CALIFICACIÓN DE IMDb
6.8/10
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TU CALIFICACIÓN
Agrega una trama en tu idiomaGlaswegian teenager Lex is torn between the artistic life of middle brother Alan and the thuggish world of elder brother Bobby.Glaswegian teenager Lex is torn between the artistic life of middle brother Alan and the thuggish world of elder brother Bobby.Glaswegian teenager Lex is torn between the artistic life of middle brother Alan and the thuggish world of elder brother Bobby.
- Dirección
- Guionistas
- Elenco
- Premios
- 2 premios ganados y 1 nominación en total
Joe McFadden
- Alan Maclean
- (as Joseph McFadden)
Steven Duffy
- Bobby Maclean
- (as J.S. Duffy)
- Dirección
- Guionistas
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Opiniones destacadas
SMALL FACES is a Scottish film set in Glasgow during the late 1960s and follows the lives of three brothers from the Maclean family : Bobby a member of the Glen Gang , Alan who has ambitions of going to art school and Lex a thirteen year old boy and like the character of Taylor in PLATOON where the main character finds himself being split between the violent pragmatism of Barnes and the humanity of Elias young Lex is split between what brother makes the better role model
It's a complex tale that is character driven which explains why none of the comments on this page has really gone in to the plot details and if you're expecting a violent tale with youths slashing each other with razors every five minutes then you'll be disappointed . There is violence of course and some people may bleat that it lives up to the " Glesga keelie " stereotype but I disagree and it's interesting to note that the traditional battle lines of Glasgow gangs being drawn from their ethnic background ( Irish Catholic and Scottish Protestants ) is never discussed .
Despite having a small budget director Gillies MacKinnon makes the most of what he's got and watch the scenes where characters view Tongland ( Is it the notorious Gorbals ? ) which resembles a bleak alien city . The cast are uniformly excellent with veterans like Clare Higgins and Ian McElhinney appearing alongside up and coming Scottish actors like Kevin McKidd and Laura Fraser but the two best performances are by Iain Robertson as Lex and Garry Sweeney as gang leader Charlie Sloan which is just as well since most of the movie rests or falls on these two characters , though strangely neither young actor has gone on to have a sparkling career which is a pity
It's a complex tale that is character driven which explains why none of the comments on this page has really gone in to the plot details and if you're expecting a violent tale with youths slashing each other with razors every five minutes then you'll be disappointed . There is violence of course and some people may bleat that it lives up to the " Glesga keelie " stereotype but I disagree and it's interesting to note that the traditional battle lines of Glasgow gangs being drawn from their ethnic background ( Irish Catholic and Scottish Protestants ) is never discussed .
Despite having a small budget director Gillies MacKinnon makes the most of what he's got and watch the scenes where characters view Tongland ( Is it the notorious Gorbals ? ) which resembles a bleak alien city . The cast are uniformly excellent with veterans like Clare Higgins and Ian McElhinney appearing alongside up and coming Scottish actors like Kevin McKidd and Laura Fraser but the two best performances are by Iain Robertson as Lex and Garry Sweeney as gang leader Charlie Sloan which is just as well since most of the movie rests or falls on these two characters , though strangely neither young actor has gone on to have a sparkling career which is a pity
Life in the tough end of Glasgow in the late 1960s is delightfully and sometimes painfully presented here. This is clearly a work of well-observed autobiography by the Mackinnon family - Billy the writer/producer and Gillies the director.
At the centre of the film is the Maclean family - widowed mother with sons Bobby (none too bright), Alan (budding artist in spite of being brought up in the tough end of Govan) and narrator Lex, only 13 and still not sure what life is all about. Iain Robertson's performance as Lex is so good that it is barely credible that he has not reappeared in anything more worthy of his acting talent.
The film sets up a series of oppositions - gangs (Glens versus Tongs); romantic family life vs tough and unromantic street life; loyalty vs betrayal. Far from resulting in simplification, this actually makes the life of young Lex even more complex as he is, sequentially, drawn to each aspect of these opposing ideas.
Director Gillies shows he knows how to film his environment and gives us telling and memorable images - such as a huge close-up of blood running down a plug-hole that looks like some work of abstract art.
Nowhere near as clichéd as most coming-of-age movies, this is a joy for teenagers and adults alike.
At the centre of the film is the Maclean family - widowed mother with sons Bobby (none too bright), Alan (budding artist in spite of being brought up in the tough end of Govan) and narrator Lex, only 13 and still not sure what life is all about. Iain Robertson's performance as Lex is so good that it is barely credible that he has not reappeared in anything more worthy of his acting talent.
The film sets up a series of oppositions - gangs (Glens versus Tongs); romantic family life vs tough and unromantic street life; loyalty vs betrayal. Far from resulting in simplification, this actually makes the life of young Lex even more complex as he is, sequentially, drawn to each aspect of these opposing ideas.
Director Gillies shows he knows how to film his environment and gives us telling and memorable images - such as a huge close-up of blood running down a plug-hole that looks like some work of abstract art.
Nowhere near as clichéd as most coming-of-age movies, this is a joy for teenagers and adults alike.
I nearly passed this movie up as the film guide had written a poor review (do they even watch the films?). In the end I watched the start intending to go to bed and ended up watching the whole film.
What interested me most was the picture the film gave of life in Glasgow during the 60's. The landscape of the film is one of endless factory's, warehouses and derelict buildings. All of which seem to look back to the past. The streets of Govanhill where the Glyn live are cobbled and winding narrow passages. Later in the film we are shown 'tong land'. Three massive tower blocks seemingly standing in the middle of a waste land. At the road leading in some graffiti reads 'you are now entering tong land'. The bleak concrete land in which they live is very striking and seems to belong more to the 70's than Govanhill which seems to belong back in the 1800's.
The film itself is good and I doubt anyone would be disappointed were they to watch it.
What interested me most was the picture the film gave of life in Glasgow during the 60's. The landscape of the film is one of endless factory's, warehouses and derelict buildings. All of which seem to look back to the past. The streets of Govanhill where the Glyn live are cobbled and winding narrow passages. Later in the film we are shown 'tong land'. Three massive tower blocks seemingly standing in the middle of a waste land. At the road leading in some graffiti reads 'you are now entering tong land'. The bleak concrete land in which they live is very striking and seems to belong more to the 70's than Govanhill which seems to belong back in the 1800's.
The film itself is good and I doubt anyone would be disappointed were they to watch it.
Without a doubt one of the finest gang/youth films ever! I know several guys who grew up in Glasgow in the 1960's and I'll never look at them the same way again, (And, I thought that the gang members in Boyz N' the Hood were tough... They have nothing on Charlie Sloan and the boys: "Glen ya' Bass!"). The only down side to the film is that I had to watch it with the close captioning on, because I their accents were too strong for me to follow. Anyway, a fantastic effort + a must see! Some other IMDb patron said: "I wish I could make the whole world see this movie" - I myself can't put it better than that.
In late-1960s Glasgow, three teenage brothers from a fatherless home in a lower working class neighborhood struggle to survive among the chaos and violence that is part of their subculture. The oldest has serious mental problems and a learning disability associated with his acting out. The middle brother tries to steer clear of it all as he struggles to pursue his artistic talent. And the story is told from the viewpoint of Lex, the 13-year-old, whose childish delinquency becomes serious business when he is forced into adult situations. At the beginning I had difficulty with the heavy Scottish dialect and had some confusion of characters and events, but I was drawn in by the progression of events and the development of the characters. This is a poignant coming-of-age story that rewards us if we stay with it.
¿Sabías que…?
- TriviaThe scene where Alan and Lex visits an arts chool to check out the girls is shot at "Glasgow School of Art", which is the masterpiece of designer Charles Rennie Mackintosh. It opened in 1899 when Mackintosh was only 28.
- Citas
Lex Maclean: [about a sick-looking portrait by Bacon] It looks just like our Bobby after a bad night out!
- ConexionesEdited into Screen Two: Small Faces (1998)
- Bandas sonorasAuld Lang Syne
Performed by Iain Robertson
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- How long is Small Faces?Con tecnología de Alexa
Detalles
Taquilla
- Total en EE. UU. y Canadá
- USD 155,239
- Fin de semana de estreno en EE. UU. y Canadá
- USD 10,972
- 18 ago 1996
- Total a nivel mundial
- USD 155,239
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