En 1980, Estados Unidos abre sus puertas a los refugiados cubanos. Una vez en Miami, Dorita intenta crear una "familia" de Pérez de tres miembros para conseguir un patrocinador. Quiere que J... Leer todoEn 1980, Estados Unidos abre sus puertas a los refugiados cubanos. Una vez en Miami, Dorita intenta crear una "familia" de Pérez de tres miembros para conseguir un patrocinador. Quiere que Juan sea su esposo, además de un hijo o papá.En 1980, Estados Unidos abre sus puertas a los refugiados cubanos. Una vez en Miami, Dorita intenta crear una "familia" de Pérez de tres miembros para conseguir un patrocinador. Quiere que Juan sea su esposo, además de un hijo o papá.
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The story begins as Alfred Molina sends his family off to America during a crackdown of the Cuban Communists. The former dictator Batista was very kind to capitalists. The country appeared to flourish but there was much poverty. Fidel Castro came to power and many of his political opponents were jailed or killed.
Marisa Tomei is a young worker in the sugar cane fields. News was difficult to come by there. When she gets to the U.S. she doesn't even know that John Wayne has died. (One of her great desires is to have sex with him)
Late in his administration President Carter declared an open door policy to anyone that was able to escape Cuba. As a result, Castro cleared his jails and hospitals of many criminals and insane people. It is in the midst of THIS that Marisa and Alfred meet. He as a released political prisoner trying to find the family he'd already sent to America years earlier, she as a poor worker trying to get to a better life. In the confusion of the long line at immigration and in order to get placed with a sponsor more quickly she claims him as her husband and an old man as her father in law.
For those of us who's families have been here long enough that we don't remember immigration this movie is a great reminder of why so many people have wanted to come here over the years.
You really can't go wrong with this...I bought it on recommendation of a friend and watch it a couple of times a year. It is among my personal top 10.
But, Juan (Molina) is expecting to be reunited with his wife (Angelica Houston) and grown daughter (Trini Alvarado). His traitor brother-in-law, who was responsible for the twenty years he spent in that dreadful prison, comes to the dock looking for Juan, but is told by the guard that Juan and his wife already passed through. So, Angel (the brother-in-law) is under the assumption that Juan remarried and broke his sister's heart, and now he tells his sister to forget about him. Juan, in the meantime, has no idea about the misunderstanding, but longs to be reunited with his family.
However, along the way, Juan and Dorita (Marisa Tomei in a fantastic performance) build a friendship, and eventually, fall in love for each other. And his wife (Houston) similarly finds a relationship with a charming cop (Chez Palminterri). Juan and his wife, after so many years apart and finding satisfaction and closeness in relationship, they find it hard to rekindle what they once had.
It isn't that they're being disloyal to each other. Despite being married, they had been away from each for more than twenty years and could not just pick up where they left off.
It is a pleasant romantic comedy and has some very funny moments as well as an excellent cast, particularly Marisa Tomei, who pretty much drives the whole movie as the young Cuban female who tries to create a close family (with others similarly named Perez) and searching out something like an "American Dream."
Marisa Tomei is effervescent and brash. This may work better if it stayed only with her and Molina. I'm less sure about his family in America. They seem to be trying to be comedic which doesn't always work. I'm not sure about what Angel is doing. That side of the movie complicates the romance. The love story gets twisted into a pretzel. I can't help but wonder if it would be infinitely sweeter to have Juan find Teresa at the end of the movie with a daughter he never knew existed. Instead, it's all complicated by Angel and diverting romances.
The score is energetic and the cinematography is vivacious. The pace tends to drag in some places and near the end becomes a tad too intense. Perhaps Nair could have balanced it off by including more comic punches. The dialogues are wonderful, especially the ones between Tomei and Molina.
Marisa Tomei has never looked hotter. She is both sensual and hilarious and very convincing as a Cuban wild flower. She was also excellent in the more intense scenes. Angelica Huston too displays a sophisticated sensuality and shows that she too can be funny on screen. Alfred Molina is good but not as effective as his leading ladies. Chazz Palminteri is charming. The late Celia Cruz makes a pleasantly awkward appearance.
'The Perez Family' is quite a charming and funny romantic comedy that gives us a glimpse of the hardships of immigrant life but also lots to laugh about. Would like to see Nair make more comedy.
¿Sabías que…?
- TriviaNone of the main cast is actually of Latin Descent.
- ErroresWhen Dottie goes to make out with the security guard at the bar, the first wide shot shows her without her orange pants on, just black panties. In the next shot, she is wearing her pants, then the security guard precedes to pull them down, showing the black panties previously shown from a far distance in the first wide shot.
- Citas
Dorita Evita Perez: [on why she wants to go to America] I love Elvis Presley, I dig the rock and roll, I want to FUCK... John Wayne
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Detalles
Taquilla
- Presupuesto
- USD 11,000,000 (estimado)
- Total en EE. UU. y Canadá
- USD 2,832,826
- Fin de semana de estreno en EE. UU. y Canadá
- USD 1,127,645
- 14 may 1995
- Total a nivel mundial
- USD 2,832,826
- Tiempo de ejecución
- 1h 53min(113 min)
- Color
- Mezcla de sonido
- Relación de aspecto
- 1.85 : 1