Texasville

On first viewing I would have voted a 5. But something stuck with me and I've watched the movie - studied the movie - about 8 or 9 times now ... in three weeks. Texasville is brilliant. True to 80s American oil country livin', wonderfully shot to capture big-sky light, and so full of detail one or two or even three viewings are not enough. I'd say the density of nuance is easily twice the standard movie average. That many will dislike this movie is not surprising. Contrary to first impressions, Texasville is not popular culture. As a cut above, this movie will fly right on by most viewers - particularly those many who will not or cannot relate to anything in it. But for those of us who've lived some Texasville ... many thanks are owed Peter, Larry, Cybil, Jeff and the rest.

Some worthwhile performances here. The film does suffer from comparisons to "The Last Picture Show". That film was astonishing in its originality and has become iconic. "Texasville" neither aims so high, nor lands so hard. Nonetheless, the whole atmosphere of sadness calls to mind TLPS, as does the lack of a musical score, the only background being radios or whatever that the characters also hear. The adult characters, who were teen-agers in TLPS never seem to have grown up. At all. As Ebert said, I wonder what Sam the Lion would think of all these people. I seem to have missed all the sex going on in the '50's (OK wasn't born yet) and missed it again in the 80's. Maybe I'll catch that train SOMEDAY.

Jeff Bridges put in a great performance here, just as he always does. He never seems to play a character you don't believe. This in films as disparate as this one, "The Fabulous Baker Boys", and, say, "The Big Lebowski". Cybill Shepherd was very good and very beautiful. It probably took some amount of courage for a former model/beauty queen to take this role, that explicitly compares her middle-aged looks to her youthful pulchritude. I thought she still looked great. (But then, I'm middle-aged) Cloris Leachman showed her dramatic talent to wonderful effect. But, saving the best for last, I thought Annie Potts basically stole the show. She was gorgeous, and she so totally nailed her character. Acting doesn't get much better than this.

Anyone who liked TLPS (and that's almost everyone) should see this sequel. But don't carry into it unrealistic expectations.

With the exception of Timothy Bottoms and Cloris Leachman, and the addition of Annie Potts, the acting fell far short of its predecessor, The Last Picture Show. I felt as if fading legends returned for one last curtain call, leaning upon greying memories of better times rather than reaching in and dusting off their talents. Bottoms and Leachman were, again, superb. Quaid was immediately tiresome.

Another note: the sound (not soundtrack) left something to be desired - many scenes had background levels that over-rode the centerpiece of attention. I watched it twice and still was distracted by it. Reviewing the Soundman's credits (over 300 items), I was unable to discern if this film was a fluke or if it was his trademark - because none of the listed items had I ever had the inclination to watch.

So, overall, this is a 3 of 10, unless you catch it for Bottoms, Leachman and Potts.. then an 8.

Unless you saw Peter Bogdanovich's classic The Last Picture Show, if you even start at the beginning of Texasville you'll feel like you've walked in on the film in the middle and have to catch up. I'm not sure the film is capable of standing on its feet so to speak.

Anarene, Texas in The Last Picture Show is about the passing away of the old values that gave Texas the culture it has, the small town looks like it's about to shrivel and blow away like a tumbleweed as that film ended. But in the intervening thirty years, the town seems to have experienced a renaissance due to oil and the high prices it commands for energy. If you remember in Urban Cowboy, John Travolta leaves home and hearth in a place that looks like Anarene for a job in the Houston petrochemical industry which was booming in 1980.

But if you also remember between those years the OPEC nations let loose a glut of oil on the world market which drove the price down worldwide. The bank that Jeff Bridges is now the head of is caught in a nice financial squeeze investing in some wells locally that better produce and soon. Sad to say that's another historical point that might even get lost on an audience 25 years later.

Still of the half a dozen or so cast members who repeated their roles from The Last Picture Show in Texasville, materially Bridges has made out the best. But he's also got a wife in Annie Potts who's bored with the marriage, half a dozen kids, including William McNamara who's having sex with half the women in the town. Just a chip off the old block. Bridges facing financial ruin just about caps things off for the Jackson family.

Cybill Shepherd the teen dream queen of the Fifties went to Europe and became an actress, but whose marriage to a continental fizzled and a son died. Rich and somewhat dissipated, she's just back to her roots.

Timothy Bottoms the other half of the running backs from the high school with Bridges has not done really well. He owns a greasy spoon eatery and he's getting by. But he's struck with a mysterious malady which could be anything from a brain tumor to early onset Alzheimer's. We never really find out in Texasville.

Texasville has ambitions to be a character study like Long Day's Journey Into Night and these people are interesting though not the same league as the Tyrone family. But the film, interesting in spots though it is, relies too much on its roots from The Last Picture Show to stand on its own.

Sometimes I actually think I like it better than THE LAST PICTURE SHOW but that's only now, after having seen TEXASVILLE, oh, fifteen, twenty times.

It's too easy to blow this movie off as being strange and not making sense -- I see that as its strength; it's *real*. It's oddly real, it's real in a way that most movies aren't; nothing ties up, there's no plot arc, people don't do what they're supposed to. But if you watch it as evidence of McMurtry's genius characterization, you'll see that the people in this film are tremendously human, and weird and flawed.

Annie Potts as Duane's wife Karla is really the standout performance in this sequel, though the rest of the principal cast from PICTURE SHOW are, IMHO, just as spectacular here. Potts adds something to the mix that allows a unique perspective on this weird little town, and, like Duane, you see her for all her flaws and you love her just for putting up with you.

And, really, is there *anything* sadder than Jacy wooing Duane's dog away?

See this film more than once before you judge it; that's all I've got to say.