going. The script is poorly paced and bloated with unnecessary scenes carried out by flat, forgettable characters. Additionally, the bad writing was made worse by a general lack of chemistry among the cast, making relationships feel unnatural and forced. By this I mean with the exception of Angela Bassett, every other actor looked like they were only there for the paycheck. A result was that whenever the action kicked in or a major plot twist happened, I didn't care. The scenes had zero emotional impact for me because the stakes never felt high enough to matter, even to the point that the big "conspiracy" reveals fell flat.

Do I regret watching Strange Days? Not completely. I may not have enjoyed it as much as I hoped, but it's still such a 90's movie at its core that I appreciated how it works as a time capsule, capable of transporting you back to a simpler time where movies could just be movies. What you see in Strange Days is what you get and nothing more, which isn't so bad when you consider there's literally a scene where Angela Bassett kicks a crooked cop in the balls. Can you imagine such a scene being made today without a political uproar? Impossible!

Overall, Strange Days is far from the worst movie I've ever seen, but I can't recommend it to anyone besides nostalgic cyberpunk fans. That is why Strange Days gets a 5/10 from me.