Un final inesperado

"Thelma and Louise" made a huge splash when it was released and has since become a part of the pop culture lexicon. In it, a mistreated housewife and harried waitress stumble into an out-of-control - but totally liberating - crime spree. As bold and relevant as ever, it remains a vastly entertaining must-see.

Callie Khouri's screenplay is a feeling, funny classic and director Ridley Scott lends this road movie epic scope, seeking out the beauty in open spaces.

Both leads - Geena Davis as Thelma and Susan Sarandon as Louise - give fine performances. Thelma and Louise become fully realized human beings who share a powerful and authentic friendship. Their transformation into two outlaws is also made entirely believable by the actresses.

And what about the men? Harvey Keitel is charming as the sympathetic lawman, Hal, and Michael Madsen's turn as Louise's boyfriend Jimmy is wonderfully nuanced. Brad Pitt also leaves a strong impression as the winsome blonde thief J.D. It's easy to see why this film made Pitt a star.

"Thelma and Louise" is a film of rare cultural resonance, to be sure. Yet while undoubtedly provocative, this movie is also alot of fun.

Thelma and Louise is an incredible, if familiar, adventure that's funny, well paced and emotional. Susan Sarandon and Geena Davis give incredible performances and have fantastic chemistry. Harvey Keitel, Brad Pitt and Michael Madsen all give really good supporting performances. Ridley Scott's direction is amazing and the music by Hans Zimmer is great as well as the soundtrack.

Through his career, Ridley Scott was an eclectic film-maker because he broached (with success) several cinema styles: science-fiction with "Alien", historical film with "1492: Christopher Colombus". Here, he succeeded very well his way to the road-movie and this one is listed among the best road-movies ever made. At first look, the story looks simple and without too many claims: two young women, Thelma and Louise are going out for the week-end with the firm intention of having a ball. But what they don't know is that this drive will soon become a descent into hell... The movie is worth seeing for its two main actresses: Susan Sarandon and Geena Davis, both outstanding and what interests Ridley Scott, is their temperament and their evolution during the movie. At the beginning, a sensitive and fragile Thelma is next to a energetic and realistic Louise but in the second part of the movie, more precisely, after Thelma burglarized a shop (probably the best sequence in the whole movie) in order to grab money, roles are reversed. This is an occasion to make out Louise's wounds and weaknesses. So, don't rely too much on appearances... "Thelma and Louise" is also a movie where Scott takes a lucid look on the hidden side of the American society and especially on men. Scott introduces them to us with their worst faults: either they're macho (Darryl), obscene (the truck driver), perverse (the rapist) or coward (the cop). The only one saved is Harvey Keitel who never falls into the caricature of the American cop usually described to us as merciless or obsequious. Here, he shows understanding and even compassion towards the two runaways, notably Louise because he knows that she hides a terrible secret. A dynamic and panting movie where laugh and sorrow are skillfully married.

THELMA & LOUISE has to be regarded as a pure 90s classic that brought up a considerable amount of risk in creating a first-person feminist formula into a mainstream movie, which is often missing. It pulls off fantastically true in form, with the exceptional Southern character talents of the two lady fugitives on the run, Geena Davis and Susan Sarandon, who may stand out as memorable on the silver screen. Let's not forget that silly truck driver they pass quite often, and of course, cowboy Brad Pitt as a young student. While not needed to be fully reliant on action substances like gunshooting, there is good chemistry within its grasp. Every single minute should not be wasteful, as plenty of refreshing outbursts of enjoyment outweighs the familiar old plot of evading the police. The ending is a definite eye catcher, and also the riskiest ever filmed! Beware of this rip-off called GOOD GIRLS DON'T, another poor B-movie with no redeeming quality. Satisfyingly original, and highly recommended!

The road movie is traditionally a male genre, relying on the sense of freedom and independence that having one's own transport provides and which has usually been the privilege of men… What is innovatory about "Thelma & Louise" is the way it reequips the genre for women…

Thelma (Geena Davis) is a housewife trapped in a meaningless marriage, Louise (Susan Sarandon) is a waitress in a not very significant relationship… They decide to give themselves a little space by taking off for a weekend… But when Louise shoots a man who is trying to rape Thelma, they are precipitated into a far more radical break with their past lives…

The setting of action in the American southwest and the acts of outlawry the women are obliged to commit in order to keep on the run give the film some of the feel of a Western… What makes it nevertheless a women's film is that the relationship between the two principals is at the center of the story… The various men they encounter, both the ones they leave behind and those they meet on the road have less importance for Thelma and Louise than the two women do for each other…

Predictably, the film met with hostility from some male viewers, on the grounds that the men were caricatured and that the film encouraged violence