Un programa informativo y de investigación.Un programa informativo y de investigación.Un programa informativo y de investigación.
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- 43 premios ganados y 96 nominaciones en total
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It's a great show, predictable sometimes but engaging. Keith Morrison is a true legend. He makes any story sounds more interesting! Josh Mankiewicz and
Dennis Murphy are also great. However, I can't stand Andrea Canning. She doesn't let the people she interviews talk! She interrupts them or makes stupid comments like "You must have been so shocked seeing your mother lying there bleeding from a gunshot wound!" She basically tells the story and waits for the other person to say yes or no. Or she asks questions like this :
"You go into the house and you found a cup. Did you think it was as the killer's?" - Yes "Did you think we need to find the person to go used this cup?" - Yes "You must have thought we need to run a DNA test." - Yes
Let the person tell the story! That's why you have them on.
Took 2 stars off for this, otherwise, great show!
Took 2 stars off for this, otherwise, great show!
Dateline is predictable in the best way: I know it's going to be well produced and interesting, if necessarily uneven. That said:
1) First, high praise: What I like most about Dateline (and other crime shows) is that vast majority of people we meet in any given episode are good people. There's always a murderer or two, but they're the exception. The rest-- survivors, witnesses, prosecutors and most cops-- are truth-seekers in search of justice. (I forgive the defense lawyers because they're doing a necessary job). Ultimately, far from being a condemnation of humanity, Dateline proves that most of us are honorable.
2) This bugs me. Common to many, if not most, episodes is a phrase like "Stuff like that never happens here." Give it up, guys. Obviously homicides can happen anywhere-- especially the murders that Dateline specializes in, which involve family dysfunction and/or sociopaths.
3) Could someone please ask Andrea Canning to tone down her sing-song delivery; it undermines the gravity of the subject matter. She speaks like a normal adult when she's interviewing people, but her voice-over narration sounds like she's reading "Goodnight, Moon" to a four-year-old.
4) I'd also appreciate it if the women being interviewed weren't coiffed and slathered in make-up. A significant number have also had significant plastic surgery without significant success. So while the men are allowed to age gracefully, the women are often one whorl of hair away from looking grotesque.
5) The series was better at one hour. Expanded to two hours, we get a lot of filler interviewing survivors about what the victim was like, which becomes repetitive and sentimental. It works best as a procedural-- like "Law and Order," but more powerful because it is history, not fiction.
1) First, high praise: What I like most about Dateline (and other crime shows) is that vast majority of people we meet in any given episode are good people. There's always a murderer or two, but they're the exception. The rest-- survivors, witnesses, prosecutors and most cops-- are truth-seekers in search of justice. (I forgive the defense lawyers because they're doing a necessary job). Ultimately, far from being a condemnation of humanity, Dateline proves that most of us are honorable.
2) This bugs me. Common to many, if not most, episodes is a phrase like "Stuff like that never happens here." Give it up, guys. Obviously homicides can happen anywhere-- especially the murders that Dateline specializes in, which involve family dysfunction and/or sociopaths.
3) Could someone please ask Andrea Canning to tone down her sing-song delivery; it undermines the gravity of the subject matter. She speaks like a normal adult when she's interviewing people, but her voice-over narration sounds like she's reading "Goodnight, Moon" to a four-year-old.
4) I'd also appreciate it if the women being interviewed weren't coiffed and slathered in make-up. A significant number have also had significant plastic surgery without significant success. So while the men are allowed to age gracefully, the women are often one whorl of hair away from looking grotesque.
5) The series was better at one hour. Expanded to two hours, we get a lot of filler interviewing survivors about what the victim was like, which becomes repetitive and sentimental. It works best as a procedural-- like "Law and Order," but more powerful because it is history, not fiction.
There is no reason each of these cases requires a 2 hour show. Two hours for a special? Sure. Is every episode a special? Hell no. The same cases are thoroughly covered in other series/TV shows in 1 hour or less. Cut out the BS interviews with friends and relatives answering low-brow questions like, "Were you sad when you found out they were dead?", or, "Did you feel relieved when the perpetrator was caught?" These are duhhh questions and answers that offer no added perspective to the story, only a drawn out episode with fading attention from the viewer. I would rather watch the same crime case on another program and get the same information without my back hurting from sitting so long.
Dateline just isn't the same as it used to be. And why do they show the hosts profiles?? This is irritating, I don't want to see the side of their faces!
I love a great podcast and Dateline is a great one! I don't have the time to sit and watch the broadcast but I'll listen to the podcast all day. Andrea Canning's singsong voice and absolutely stupid interview questions makes my ears bleed, though. How she's still interviewing people is beyond me. I skip all of the Andrea Canning episodes. But I love Keith Morrison and Josh Mankiewicz. They are great narrators and interviewers.
I understand the frustration with the subscription cost and I'll probably get rid of it, especially since the other podcasts I was promised are only a few episodes long.
I understand the frustration with the subscription cost and I'll probably get rid of it, especially since the other podcasts I was promised are only a few episodes long.
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- ConexionesFeatured in Merchandising Murder (1995)
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