Tsareubiytsa

A touching film about errors, duty and colors of fear.

Interesting poem about the nooks of reality, the shadows of dreams, the dust of old hours and the ghosts of some gestures.

Exploration of history and its chimeras with the Russian manner to see, describe and show the essence of a sick world at twilight of emotions.

The talks between doctor and the victim of a terrified past are not only a subtle catharsis form or an exploration of truth but exercise to discover the roots of last form of original sin, the taste of truth, the rules of past, the marks of victim's respiration. Not a reflection in old windows but escape of spirit beyond the games of destiny or malicious accident. The characters are reflections of a strange era, specters of ambiguous desires and actors of a mad god. And only propriety, only way to be yourself is memories collection as shadow of a lost soul.

Show of memories, ladder of past, puzzle of facts and illusions, "Tsareubysta" is a very profound and subtle exercise to define the time and its shadows without shadows, masks or regrets.

Strongest movie I want to warn the European viewer right away - two versions of the film were shot - one for the cinema screen of the USSR, the second for the European viewer The original version has a different soundtrack, songs and title theme, which in many ways changes the mood of the film itself - I advise you to watch it An amazing film, incredibly poignant - about a turning point in Russia, about events that had an impact on the whole world.

A very subtle play of actors and in the peculiarities of Malcolm McDowell - "Karen, you know I can play with my eyes" - so he said to the director Karen Shakhnazarov - yes in his eyes - death itself - the subsequent years of Russia - this is hunger, robberies, disbelief Atmospheric cinema is strong.

In my opinion very imaginative movie, nicely depicted psychological drama that introduced a lot of interesting data and unanswered questions from Russian history. Story of this movie is well balanced mixture of reality and main character's imagination, leaving a viewer a lot of space to separate one from the other at his own will. The plotline is smoothly and intelligently guided with interesting flashbacks, and clever dialogues. Though I would normally dislike the idea that famous British actor is hired for main role in completely Russian production, Malcolm McDowell was perfect choice for this character, and he made really great performance, fitting perfectly in the Russian surrounding. I highly recommend this movie.

This is an intriguing and generally engrossing parable which eventually becomes confusing and with the point of it all, ultimately, remaining obscure; it also makes some interesting (though not exactly novel) comments on class, notoriety and about the way history tends to repeat itself. Malcolm McDowell turns in a good performance as a mental patient who believes himself to be the assassin of two Russian Czars; so far so good - but, then, his psychiatrist (for no very good reason) is a dead-ringer for Nicholas II! I haven't watched that many recent Russian films but this one seems to be fairly indicative of their content, style and overall quality - even if made by a director whose work I wasn't familiar with.

Assassin of the Tsar might be a parable, for which I give the following view: the event was one of the most important in the Russia's history. Killing the Tsar was profound in the people's mind since common people looked at him with reverence. Moreover, his family and entourage of 9 people also was killed. This tragic event might haunt the conscience (in an abstract sense) of the Russian people. Its justification raises moral questions and now, after history showed the effects of Russian revolution, we can ponder about it retrospectively.

It would have been easier if the Tsar was marked by avarice and carelessness for his own people, decadent and a simpleton, as probably some communist propaganda movies must had depicted. However, the director chose to show him in a different light: he is studious, tactful and intelligent. On the other hand, the local chief NKVD-ist Yurovsky does what he does out of duty for revolution. One asks in the movie "Is it that simple?"

The interpretation might be extended as the assassin representing the Bolsheviks and the Tsar, the aristocracy/high class that was to be eliminated. In this light, we explain the following: Yurovsky is a approached by the mother of a girl that disappeared and he knows nothing about it. Doctor Timofeyev (the embodiment of "typical Yurovsky") worryingly speaks that he is not guilty about it. The girl's interpretation then is the mass of innocent people that died and suffered as a consequence of Bolsheviks' revolution.

Assassin of the Tsar is a fantasy/absurdist movie that is presented in a serious mode - respecting the subject by avoiding the dry humor that often accompanies absurd movies. I would interpret the second doctor (Aleksandr Yegorovich) as the embodiment of the typical light-hearted/forgiving part of the history.