The Larry Sanders Show

Avant-garde and iconic in many ways, the Larry sanders show paved the way for later tv comedies like The Office, 30 rock, etc.

The show is about... well, a show. The viewer get a behind the scenes look into show business and the world of Hollywood in the 90s. It's very topical due to the nature of it being a talk show using real guests, but it only ads to the realness of it.

Not quite a mockumentary (the 4th wall is never broken) and seemingly mostly scripted with streaks of improv and natural, overlapping dialogue, the writing at times comes off as intentionally 'regular' before being unexpectedly whipped in a direction of authenticity and cynicism.

The show is mostly carried by the characters of Larry sanders (Gary shandling), Arty the producer (Rip Torn) and Hank Kingsley (Jeffrey tambor) as well as a talented and funny supporting cast.

Hank Kingsley may be the funniest TV character in all of television... And I mean that as no exaggeration. I have never laughed out loud at a singular character more than any other. Out of all the characters he somehow feels the most real, and is somehow so likable despite being such a despicable person. A legendary performance by Jeffrey tambor.

This show is a must see for any comedy aficionado.

The Larry Sanders show may be the finest American television show. The comedy always has the perfect precision and they take such great care to small details. In one episode, Larry visits Hank's office, which he rarely does, and Hank puts his jacket on to try to look his best, that's the level of detail you don't see in most crap sitcoms. No American show since has held no punches and has been so bitterly cynical yet hilarious.

The three main actors really make the show. Garry Shandling as the good natured but selfish and cowardly Larry Sanders really plays the perfect vain talk show host. Jeffrey Tambor as Hank Kingsley really fleshes out the talentless asshole sidekick who you still root for, similar to George Costanza. Rip Torn masterfully portrays the over the top obsequious producer with a dark streak. The simple pleasure of seeing these three men interact is entertaining enough on its own.

The show is actually based on talk shows, you see all the politics and show biz phoniness unvarnished. The ugliness and hypocrisy in Hollywood will really surprise the uninitiated viewer. One wonders how much of Larry was in Johnny Carson and how much of Hank was in Ed McMahon.

This show is a true gem that is not nearly as popular as it should be since it doesn't pander. Any fan of intelligent programming owes it to himself to watch this.

The comedy is on point 90% of the time. The characters are believably insane. The stories are understandable and to the point. The series maintains it's quality (albeit it does get kind of dark in the last season or two). Really a fun watch for the incompetence and insecurities on display. Easy to watch as a main focus and passable for background (you will miss much of the performance, there are a surprisingly large amount of site gags). Recommend to really anyone.

For years we've all heard the stories of behind the scenes powerplays, ego, contracts, manipulation etc. among the late night hosts and networks. Ever since Johnny "clicked" with American TV audiences on NBC we have watched a steady stream of after 11pm hosts of variety type shows. Post-Carson we have seen Jay, Dave, Conan, Arsenio, Pat Sajak, Chevy Chase, Craig Kilborn, Bob Costas, etc. vie for the late night dollars. A movie entitled "The Late Night Shift" was made depicting the infighting between Jay Leno's people and David Letterman's group to take over The Tonight Show when Johnny retired.

Now Gary Shandling and HBO have devised a character and show to weave between reality and fiction all in the form of Shandling's alter-ego Larry Sanders. Much like Billy Crystal's creation, Buddy Young Jr., Sanders has taken on a personna of his own. However, what Shandling and HBO have done takes it to new heights of excellence. The stories are witty, funny, provocative, and probably lend more truth to insights into show business then even the most skeptical of us could have imagined.

With an absolutely great supporting cast this show embodies the idea that comedy can be intellectual, cutting edge, and somewhat bitter sharp without excluding portions of the audience. Of special note the performance of Rip Torn, as Larry's veteran producer (Artie), is shear greatness. Torn has fashioned his character after Fred DeCordova who was Johnny Carson's Executive Producer.Artie "knows when to hold 'em and when to fold 'em". He knows when to f__k with the network and when not to and he insulates Larry from anything that would compromise Larry's ability to be on the edge for a great show. He loves Larry like a brother and loathes him for his insecurities, childishness, ego and all that Larry can be that's infuriating.

Jeffrey Tambor is terrific as Larry's Ed McMahon sidekick Hank Kingsley. A sniveling, insecure, limited talent based guy Kingsley is well paid and likes to throw around power. Trouble is his power base is Larry and those staffers that work on the show only do for Hank what they absolutely have to. Tambor plays this character to a tee!

With real celebrity guests poking fun at celebrity, TV, movies, and themselves at times the program almost seems to allow the entertainment industry to safely poke fun at itself in a somewhat scathing manner.

The show ended it's run about a year and a half ago but it replays on the HBO channels each week and is well worth the time to view.

Hands down - this is my favorite television program, ever. For me, it replaced "Columbo" (especially the earlier ones) in this regard. Built around Garry Shandling's delightfully diverse character - the extremely-talented on-air Larry, who is equally-neurotic in his personal life, it presents everything one could want from any piece of entertainment. With Jeffrey Tambor and Rip Torn perfectly-cast in their sidekick and producer roles - there is a legion of talented others in terms of supporting cast, and a horde of A-list celebrities appearing as themselves, both as guests on the fictional show and in Larry's personal life.

Whatever the assigned characteristics the writers have provided the supporting cast and guests - sneaky, smarmy, confrontational, naive, insincere, unpredictable, etc,, etc. - it seems that everything, every characterization, every situation is carried-off without fault and is thoroughly amusing. Where the situation or drama had more serious elements, these were also well-done, without detracting from the show's overall humor.

A major affirmation of this show's appeal, for me (if I needed one) is that even where a guest appeared who was far from a favorite of mine (Rosanne would be the best example) even that person was engaging in the role within the program.

This program also was one where the "salty" language, which occurred in abundance, always added to the quality of the programming and stories, never seeming at all gratuitous. And another confirmation of the quality of this series is that in its subsequent re-runs, especially on local outlets, where many words are "bleeped," the programs are still completely entertaining.

Certainly everyone will have certain favorite episodes. However, this is a show which one can enjoy whenever seeing it again, whatever episode(s) are viewed, and irrespective of how many times they may have been seen before.

I know the participants have gone on to other separate endeavors. But I, for one, would love to see, say, a mini-series where HBO would present "the network" luring Larry, Artie and Hank "out of retirement," and having them do a series of retrospective "Larry Sanders Shows" as part of celebration of some sort of network milestone.

One of my local stations used to run two episodes late each Saturday night. I was able to see a few when aired, but made certain I taped all of them to see within the following few days. I'm surprised that I haven't already bought all of the series available on VHS or DVD, but intend to do so in the near future. These shows are the type which, even after multiple viewings, are more entertaining to see again than most alternatives available for the first time