En 1980, Estados Unidos abre sus puertas a los refugiados cubanos. Una vez en Miami, Dorita intenta crear una "familia" de Pérez de tres miembros para conseguir un patrocinador. Quiere que J... Leer todoEn 1980, Estados Unidos abre sus puertas a los refugiados cubanos. Una vez en Miami, Dorita intenta crear una "familia" de Pérez de tres miembros para conseguir un patrocinador. Quiere que Juan sea su esposo, además de un hijo o papá.En 1980, Estados Unidos abre sus puertas a los refugiados cubanos. Una vez en Miami, Dorita intenta crear una "familia" de Pérez de tres miembros para conseguir un patrocinador. Quiere que Juan sea su esposo, además de un hijo o papá.
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That, for me, was the theme of the film throughout. Tomei was wonderful, but I loved the subtle work from Molina and Huston.
The story begins as Alfred Molina sends his family off to America during a crackdown of the Cuban Communists. The former dictator Batista was very kind to capitalists. The country appeared to flourish but there was much poverty. Fidel Castro came to power and many of his political opponents were jailed or killed.
Marisa Tomei is a young worker in the sugar cane fields. News was difficult to come by there. When she gets to the U.S. she doesn't even know that John Wayne has died. (One of her great desires is to have sex with him)
Late in his administration President Carter declared an open door policy to anyone that was able to escape Cuba. As a result, Castro cleared his jails and hospitals of many criminals and insane people. It is in the midst of THIS that Marisa and Alfred meet. He as a released political prisoner trying to find the family he'd already sent to America years earlier, she as a poor worker trying to get to a better life. In the confusion of the long line at immigration and in order to get placed with a sponsor more quickly she claims him as her husband and an old man as her father in law.
For those of us who's families have been here long enough that we don't remember immigration this movie is a great reminder of why so many people have wanted to come here over the years.
You really can't go wrong with this...I bought it on recommendation of a friend and watch it a couple of times a year. It is among my personal top 10.
I was drawn to this film by the cast list and in fairness I should have spotted that this film about Cubans had very few Cuban or even Latino actors in it. Anyway, aside from that the plot has historical context but I am not familiar enough with it to say if it was accurate or not, although I really don't think it matters very much. The film tries to fizzle with Latin spirit while at the same time delivering a rather convoluted romantic drama of sorts. It partly works but the writing isn't great and the film failed to really engage me as it just seemed a little forced as if it had been a good idea once but had had so many knobs added to it that it got a little daffy. After an hour it settles into the formulaic mould it was in all along, the historical context forgotten and the clichés allowed to flow. If you can't see where this is going then I salute your ability to blindly accept what is given to you.
Talking of clichés, the casting of so few Hispanic/Cuban/Latino actors was a mystery to me. Surely it would have been possible to get closer than Italian, which is what quite a few of the main characters appear to be. Tomei was the name that drew me to this film but in turns her role is good and bad. She has an important role and it was necessary for her to be feisty etc but she overdoes it a little bit - hammy up her Latin cliché at the start for all she is worth; she gets better though. Molina is another strange choice but he does well in his role and carries some dignity through the film - it's not his fault that the script gets silly in trying to keep him and Huston apart. Huston is OK but her subplot seems added on to make the ending more palatable to the audience (god forbid anyone should be hurt). For this same reason, Palminteri is wasted. Cruz is good and Chowdhry is quite funny, but why Gallo even bothered is beyond me - pre-fame I suppose. SNL's Cleghorne plays a cop and, in the spirit of ethnic clichés, pushes the `oh-no-she-didn't' eye-rolling, `talk to the hand', neck moving black character for all she is worth - when she does it as a joke it is OK but here it just felt like laziness - especially for such a minor character.
Overall, any Hollywood film with Latinos/Cubans/Hispanics in it is going to force the rhythm for all it is worth and here is no different. It starts out boasting historical context and spice, falls into a rather convoluted series of plot twists that end up taking the film down a rom-com road to a solution that, although badly delivered, unthinkable and out-of-nowhere, was obvious from about 30 minutes into the film.
The score is energetic and the cinematography is vivacious. The pace tends to drag in some places and near the end becomes a tad too intense. Perhaps Nair could have balanced it off by including more comic punches. The dialogues are wonderful, especially the ones between Tomei and Molina.
Marisa Tomei has never looked hotter. She is both sensual and hilarious and very convincing as a Cuban wild flower. She was also excellent in the more intense scenes. Angelica Huston too displays a sophisticated sensuality and shows that she too can be funny on screen. Alfred Molina is good but not as effective as his leading ladies. Chazz Palminteri is charming. The late Celia Cruz makes a pleasantly awkward appearance.
'The Perez Family' is quite a charming and funny romantic comedy that gives us a glimpse of the hardships of immigrant life but also lots to laugh about. Would like to see Nair make more comedy.
¿Sabías que…?
- TriviaNone of the main cast is actually of Latin Descent.
- ErroresWhen Dottie goes to make out with the security guard at the bar, the first wide shot shows her without her orange pants on, just black panties. In the next shot, she is wearing her pants, then the security guard precedes to pull them down, showing the black panties previously shown from a far distance in the first wide shot.
- Citas
Dorita Evita Perez: [on why she wants to go to America] I love Elvis Presley, I dig the rock and roll, I want to FUCK... John Wayne
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Detalles
Taquilla
- Presupuesto
- USD 11,000,000 (estimado)
- Total en EE. UU. y Canadá
- USD 2,832,826
- Fin de semana de estreno en EE. UU. y Canadá
- USD 1,127,645
- 14 may 1995
- Total a nivel mundial
- USD 2,832,826
- Tiempo de ejecución
- 1h 53min(113 min)
- Color
- Mezcla de sonido
- Relación de aspecto
- 1.85 : 1