Como agua para chocolate

I saw Como agua para chocolate partway through on the spanish channel and was immediately entranced by it's raw beauty and emotion.Thank God for those subtitles or I would have moved on. It's a tale of old traditions in Mexico and Tita, the youngest daughter, is the one doomed to follow them.The tradition is that the youngest is to stay with her mother and take care of her and remain single the rest of her life while her oldest sister gets to marry. For Tita though, it's too much for her to bear having fallen in love with Pedro, the one that her sister is to marry. Later he admits to Tita that he only married her sister to be near her.The rest of the story is for you to uncover.

I have never seen a more romantic scene in any movie where Gertrudis runs from the burning shower down the road and is swept into the arms of her lover and carried away. It's a stunningly sensual film that is deeply moving. If you haven't seen it, watch it with a lover.That only adds to the romance of the story!

Like Water for Chocolate is a masterpiece in that it conveys the essence of our ancestors' knowledge forgotten in the fast pace of modern living.

It centers around the wonder of cooking: a sacred ritual, not a boring chore; and when done right, with love, it creates magic. Raised and taught to cook by her old Mayan nanny, Tita (exquisitely performed by Lumi Cavazos) masters the near-magical ability of transferring her love and other feelings into her creations passed into one who eats them.

The characters‘ senses are so refined, they enable everyone involved in this family drama to be tuned to the finest nuances of their world, opening the door to non-material pleasures. Rich with metaphors, their language reflects the skills of keen and sometimes humorous observation. The story brings our perception to a different level - as its characters' empathy borders on miracles and magic, and things we only sense and feel become real. Tita's virgin breasts, feeling `like dough kneaded' by strong hands, turn into mature breasts under Pedro's burning eyes (to later start lactating) - their glances, just like her food, becoming the means of communicating their forbidden love.

Yet all magic becomes wasted in the face of a man's choice. The Universe may scream into Pedro's ears about the path he is to take, but if he doesn't follow it, no magic can save him. We witness the story of a fatal attraction between two soulmates, whose passion, confined by an enslaving family tradition, lights up everyone around them... But for themselves, it's so intense, it literally engulfs the lovers in flames. Did they have an alternative? It is for the viewer to figure out.

You may ponder, however, over the young doctor's Indian grandmother saying that `each of us is born with a box of matches inside but we can't strike them all by ourselves; we need oxygen and a candle to help. The oxygen would come from a lover's breath; the candle could be a food, a melody, a word, a caress, or a sound...' He remembers her warning, though, that `it is important to light the matches one at a time' because otherwise the heat generated would produce too dazzling a brilliance.

Thus the wisdom of the ages, just like the power, is passed here through women and the men who are in tune with them. And the intense interactions between the colorful characters of five generations extend to dead family members who continue to counsel or despise the living.

When coming into her room with Pedro after 22 years of their waiting for each other, Tita is greeted by her long deceased nanny lighting her bed and the room with multiple candles. And the consequences of one's actions carries on beyond time - as each person continues her path notwithstanding death.

Hot yellow-red colors intermixed with dense lighting rekindle one's passion for living and appreciation for the gifts and mysteries of the Mexican land. The magic realism becomes a way of living in a culture connected with its heritage.

I recommend Like Water for Chocolate to anyone who feels like he/she is lacking color and passion in life - if watched with an open mind and heart, this beautiful and enigmatic film will stir your senses and imagination and light up your box of matches!

The two things that stood out for me in this film are the telling of this story and how you had no idea what was going to happen next and of course the performance of Lumi Cavazos. Its one of those rare experiences that stay with you long after you have seen the film. Both strong and self assured. Whats really amazing is that its Cavazos first film role (That I know of, anyway) her natural charm is essential to this story. Not a film for all taste's but a very unique movie overflowing with romantic grandeur.

Scenes of incredible beauty and humor. This film appeals to all of humankind's tastes (visual, intellectual, gustatory, sexual, etc.) It is one of the greatest romantic comedies showing the lives, values and beliefs of another culture ever presented as a gift to the American public. Be aware though that it is not an experience that will appeal to everyone. You won't enjoy it if you don't love food, have an imagination and understand that daytime soaps are not art.

Tita (Lumi Cavazos) was born in the kitchen in 1895 Rio Grande, Mexico. After the death of her father, her mother vows to force her youngest Tita to care for her entire life. Tita grows up in the kitchen with servant Nacha. She falls in love with Pedro Muzquiz but her mother refuses to permit her to marry. Her mother offers older sister Rosaura and Pedro accepts hoping to stay close to Tita. Tita's tears infuse the wedding cake with her sadness.

This has a great magically realism. It's a fable of food, family, and passion. The story is fun and fanciful. Lumi Cavazos is a sweet endearing lead. The only drawback is the limited chemistry in the epic romance. It's probably asking too much. They don't have much time together before they have to be Romeo and Juliet. Then they have to be apart. It's submerged passion and Pedro doesn't always come across well.