Reckless

Even though this was one of the strangest movies I have ever seen, it kept you wondering what could possibly happen next. I love most of Mary Louise Parker's performances and this was no different. She has the ability to bring so much to every character she plays. The movie follows Mia Farrow's character through various changes in her life and how she deals with each of them. It isn't an award winning movie by any means, but will make you think. I highly recommend it. I would have probably never stumbled across this movie if Tivo hadn't told me that Stephen Dorff was in it. Even though his part was very small I was glad that it brought me to the movie in the first place. I have to say that I'm happy to see that they are turning the movie into a Broadway play with Mary Louise Parker in the cast. I think it will be a must see.

I happened to tape this film from TV, and it has become one of my favorites. Whatever failings it may have, and I think it has fewer failings than some might think, it is in its way a tour de force of originality. The combination of gritty downfall with under-the-Christmas-tree fantasy works very well -- and that in itself is an achievement.

Its charms, by and large, are the small things, the incidental scenes that are accomplished in a unique manner, such as a conversation in American sign language between two women who are wearing large, yellow rubber gloves (in the scene they are cleaning a carpet). While I concede that the title seems fairly arbitrary, it certainly does the film no harm, no more than "Magnolia" did any harm to that film, even though "Magnolia" is surely just as arbitrary a title for "Magnolia" as "Reckless" is for "Reckless." In my view, a film that is unique (as well as uniquely quirky), visually witty, and that can arouse and explore entirely new and unexpected emotional territory in the viewer is a film of value. Mia Farrow's and Scott Glenn's performances are excellent.

I would encourage anyone who wants to see something that is entirely different from anything else and that will make an indelible impression, would do well to see this film. And don't worry, the script is just fine; although it is a morality tale, it is not a morality tale with a smug or pat conclusion, as it ends, as it begins, with a weirdly satisfying sort of open-ended grace.

This is an excellent film by Norman Rene. The final installment of three films that Rene made.

I thought it was beautifully done and particularly loved Mia Farrow in this film.

For me, the film exploresidentity in the same ways as his earlier film, prelude to a kiss....

and perhaps also explores issues related to HIV/AIDS, much like his earlier two films. This is NOT the stage play, like any film of previously written material it illustrates the directors point of view. I highly recommend this film, it's a rare delight W

This metaphorical story of a woman leaving her husband and coming to terms with the sadness in her life is filmed as if everything is a dream. Mia Farrow plays a truly epic character, and her strength in the role finally proves her more than a beautiful waif. Even the smallest elements are connected to the larger center of the picture, and no strange story is left unexplained. A real joy.

This is a movie that I cannot turn away from. Although I have seen it twice in its entirety, I have watched it several more times from the point at which I've stumbled upon it while channel surfing. It's truly a train wreck of a movie - from the claustrophobic scaled-down set of the marital home to the way that Mia Farrow's character becomes the unwitting victim of fate over and over. Although she is the protagonist, for me the story is also about the identity-seeking behaviors of all the supporting characters, their search for meaning and wholeness in their lives, the secrets they keep from each other and their perpetual estrangement and lack of intimacy... just like real life, only narrower and slightly more absurd. For anyone who has had experience with mental health practitioners, who couldn't relate to the parade of therapists projecting their own issues onto Rachel's character, and then validating themselves for helping her? Yes, overall "Reckless" is a sad story but its quirky comedic elements give it enough spice to make it a satisfying if not guilty pleasure.