Bob

When Bob (the show) began, I already loved it just because 8t was about a comic book character. Since I too am an illustrator, and a fan.of comics, I was happy to see it. Unfortunately, CBS decided to rewrite the show and make it about greeting cards. Even Betty White couldn't save it because the writers sucked. This is one of those great shows that was never given a chance. A true shame... like The Tony Randall Show about a judge and his caustic secretary.

Bob Newhart's third sitcom was mostly a crashing non-success,which is a shame since,besides Mr.Newhart,the show had a very good ensemble cast that included veteran actors like Ruth Kobart and Carlene WAtkins mixed in with solid younger talent like Cynthia Stevenson,Andrew Bilgore and John Cygan. This was the first season. Then CBS decided to re-up this show(rather tenuously it appeared)for a second year,they blew-up that cast,inserted pros Betty White,Tom Poston and Jere Burns,that and a schedule move(from the no-man's land that was Friday nights to Monday nights)and hoped it would inflate the less-than-scintillating returns.It didn't,and the show was quietly pushed off the air after the half-way point of the 1993-94 season.

I personally felt like this show,while hardly up there with the first two Newhart entries,was still very watchable,quite funny and seemed to have plenty of potential to get better and/or get a better following. But who knows? Maybe audiences were expecting too much of either Dr.Bob HArtley or Dick Loudon. Or maybe the loyal t.v. audiences didn't like what they saw in grouchy cartoonist Bob McKay. Or maybe the audiences were not warming to Newhart's dry,button-down style of comedy. Whatever,I thought this show deserved a better treatment,given the pedigree of the eponymous star.

Bob McKay (Bob Newhart) is a long-suffering greetings card artist in Chicago. He complains about the health food from his wife (Carlene Watkins). His adult daughter Trisha (Cynthia Stevenson) is painfully single. When his old comic book character gets revived, he has a second chance to pursue his dream.

The show struggled to gain traction during its full run of the first season. Newhart is doing fine and Stevenson is great. Watkins is too young to be Trisha's mom. The two actresses are only ten years apart and it's noticeable. The office doesn't have the goods. Cygan is rather generic as the overbearing boss. Chad has a little fun with Trisha. The funniest moments come from a pre-Friends Lisa Kudrow. She and Albie are a good pairing. It's tough when a guest star with three episodes at the end of the season is the funniest aspect of a show. They needed Kudrow right from the start.

The first season went poorly. The second season got a complete retooling. Bob is a sitcom legend and I can see the network saying let's give him more help. The family stays the same. The home is changed. I think the cat is different. Bob goes back to the greetings card company after Mad-Dog gets shut down. He is given the job of the new president on the first episode. The new cast includes Jere Burns and Betty White. Eight episodes were made and only five were aired. While the change is not illogical story-wise, it basically dumps the first year and the main aspect of the show. I must think that the few fans left over from the first season would feel untethered by the show. They are adrift at sea when Mad-Dog is such a big part of the show. Bob could have drawn Mad-Dog from his home and keep a few characters from the first season. They could have done Caroline in the City with Chad and Albie. This retooling is too big and too abrupt.

"Bob" was never given a real chance, no question on that. The re-tooling and rescheduling was an act of murder, not simply the idiotic game playing that TV executive like to indulge in. It's been so long since I've seen an episode and details are fuzzy, but, like Bob Newhart's previous shows, it was something I looked forward to watching every week. I liked it better than "George and Leo" and that wasn't a bad show.

Bob Newhart is a genius at every turn and this was a chance for him to play a slightly edgier roll. No, not everyone took a liking to it, but it was never really given a chance to mature and hit its stride. Most of the finest television has needed a year or two to really get going and every person who truly loves TV knows that.

I don't know what kind of resume is needed to be a TV executive, but I can only imagine what's on the resumes of some of the meatheads out there and it's safe to say that some are UNDERqualified to empty wastebaskets.

The first season of "Newhart" sucked eggs. The only really funny episodes were a couple with Larry, Darryl and Darryl and one with a visit by Stephanie. Fortunately, CBS showed its faith in Bob Newhart and gave his 1980s show a slightly retooled 2nd season, with more visits from Larry and the Darryls and making Stephanie a regular. The third season moved the brothers three next door and added Peter Scolari, and "Newhart" proved a classic.

"Bob," Bob Newhart's 1990s show, had a solid premise: milquetoast greeting-card artist has an early comic book of his revived, but rather than a cuddly, old school superhero comic book it's dark and edgy. Bob is surrounded by strange comic book people including an A-personality partner. He also has a home life (harkening back to the double setting of "The Bob Newhart Show.") Only, this time he has a daughter (one of the biggest laughs I ever got from a TV show between the end of "Newhart" and the start of "Andy Richter Controls the Universe" was an episode where his daughter got a hot date . . . By phone. It might not be an odd occurrence today, but back then it was downrighr bizarre).

The daughter is played byCynthia Syevenson, a real, deadpan plus to the show. She's great.

Again, CBS showed their faith in cash cow Bob Newhart and they let the show run a full season. Unfortunately, for whatever reason, "Bob" never got traction.

"Bob" was retooled for a second season, and, unlike "Newhart," which started out limping and got better and better for nine seasons, "Bob" in its second season got worse. Rather than tweaking the show until it was as fine-tuned as a racing engine, the entire office side of the show was thrown out and changed. When the revamped "Bob" didn't catch fire, it went where the bad shows go.

I liked "Bob" and, seeing what happened with "Newhart," I was willing to give it time to find its sea legs. But I'm not a network exec.

For a different sort of Newhart vibe, the first season of "Bob" is worth a peek, if you can find it.