The Larry Sanders Show

Larry Sanders has a broad range of humor. When on camera, the humor comes from how unfunny these characters actually are in front of the camera and how funny the audience finds it. Anyone who watches late night talk shows can relate to the "mock show" portion of each show. The behind the scenes, which makes up most of each episode relies on the situations as well as the dialogue which is usually very funny and well written, like something that would actually be said.

The characters were all very different and well written. Larry Sanders, played subtly and brilliantly by Gary Shandling. Larry is always smiling, whether he's happy or not. He's self centered, but not too much of a jerk. His manager Artie (Rip Torn) is more over the top rude and loud, but he's not an unbelievable character. Then there's Hank (Jeffrey Tambor) who plays second banana to Larry and the talk show, but on this show, often steals the episodes, taking many of the main plot lines, and he is hilarious as the alternate universe Ed MacMahon. Along with these three, there are many other less important characters, all very funny.

Overall, Larry Sanders was usually hysterical, but when not, it was still one of the most brilliant shows on television.

The comedy is on point 90% of the time. The characters are believably insane. The stories are understandable and to the point. The series maintains it's quality (albeit it does get kind of dark in the last season or two). Really a fun watch for the incompetence and insecurities on display. Easy to watch as a main focus and passable for background (you will miss much of the performance, there are a surprisingly large amount of site gags). Recommend to really anyone.

Avant-garde and iconic in many ways, the Larry sanders show paved the way for later tv comedies like The Office, 30 rock, etc.

The show is about... well, a show. The viewer get a behind the scenes look into show business and the world of Hollywood in the 90s. It's very topical due to the nature of it being a talk show using real guests, but it only ads to the realness of it.

Not quite a mockumentary (the 4th wall is never broken) and seemingly mostly scripted with streaks of improv and natural, overlapping dialogue, the writing at times comes off as intentionally 'regular' before being unexpectedly whipped in a direction of authenticity and cynicism.

The show is mostly carried by the characters of Larry sanders (Gary shandling), Arty the producer (Rip Torn) and Hank Kingsley (Jeffrey tambor) as well as a talented and funny supporting cast.

Hank Kingsley may be the funniest TV character in all of television... And I mean that as no exaggeration. I have never laughed out loud at a singular character more than any other. Out of all the characters he somehow feels the most real, and is somehow so likable despite being such a despicable person. A legendary performance by Jeffrey tambor.

This show is a must see for any comedy aficionado.

The Larry Sanders show was the best, nastiest, and funniest comedy program on either side of the Atlantic during the 1990s. Filmed without a laughter track, it features Garry Shandling as TV talk show host Larry Sanders (motto: "No flipping!"), who we follow on and off camera.

On camera, the Larry Sanders Show is slick, professional, and vacant, as celebrities appear pretending to be best of friends with Larry and delighted to be on the show when all they're really doing is plugging their latest product and when everyone in the paranoid entertainment industry actively hates everybody else. Exactly like real talk shows, in fact. As a parody, Larry Sanders is extremely subtle, aided by the fact that many A-list celebs from real life appear, showing a surprising willingness to send themselves up (David Duchovny, for example, features in one episode where the main storyline centres on his crush on Larry!). It's bad, but not obviously: you can really imagine it on air (in sharp contrast to Steve Coogan's Alan Partridge, who in real life would never make it even to hospital radio).

But the funniest material comes backstage. The leading characters (Larry, his loser sidekick Hank, and his alternately tough-talking and sycophantic producer Artie) are all so horrible, the main joke is basically that everyone continually behaves in a manner both in character, and yet also worse than you could possibly expect. The sheer unpleasantness of these individuals is jaw-dropping... you continually wonder "did he really just say that?" Hank, for example, after his agent has been hospitalised and he hasn't been allowed to visit, comments: "It's so unfair! I mean so much to him!" then immediately starts phoning potential successors. The character of Hank is perhaps the best of all, his role on the show is to appear talentless and genial alongside Larry, a role he fulfills with partial success because he is naturally talentless but not in the least genial! But all the cast (including many regulars) are wonderfully portrayed, Shandling is great but at the end of each brief episode you almost wish you had seen more of the others... in fact this is probably just another sign of the show's strength, instead of wheeling out our favourites each week for a familiar laugh, this show is always looking for fresh ways to make us uncomfortable.

In some ways this is a very un-American program (there's not an ounce of sentiment, or a hint of redemption for its characters). In the UK, Peter Kay's "Phoenix Nights" is perhaps the closest thing to a successor. But the Larry Sanders show remains a major loss from the late-night schedules.

For years we've all heard the stories of behind the scenes powerplays, ego, contracts, manipulation etc. among the late night hosts and networks. Ever since Johnny "clicked" with American TV audiences on NBC we have watched a steady stream of after 11pm hosts of variety type shows. Post-Carson we have seen Jay, Dave, Conan, Arsenio, Pat Sajak, Chevy Chase, Craig Kilborn, Bob Costas, etc. vie for the late night dollars. A movie entitled "The Late Night Shift" was made depicting the infighting between Jay Leno's people and David Letterman's group to take over The Tonight Show when Johnny retired.

Now Gary Shandling and HBO have devised a character and show to weave between reality and fiction all in the form of Shandling's alter-ego Larry Sanders. Much like Billy Crystal's creation, Buddy Young Jr., Sanders has taken on a personna of his own. However, what Shandling and HBO have done takes it to new heights of excellence. The stories are witty, funny, provocative, and probably lend more truth to insights into show business then even the most skeptical of us could have imagined.

With an absolutely great supporting cast this show embodies the idea that comedy can be intellectual, cutting edge, and somewhat bitter sharp without excluding portions of the audience. Of special note the performance of Rip Torn, as Larry's veteran producer (Artie), is shear greatness. Torn has fashioned his character after Fred DeCordova who was Johnny Carson's Executive Producer.Artie "knows when to hold 'em and when to fold 'em". He knows when to f__k with the network and when not to and he insulates Larry from anything that would compromise Larry's ability to be on the edge for a great show. He loves Larry like a brother and loathes him for his insecurities, childishness, ego and all that Larry can be that's infuriating.

Jeffrey Tambor is terrific as Larry's Ed McMahon sidekick Hank Kingsley. A sniveling, insecure, limited talent based guy Kingsley is well paid and likes to throw around power. Trouble is his power base is Larry and those staffers that work on the show only do for Hank what they absolutely have to. Tambor plays this character to a tee!

With real celebrity guests poking fun at celebrity, TV, movies, and themselves at times the program almost seems to allow the entertainment industry to safely poke fun at itself in a somewhat scathing manner.

The show ended it's run about a year and a half ago but it replays on the HBO channels each week and is well worth the time to view.