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6.3/10
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Agrega una trama en tu idiomaLt. Columbo attends the wedding of his nephew, who is also with the LAPD. After the banquet, the bride goes missing, possibly kidnapped. Columbo sets up the investigation to figure out what ... Leer todoLt. Columbo attends the wedding of his nephew, who is also with the LAPD. After the banquet, the bride goes missing, possibly kidnapped. Columbo sets up the investigation to figure out what happened.Lt. Columbo attends the wedding of his nephew, who is also with the LAPD. After the banquet, the bride goes missing, possibly kidnapped. Columbo sets up the investigation to figure out what happened.
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What a calamity. What happened to our surreptitious detective. This is not a Columbo film, this is a kidnapping drama. Even in the closing scenes Peter Falk looked fed up with what's going on. Even the beautiful Joanna Going can't help this ignominous mess......
I agree with most of the Columbo fans that this movie was an unnecessary change of format. Columbo is a unique cop with unorthodox police methods. This movie looks like a remake of any other ordinary detective dramas from the past. And that is the disturbing point, because Columbo is no ordinary detective.
There are two parts in this film that left me intriguing. First, I can't figure out the title of this movie. It is misleading. Maybe a better title would've been "The Vanishing Bride" or something similar. Second, Columbo hides a piece of evidence without offering the reason (to the viewers at least) why he does it.
I don't feel betrayed, just disappointed. I'm glad Peter Falk went back to the usual Columbo.
There are two parts in this film that left me intriguing. First, I can't figure out the title of this movie. It is misleading. Maybe a better title would've been "The Vanishing Bride" or something similar. Second, Columbo hides a piece of evidence without offering the reason (to the viewers at least) why he does it.
I don't feel betrayed, just disappointed. I'm glad Peter Falk went back to the usual Columbo.
Granted this was not your normal "Columbo" episode and grant that some of it was far fetched. This made for a very suspenseful kidnapping drama. In that respect it succeeded. Not the greatest Columbo episode made but definitely not the worst.
I notice a number of fans have slated this episode of COLUMBO, describing as the worst of all time. I can't help but disagree with them. I've seen plenty of other episodes that were less entertaining on account of them being duller than this one. Cheesy and dated I can cope with; dull is the biggest no-no in my book.
NO TIME TO DIE is one of those 1990s TV movies that attempts to shake up the familiar order by offering twists and a new template for the dogged detective. I wish they hadn't experimented like this - there's no point trying to improve on what was pretty much a perfect formula - but at least it helps NO TIME TO DIE stand out from the crowd. There's no actual murder here but rather a kidnapping for the star to solve.
The episode has a number of problems, a completely ineffectual villain being the biggest of them. However, watching Columbo lead a task force is quite a novel experience, and Falk does well in the part, playing up the humour with physicality in a script that gives him virtually no funny lines. The strong supporting cast includes Doug Savant (TRICK OR TREAT), Donald Moffat (THE THING), and cameos for Juliet Mills and Don Swayze.
NO TIME TO DIE is one of those 1990s TV movies that attempts to shake up the familiar order by offering twists and a new template for the dogged detective. I wish they hadn't experimented like this - there's no point trying to improve on what was pretty much a perfect formula - but at least it helps NO TIME TO DIE stand out from the crowd. There's no actual murder here but rather a kidnapping for the star to solve.
The episode has a number of problems, a completely ineffectual villain being the biggest of them. However, watching Columbo lead a task force is quite a novel experience, and Falk does well in the part, playing up the humour with physicality in a script that gives him virtually no funny lines. The strong supporting cast includes Doug Savant (TRICK OR TREAT), Donald Moffat (THE THING), and cameos for Juliet Mills and Don Swayze.
One of the dullest Columbo's I've seen it dumps the formula but offers nothing at all in its place
Columbo is attending the wedding of his nephew to a budding young model. After the celebrations Columbo is about to head home until he gets paged by nephew Andy who tells him that he came out of the shower to find Melissa missing. Columbo looks around and finds evidence of a kidnapping. He starts investigating further while Andy calls in other officers to help out. Meanwhile, as tensions built between the men, Melissa wakes up bound and gagged in a strange room with her captor planning to make himself her second husband.
If you loved spaghetti bolognese and someone told you that that they were going to make it with potatoes instead of spaghetti then you may rightly say "whoa, slow down chef boy don't mess with a winning formula". So as a Columbo fan, when one of the films goes way off the usual formula, it gives me pause to worry that perhaps it is not the wisest thing. However, despite knowing this was not a normal episode, I decided to give it a go because just because something is different doesn't mean it isn't any good. The fact that it is different is a problem though too many characters, no cat and mouse stuff and none of the opportunities for Columbo to be, well, Columbo. It doesn't help either that the story is poor it is not clever but rather solved by simple, plodding police work; nothing wrong with that but it doesn't make for an interesting film. The cuts to the kidnapped Melissa are no help at all as they rarely have anything approaching tension. I hate to say it but I was genuinely bored by the end of it it rarely had anything typically Columbo about it and it failed to be what it apparently was aiming to be.
Falk does his best to lift this thing but without any frame of reference his character is a bit lost and his performance isn't up to much. The vast array of supporting characters undermine him and reduce his screen time significantly. Calabro is OK but nothing special while Going is a strange mix she does "frightened and a bit spooked" quite well but other than that is as expressive as a blank piece of paper. The support features a surprising amount of familiar, if not famous, faces. Don Swayze is a strange find but his one-note psycho with a singsong voice gets old very quickly. The rest are bland but does include Frasier's Bulldog (Butler), Clear Present Danger's President (Moffat), Red For Red October's Davis, baseball player Pierce and the A-Team's LeGault shame none of them add anything other than a distraction to the dull story.
Overall one of the weakest Columbo films I've seen. It goes miles from formula but offers nothing else of interest in its place. I understand the difficulty for writers to reproduce the same formula every time while also making it fresh and entertaining so I can understand why they tried to do something else. However I cannot fathom why they wanted to jump so far away from it and try to be something completely different. Only one moment really worked for me and that was at the very end when Columbo asked "what time is it", only for the time to be typed on screen as it had been all film at least it showed that someone was keen to have a laugh and poke some fun at the rather turgid, humourless affair that had gone before.
If you loved spaghetti bolognese and someone told you that that they were going to make it with potatoes instead of spaghetti then you may rightly say "whoa, slow down chef boy don't mess with a winning formula". So as a Columbo fan, when one of the films goes way off the usual formula, it gives me pause to worry that perhaps it is not the wisest thing. However, despite knowing this was not a normal episode, I decided to give it a go because just because something is different doesn't mean it isn't any good. The fact that it is different is a problem though too many characters, no cat and mouse stuff and none of the opportunities for Columbo to be, well, Columbo. It doesn't help either that the story is poor it is not clever but rather solved by simple, plodding police work; nothing wrong with that but it doesn't make for an interesting film. The cuts to the kidnapped Melissa are no help at all as they rarely have anything approaching tension. I hate to say it but I was genuinely bored by the end of it it rarely had anything typically Columbo about it and it failed to be what it apparently was aiming to be.
Falk does his best to lift this thing but without any frame of reference his character is a bit lost and his performance isn't up to much. The vast array of supporting characters undermine him and reduce his screen time significantly. Calabro is OK but nothing special while Going is a strange mix she does "frightened and a bit spooked" quite well but other than that is as expressive as a blank piece of paper. The support features a surprising amount of familiar, if not famous, faces. Don Swayze is a strange find but his one-note psycho with a singsong voice gets old very quickly. The rest are bland but does include Frasier's Bulldog (Butler), Clear Present Danger's President (Moffat), Red For Red October's Davis, baseball player Pierce and the A-Team's LeGault shame none of them add anything other than a distraction to the dull story.
Overall one of the weakest Columbo films I've seen. It goes miles from formula but offers nothing else of interest in its place. I understand the difficulty for writers to reproduce the same formula every time while also making it fresh and entertaining so I can understand why they tried to do something else. However I cannot fathom why they wanted to jump so far away from it and try to be something completely different. Only one moment really worked for me and that was at the very end when Columbo asked "what time is it", only for the time to be typed on screen as it had been all film at least it showed that someone was keen to have a laugh and poke some fun at the rather turgid, humourless affair that had gone before.
¿Sabías que…?
- TriviaThis is the only episode of the series not to feature a murder and in which Lt. Columbo never meets or speaks to the criminal.
- ErroresA full-length picture of a person cannot be blown up enough to see the writing on a class ring; there is insufficient resolution.
- ConexionesFeatured in Columbo: No Time to Die
- Bandas sonorasCan't Help Falling In Love
(uncredited)
Written by George David Weiss, Hugo Peretti and Luigi Creatore
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Detalles
- Fecha de lanzamiento
- País de origen
- Idioma
- También se conoce como
- No hay tiempo para morir
- Locaciones de filmación
- Barclay Hotel - 103 W. 4th Street, Downtown, Los Ángeles, California, Estados Unidos(Albert Wagner's hotel)
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- Ver más créditos de la compañía en IMDbPro
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Principales brechas de datos
By what name was Columbo: No Time to Die (1992) officially released in Canada in English?
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