La letra escarlata

This adaptation of Nathaniel Hawthorne's novel is pretty disappointing. The casting of Demi Moore as Hester Prynne is laughable - she looks what she was at the time, a pretty, A-list, Hollywood star. Gary Oldman does slightly better as Dimmesdale - in fact he might have just saved the film - but Robert Duvall is atrocious as Roger Chillingworth; totally wrong.

The adaptation is stodgy, the story tampered with, and the direction by Roland Joffe is pedestrian. Faces like Edward Hardwicke, Tim Woodward, Roy Dotrice, and Joan Plowright, give the film some credibility, but not enough.

This film, is just bad, that's all there is to it. It's just bad in so many ways. Nothing but corny writing, the scenes are just awful. All they really took from the book were it's characters and the basic idea of the story. After that, they totally f**k everything up from the book. It's one of those films that makes you wish Demi Moore would just go away for the overrated actress that she is. Just a truly awful film that's a waste of a lot of money.

I was expecting something really awful, but once I got about 15 minutes into the movie, I decided that the only way to enjoy it was to forget that it was "based on" a famous novel and just enjoy the movie for what it was. And I found myself very entertained.

I was impressed with Gary Oldman's performance. It's nice to see him portray someone who isn't a psychotic ham and he did admirably well. Demi Moore suprised me with her acting and apart from a few stilted scenes and discomfort with the dialogue, I think she pulled it off pretty well. I found myself caring about her character and her relationship with Dimmesdale. Perhaps the bathing scene was a little too gratuitous -- c'mon, Demi, do you need to show it all? -- but it was only a few minutes out of 135.

I wish that Pearl could have been given more screen time and character development and the woman who did her voiceover throughout the story left much to be desired. As did Robert Duvall's performance. I didn't much like his acting in this movie at all.

The supporting cast was excellent: Joan Plowright, Edward Hardwicke, and others. The locations and set design were exquisite and the costumes were gorgeous.

Overall, I thought it was a very good way to spend a couple hours. You see some early colonial atmosphere, something which is almost extinct in movies nowadays, and adequate and sometimes inspired acting. Just don't expect to see Hawthorne's novel on the screen. If you want to see the unhappy ending in all its self-mutilating glory, see Lillian Gish's silent version that is sometimes aired on Turner Classic Movies. 6/10

Based very loosely on the work of Nathaniel Hawthorne. Forbidden love, patience and stout convictions. I really enjoyed this despite the bad reviews. In 1666 Massachusetts a married woman(Demi Moore) falls in love with the young reverend(Gary Oldman)of the colony. Her husband(Robert Duvall)is believed to be part of an Indian massacre on his following arrival to the new world. Duvall's character is actually captured by the Algonquian tribe and forced to live among them. He then vents his wrath on his wife, who is expecting a child from her affair with her lover.

Very good acting and wonderful scenery. I did not mind the two plus hours length of this romantic drama. There is some nudity, just enough to spice things up...but the violence is bloody and harsh. I found this version of THE SCARLET LETTER to be sensuous, interesting and very entertaining. Moore, Oldman and Duvall were excellent. Notable in support are Joan Plowright, Robert Prosky and Edward Hardwicke. This is worth your effort to watch.

Ridiculous take on the Nathaniel Hawthorne novel as those who worked on this behave like they never even read the book. In the Massachusetts Bay Colony of 1666 a young woman (Demi Moore) fears that her husband (the much older Robert Duvall) is dead after a year of absence. She befriends pastor Gary Oldman (laughable that he could ever be a religious man in a film to start with) and soon romance blossoms. The romance turns physical, a child is born (no one knows who the father is), Moore is forced to wear the titled item, Duvall returns and plots revenge on the man who impregnated his wife while he was captured by wild Indians and Oldman secretly punishes himself as Moore keeps their affair a secret from the townspeople. Where will all this lead? "The Scarlett Letter" is a really disappointing film considering that Roland Joffe' (a once great director in the 1980s who made modern masterpieces like "The Killing Fields" and "The Mission") acts like he is just not comfortable with the material and does not know how to execute the excruciating novel into a cohesive cinematic product. Oldman and Duvall, usually very dependable players, cannot cope here and Moore just continued to under-achieve in front of the camera. Void of intelligence, dim-witted and poorly paced, "The Scarlett Letter" is one of those films that has absolutely no tone and thus becomes a hard experience to get through. Turkey (0 stars out of 5).