Christopher Columbus: The Discovery

This seems really to be an old-fashioned adventure film, the kind the studios churned out in great numbers in the 1940's. Maybe an Errol Flynn vehicle. That's the way Georges Corraface plays it, and it's okay. Not great, but okay. Marlon Brando totally mailed it in, as he was wont to do in his later years. Tom Selleck is a wonderful actor, but he really couldn't pull it off in this one. Rachel Ward was much more believable as Queen Isabella, regal, with more than a little bit of religious fanaticism. She also played it with minimal make-up, looking very forty-ish, something many actresses of her stature and beauty would have refused. Catherine Zeta-Jones and Benicio del Toro put in decent showings, given the limitations of the material. The scriptwriters were probably in a bit of a quandary, since the occasion (500th anniversary) called for a hagiography, but on the other hand, political correctness makes Colon out to be a villain. They tried to split the difference, and it didn't work. But over-all, this film is not as bad as some make it out to be. Oh, and mention must be made of the beauty of Tailinh Forest Flower as the Indian chieftain's daughter. Wow!

After being rejected by the Portuguese for financial help for a voyage across the Atlantic Ocean to the East Indies, "Christopher Columbus" (Georges Corraface) subsequently petitions "King Ferdinand" (Tom Selleck) and "Queen Isabella" (Rachel Ward) of a newly united Spain for the necessary ships and crew. As luck would have it, since the Portuguese had recently discovered a southern route to Asia around Africa, both King Ferdinand and Queen Isabella were finally convinced and provided him the necessary ship and crew to make his voyage. What Columbus doesn't realize, however, is the amount of intrigue he will encounter as well as the danger that awaits him along the way. Now rather than reveal any more I will just say that this was an okay film for the most part which-like many films of a historical nature-embellished certain scenes to appeal to its intended audience. That said, although I would have preferred otherwise, I suppose it goes with the territory. Even more unfortunate, however, was the acting of Marlon Brando (as the influential Dominican advisor "Tomas de Torquemada") and the rather ridiculous costume worn by Tom Selleck. Admittedly, both Rachel Ward and Georges Corraface performed well enough but even so neither of them could elevate this mediocre film to any great degree and I have rated it accordingly. Average.

I had a wonderful time watching this film. I know it's considered by some to be inferior in comparison to the more lofty Conquest of Paradise, but I just can't help liking it. I'd rather watch Christopher Columbus: The Discovery over The Conquest of Paradise any time. It's a swashbuckling high-adventure movie with plenty of panache. Perhaps that wasn't what many expected from a Columbus movie, but it works for me. One previous reviewer said it seemed like something Erol Flynn would have starred in. I agree. I first approached this flick as an entertaining tall-tale in the tradition of classic adventure/pirate films and greatly enjoyed The Discovery.

From the producer of 'Superman: The Movie' and 'Santa Claus: The Movie' comes what may well be the climax of a trilogy: the two-fisted tale of a lusty Genoese navigator who dared to sail the ocean blue to a New World, with a chorus, believe it or not, of Gloria in Excelsis Deo in the background. What more can be said? True guilty pleasures demand a willing suspension of good taste, and this tacky Hollywood whitewash may well stand as a classic of its kind. Screenwriter Mario Puzo tries to include as much history as he can, but the film is strictly a cartoon melodrama, complete with sword fights, romance, some pretty Atlantic Ocean sunsets and, in a casting nightmare unrivaled since Mel Gibson attempted Shakespeare, Tom Selleck and Rachel Ward playing King Ferdinand and Queen Isabella. The film was sponsored by Quinto Centenario Spain, the official Columbus 500th anniversary commemorative society, which helps explain the flattering matinée idol heroism. But, honestly, could anything else have been expected from the director of Iron Eagle II and the previous few James Bond adventures?

Really not much of anything: all the things that could have been interesting to work out (such as the enslavement of the natives) are not pursued, but rather avoided, and the cast isn't great either. Tom Selleck as the King of Spain is an exceptional example of miscasting. There is lack of depth and indeed lack of actual involvement with the subject. Too bad, now the movie is boring and pointless, really. Watch 1492 Conquest of Paradise instead.