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IMDbPro

The Perez Family

  • 1995
  • R
  • 1h 53min
CALIFICACIÓN DE IMDb
6.0/10
2.6 k
TU CALIFICACIÓN
Alfred Molina, Marisa Tomei, and Anjelica Huston in The Perez Family (1995)
In 1980, USA opens to Cuban refugees. Once in Miami, Dorita tries to create a Perez "family" of 3 to get a sponsor. She wants Juan to be her "husband" - plus a "son" or "dad".
Reproducir trailer2:12
1 video
29 fotos
ComediaDramaRomance

En 1980, Estados Unidos abre sus puertas a los refugiados cubanos. Una vez en Miami, Dorita intenta crear una "familia" de Pérez de tres miembros para conseguir un patrocinador. Quiere que J... Leer todoEn 1980, Estados Unidos abre sus puertas a los refugiados cubanos. Una vez en Miami, Dorita intenta crear una "familia" de Pérez de tres miembros para conseguir un patrocinador. Quiere que Juan sea su esposo, además de un hijo o papá.En 1980, Estados Unidos abre sus puertas a los refugiados cubanos. Una vez en Miami, Dorita intenta crear una "familia" de Pérez de tres miembros para conseguir un patrocinador. Quiere que Juan sea su esposo, además de un hijo o papá.

  • Dirección
    • Mira Nair
  • Guionistas
    • Christine Bell
    • Robin Swicord
  • Elenco
    • Marisa Tomei
    • Anjelica Huston
    • Alfred Molina
  • Ver la información de producción en IMDbPro
  • CALIFICACIÓN DE IMDb
    6.0/10
    2.6 k
    TU CALIFICACIÓN
    • Dirección
      • Mira Nair
    • Guionistas
      • Christine Bell
      • Robin Swicord
    • Elenco
      • Marisa Tomei
      • Anjelica Huston
      • Alfred Molina
    • 21Opiniones de los usuarios
    • 11Opiniones de los críticos
  • Ver la información de producción en IMDbPro
  • Videos1

    Trailer
    Trailer 2:12
    Trailer

    Fotos29

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    Elenco principal49

    Editar
    Marisa Tomei
    Marisa Tomei
    • Dorita Evita Perez
    Anjelica Huston
    Anjelica Huston
    • Carmela Perez
    Alfred Molina
    Alfred Molina
    • Juan Raul Perez
    Chazz Palminteri
    Chazz Palminteri
    • Lt. John Pirelli
    Trini Alvarado
    Trini Alvarado
    • Teresa Perez
    Celia Cruz
    Celia Cruz
    • Luz Pat
    Ranjit Chowdhry
    Ranjit Chowdhry
    • Indian immigration official
    Diego Wallraff
    Diego Wallraff
    • Angel Diaz
    Ellen Cleghorne
    Ellen Cleghorne
    • Officer Rhoades
    Angela Lanza
    Angela Lanza
    • Flavia
    Jose Felipe Padron
    • Felipe Perez
    Lázaro Pérez
    • Armando 'Papi' Perez
    Bill Sage
    Bill Sage
    • Steve Steverino
    Vincent Gallo
    Vincent Gallo
    • Orlando
    Billy Hopkins
    • Father Aiden
    Ruben Rabasa
    Ruben Rabasa
    • Father Martinez
    Melissa Anne Acosta
    • Isabel
    Gustavo Laborie
    • Cuban official
    • Dirección
      • Mira Nair
    • Guionistas
      • Christine Bell
      • Robin Swicord
    • Todo el elenco y el equipo
    • Producción, taquilla y más en IMDbPro

    Opiniones de usuarios21

    6.02.5K
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    Opiniones destacadas

    bharma1

    Sensual, well-told story of the spirit

    Well, most have summed up the story and acting pretty well, but I thought this was a beautiful film about indominable human spirit. As Tomei's character states in the beginning of the film, "I am like Cuba: always subjugated, but never conquered" (paraphrased).

    That, for me, was the theme of the film throughout. Tomei was wonderful, but I loved the subtle work from Molina and Huston.
    andydufresne

    An Historic Perspective

    Marisa Tomei is wonderful! There is a scene it which she is kneeling down in the water just as her boat arrives at Key West which is as sexy with cloth9ing as anything nude I've ever seen. ALfred Molina is great as the confused political prisoner.

    The story begins as Alfred Molina sends his family off to America during a crackdown of the Cuban Communists. The former dictator Batista was very kind to capitalists. The country appeared to flourish but there was much poverty. Fidel Castro came to power and many of his political opponents were jailed or killed.

    Marisa Tomei is a young worker in the sugar cane fields. News was difficult to come by there. When she gets to the U.S. she doesn't even know that John Wayne has died. (One of her great desires is to have sex with him)

    Late in his administration President Carter declared an open door policy to anyone that was able to escape Cuba. As a result, Castro cleared his jails and hospitals of many criminals and insane people. It is in the midst of THIS that Marisa and Alfred meet. He as a released political prisoner trying to find the family he'd already sent to America years earlier, she as a poor worker trying to get to a better life. In the confusion of the long line at immigration and in order to get placed with a sponsor more quickly she claims him as her husband and an old man as her father in law.

    For those of us who's families have been here long enough that we don't remember immigration this movie is a great reminder of why so many people have wanted to come here over the years.

    You really can't go wrong with this...I bought it on recommendation of a friend and watch it a couple of times a year. It is among my personal top 10.
    bob the moo

    Exploits the spice of Cuba but is really just a predictable romantic comedy/drama

    When President Carter declared an open door policy to anyone who wanted to escape Cuba and come to America, Castro used this to clear his jails of criminals and political prisoners. When Juan Raul Perez gets on the boat he hopes his wife will be there to meet him, as she fled to the US decades ago. When she doesn't come he ends up in the camp with everyone else, including the feisty Dorita Evita Perez. The two need a sponsor to get out of the camp and realise that things would be easier if they were a family. For that reason they pretend to be married and gradually start putting their fake family in place.

    I was drawn to this film by the cast list and in fairness I should have spotted that this film about Cubans had very few Cuban or even Latino actors in it. Anyway, aside from that the plot has historical context but I am not familiar enough with it to say if it was accurate or not, although I really don't think it matters very much. The film tries to fizzle with Latin spirit while at the same time delivering a rather convoluted romantic drama of sorts. It partly works but the writing isn't great and the film failed to really engage me as it just seemed a little forced as if it had been a good idea once but had had so many knobs added to it that it got a little daffy. After an hour it settles into the formulaic mould it was in all along, the historical context forgotten and the clichés allowed to flow. If you can't see where this is going then I salute your ability to blindly accept what is given to you.

    Talking of clichés, the casting of so few Hispanic/Cuban/Latino actors was a mystery to me. Surely it would have been possible to get closer than Italian, which is what quite a few of the main characters appear to be. Tomei was the name that drew me to this film but in turns her role is good and bad. She has an important role and it was necessary for her to be feisty etc but she overdoes it a little bit - hammy up her Latin cliché at the start for all she is worth; she gets better though. Molina is another strange choice but he does well in his role and carries some dignity through the film - it's not his fault that the script gets silly in trying to keep him and Huston apart. Huston is OK but her subplot seems added on to make the ending more palatable to the audience (god forbid anyone should be hurt). For this same reason, Palminteri is wasted. Cruz is good and Chowdhry is quite funny, but why Gallo even bothered is beyond me - pre-fame I suppose. SNL's Cleghorne plays a cop and, in the spirit of ethnic clichés, pushes the `oh-no-she-didn't' eye-rolling, `talk to the hand', neck moving black character for all she is worth - when she does it as a joke it is OK but here it just felt like laziness - especially for such a minor character.

    Overall, any Hollywood film with Latinos/Cubans/Hispanics in it is going to force the rhythm for all it is worth and here is no different. It starts out boasting historical context and spice, falls into a rather convoluted series of plot twists that end up taking the film down a rom-com road to a solution that, although badly delivered, unthinkable and out-of-nowhere, was obvious from about 30 minutes into the film.
    8generic-2

    Marisa Tomei is an absolute delight and the movie is good too

    We didn't expect much from this rental that we had never heard of but ended up being delighted. Marisa Tomei was an absolute delight. Angelica Houston was different than we have ever seen her and looked very attractive. Very, very good movie with a little bit of everything you could want. Marisa Tomei was wonderful.
    Chrysanthepop

    Meet The Perez

    Mira Nair's take on comedy is quite impressive. The director is known for her more intense and dramatic films but here she proves that she can direct a comedy. Though 'The Perez Family' isn't without its share of flaws, it is overall a funny movie with loads of laugh-out-loud moments. The film is about a group of Cuban immigrants who move to the states, one of them is in search of freedom and another in search of his family whom he hasn't seen for 20 years. While the film is essentially a comedy, Nair does tackle some issues that represent the darkness of an immigrant's life.

    The score is energetic and the cinematography is vivacious. The pace tends to drag in some places and near the end becomes a tad too intense. Perhaps Nair could have balanced it off by including more comic punches. The dialogues are wonderful, especially the ones between Tomei and Molina.

    Marisa Tomei has never looked hotter. She is both sensual and hilarious and very convincing as a Cuban wild flower. She was also excellent in the more intense scenes. Angelica Huston too displays a sophisticated sensuality and shows that she too can be funny on screen. Alfred Molina is good but not as effective as his leading ladies. Chazz Palminteri is charming. The late Celia Cruz makes a pleasantly awkward appearance.

    'The Perez Family' is quite a charming and funny romantic comedy that gives us a glimpse of the hardships of immigrant life but also lots to laugh about. Would like to see Nair make more comedy.

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    Argumento

    Editar

    ¿Sabías que…?

    Editar
    • Trivia
      None of the main cast is actually of Latin Descent.
    • Errores
      When Dottie goes to make out with the security guard at the bar, the first wide shot shows her without her orange pants on, just black panties. In the next shot, she is wearing her pants, then the security guard precedes to pull them down, showing the black panties previously shown from a far distance in the first wide shot.
    • Citas

      Dorita Evita Perez: [on why she wants to go to America] I love Elvis Presley, I dig the rock and roll, I want to FUCK... John Wayne

    • Conexiones
      Featured in Siskel & Ebert & the Movies: Crimson Tide/A Little Princess/The Perez Family/The Englishman Who Went Up a Hill/Swimming with Sharks (1995)

    Selecciones populares

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    Preguntas Frecuentes19

    • How long is The Perez Family?Con tecnología de Alexa
    • Why was this "Dog" of a film allowed to go on being so poorly written?

    Detalles

    Editar
    • Fecha de lanzamiento
      • 12 de mayo de 1995 (Estados Unidos)
    • País de origen
      • Estados Unidos
    • Idioma
      • Inglés
    • También se conoce como
      • Родина Перез
    • Locaciones de filmación
      • Mar Chiquita, Puerto Rico
    • Productoras
      • Sprockets Music
      • Sprockets Music
      • The Samuel Goldwyn Company
    • Ver más créditos de la compañía en IMDbPro

    Taquilla

    Editar
    • Presupuesto
      • USD 11,000,000 (estimado)
    • Total en EE. UU. y Canadá
      • USD 2,832,826
    • Fin de semana de estreno en EE. UU. y Canadá
      • USD 1,127,645
      • 14 may 1995
    • Total a nivel mundial
      • USD 2,832,826
    Ver la información detallada de la taquilla en IMDbPro

    Especificaciones técnicas

    Editar
    • Tiempo de ejecución
      • 1h 53min(113 min)
    • Color
      • Color
    • Mezcla de sonido
      • Dolby Stereo
    • Relación de aspecto
      • 1.85 : 1

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