Rápida y mortal

Not a bad movie at all, but it does take a bit to really settle into. For a while, Sharon Stone is really trying to sell the macho gunslinger with baggage, but she's doing it with her Hollywood looks and pearly whites; she's missing grit. And that does improve later on, but like I said, patience is needed.

That said, Sam Raimi is clearly having fun in a sandbox full of Western cliches. The draws, the face zooms, the shots. It looks fantastic. If that's not enough, then it's worth a look for Gene Hackman's performance. No trace of Unforgiven here; dude's a genuine scumbag.

Peculiar Western with spectacular gun battle between Sharon Stone and Gene Hackman . The title "The Quick and the Dead" comes from the King James translation of the Bible, I Peter 4:5, which admonishes the believer from behaving like pagans, "who shall give account to Christ that is ready to judge the quick and the dead" . This violent Western is set on a township called Redemption , the star is a mysterious female revenger , ¨a woman without name¨ (Sharon Stone as Clint Eastwood-alike interloper) who has a secret agenda of her own . It deals about a gunfighter arriving a little town , it has the usual shops and buildings, as General merchandise, Livery stable, boarding house , Hardware , Barber shop, Saloon , Hotel and Church . The western town owned by a ruthless gunslinger (Gene Hackman) hosting an elimination tournament to find the fastest gun in the West , as Lady avenger comes to the aid of embattled citizens as well as searching vendetta . The excitement starts at the duel when the hands point straight up .

This offbeat Western contains thrills , parody , black comedy , hilarious set-pieces , and breathtaking duels . This special Western picture concerns upon a deadly gun-battle pits two individualist characters and it results to be an enjoyable as well as hyperbolic homage to the style and vengeance fantasy of Sergio Leone Spaghettis ; as it takes parts from ¨Dollars trilogy¨ : ¨For a fistful of dollars¨, ¨For a fistful of dollars more¨ and ¨The good , the bad and the ugly¨, along with ¨Once upon a time in the West¨. But it has nothing to do with the Spaghetti maestro , the great Sergio Leone . There is also an impressive roaring climax with an amazing final showdown . All of the actors on the set in the gunfight scenes were instructed in the art of the quick draw by a stunt coordinator . The violent gun-play is heightened by a slick , often amazing use of F.X. , plenty of blood and gore . However , the film is pretty well but it doesn't work at all and packs endless close-ups, sluggish scenes , flaws , gaps and many scenes reveal nothing . So many good actors , such excellent actors as Kevin Conway , Keith David , Lance Henriksen , Pat Hingle ,Gary Sinise , Mark Boone Junior , Robert Blossom's last role in a theatrical feature and final film by Woody Strode who appears briefly as a coffin maker in the opening scene . And Russell Crowe's first American feature, he has a hot sex scene with Sharon , but director Sam Raimi decided that it wasn't a necessary part of the story , the scene was not included in the American release of the film, but international versions do include it. The lion's share of the acting meat deservedly goes to Gene Hackman as an unrepentantly nasty . And a very young Leonard DiCaprio is surprisingly effective as a rookie gunslinger .

Exciting and fitted to action musical score by Alan Silvestri . Colorful as well as evocative cinematography by Dante Spinotti .The motion picture was well produced by Sharon Stone . Sharon was given a lengthy list of directors that had been approved to direct this film, so that she could choose the directors she thought would work , Sharon sent back a list with a single name , Sam Raimi ; she said it was because she liked Evil Dead and Army of Darkness , among Raimi's other works.

A woman rides into town and finds herself caught-up in shooting duel competition, which fits her agenda for revenge.

Simon Moore's basic story and director Sam Raimi's staging is a homage of sorts to the Spaghetti Westerns of Sergio Leone, particularly the Dollars Trilogy. What makes Raimi's Quick and the Dead appealing is the star studded cast and an array of supporting actors including Lance Henriksen, Keith David, Gary Sinise and Pat Hingle... There's really too many to mention.

Moore's revenge/redemption script has a moral core, some heartfelt moments and surprise deaths but essentially it is a series of showdowns. Raimi's offering is not as gritty looking as it could be but it has some nice setups, special effects, explosions and shootouts. Each of the actors have clearly put a lot of effort into handling their weapons, particularly notable is Russell Crowe. The great (now retired) Gene Hackman, a fresh Crowe, a young Leonardo DiCaprio and of course Sharon Stone (who is also one of the producers) to name a few in the lead roles are a joy to watch.

With a fitting score from Alan Silvestri complimenting Raimi's trade mark and snappy camera work, holes in heads, rain storms and the burning sun it adds up to an entertaining enough Western. It's just too glossy and stylized to feel like the classic material it's trying to emulate. Nevertheless, it's still worth viewing for the performances alone.

With The Quick and the Dead, Sam Raimi approaches the old west with a very new/contemporary style. With its brisk energy and competitive characters, the story often feels like a sports movie with lots of photography tricks. If you want a top western, this might not be your film, but if what you seek you is good old pistol-whippin' American fun, this might do the trick.

Thanks to James Cameron, since T2, there has been nothing sexier than a woman with a gun. Sharon Stone actually brings a fairly macho 'Sarah Conner' quality to her character. She plays Ellen, a young cowgirl who rides into a mysterious town for a very special event, a gunslinging competition. The mayor of the town is a dangerous fella and one of the most feared gunslingers around. It is this man who Ellen is after. The question is, why? In order to fight him, she must beat everyone else in the competition. There will be blood, for sure.

In order to make up for his superficial plot, Sam Raimi has a lot of tricks up his sleeve. One of his most recognizable through his career is going over the top in an amusing way, which he does here too, mostly at the climax. He doesn't make great movies, but he makes clever and entertaining ones, which this is.

Yes, I know the critics at the time panned it. But if that was the baseline for greatness, films like Wonderful Life and Citizen Kane would be lost to obscurity. Bottom line, this is a "high concept" film that is much more entertaining than you would guess. The timeline is fascinating. In the 1960s, after a half-century run, and massive exposure on the new medium called Television, the classic western started to disappear. But, as they say, nature abhors a vacuum; and at the same time the sun started to set on the traditional western, it started to rise on something called the "italian westerns" or re-imaginings of the genre from Europe. This is for example how Clint Eastwood went from forgotten TV actor (Rawhide) to #1 box office attraction. This new genre lasted barely 15 years or so and soon disappeared as well. Yet out of nowhere, 20 years later someone in Tinseltown gets the idea to re-imagine the ALREADY RE-IMAGINED western, this time starring a female. Sharon Stone was past the apex of her career by this point, making the project more of a challenge. The other talent was awesome. A pre-Oscar Russell Crowe, a pre-Titanic diCaprio, and all backstopped by Hackman, I mean, wow. The big question, did it actually work? Answer yes. It was uneven in parts and an argument could be made that Hackman overdid the "bad guy" role or, alternatively, the part was over-written. Stone was awesome, proving she had the chops to take on a bizarre role and make it hers. Actually gets better with each successive viewing. ((Designated "IMDb Top Reviewer." Please check out my list "167+ Nearly-Perfect Movies (with the occasional Anime or TV miniseries) you can/should see again and again (1932 to the present))