CALIFICACIÓN DE IMDb
7.0/10
18 k
TU CALIFICACIÓN
Tacones Lejanos es una vez más una historia de mujeres, contada a través de los ojos de sus propios hijos: Rebecca y Eduardo.Tacones Lejanos es una vez más una historia de mujeres, contada a través de los ojos de sus propios hijos: Rebecca y Eduardo.Tacones Lejanos es una vez más una historia de mujeres, contada a través de los ojos de sus propios hijos: Rebecca y Eduardo.
- Premios
- 10 premios ganados y 8 nominaciones en total
Anna Lizaran
- Margarita
- (as Ana Lizaran)
Mayrata O'Wisiedo
- Madre del Juez Domínguez
- (as Mairata O'Wisiedo)
Féodor Atkine
- Manuel Giner
- (as Feodor Atkine)
Bibiana Fernández
- Susana
- (as Bibi Andersen)
Juan José Otegui
- Capellán Hospital
- (as Juan Jose Otegui)
Montse García Romeu
- Maquilladora 1.ª
- (as Montse G.ª Romeu)
Opiniones destacadas
Great stuff here from Mr Almodovar, with Victoria Abril in full effect. The result is a technicolour rollercoaster of a film. And they all break into song and dance too, way before Woody Allen tried it.
Strange that this film is so little shown, given the popularity both of the earlier "Women on the Verge..." and the recent "All About My Mother". If you can catch it at the cinema, all the better because the pace and colour is quite dazzling.
Strange that this film is so little shown, given the popularity both of the earlier "Women on the Verge..." and the recent "All About My Mother". If you can catch it at the cinema, all the better because the pace and colour is quite dazzling.
Almodovar successful and overwrought melodrama about a love/hateful relationship with the ordinary rare characters , twisted situations and eccentric events. A girl's veteran mother (Marisa Paredes) go back after 15 years abroad to perform in Madrid and to find her estranged 27-year-old daughter (Victoria Abril) who left her as a child , the latter has married one of her old boyfriends. They attempt to mend their broken mother/daughter relationship and deal with their common lover (Feodor Atkine) . The reunion after fifteen years is difficult , not least because Rebecca has married her old boyfriend . Things go wrong when there happens a crime and a rare judge (Miguel Bose) starts investigating . A mother, a daughter, a lover. Relationships can be murder.
Agreeable film full of feeling , outlandish characters , haunting mood-pieces , Spanish Neo-realism , and sense of style but not totally satisfactory , including conventional pitfalls , profanities and a lot of sexual scenes . The picture deals with a veteran singer returns after 15 years abroad to perform in Madrid and finds her troublesome daughter , stablishing a physical and problematic relationship between them . It is sad and amusing , but like the rest of the movie mostly sad . This results to be an off-the-wall as well as semi-ironic melodrama , including familiar absurdities , dysfunctional roles and many other things ; featuring two feminist heroines of classical proportions . The picture is pretty well but turns out to be inferior to Almodovar's subsequent entries such as ¨The skin I live in¨, ¨Volver¨ , ¨The bad education¨ or ¨Talk to her¨. The result is undiluted scabrous drama , crazy strings of plots , sharp images , plenty of colorful images and marvellous songs from Luz Casal . Filmmaker piles up on the contrivances , turns and twisted events so that the picture to have success . It's a piquant look at a peculiar family involving strange and complicated situations during its half an hour runtime . And being influenced by American Romantic Dramas and especially by director Douglas Sirk . Nice interpretations by all cast , outstanding Marisa Paredes , Victoria abril and Miguel Bose. Furthermore , a notorious support cast such as : Anna Lizaran , Cristina Marco , Féodor Atkine ,Miriam Díaz-Aroca , Pedro Díez del Corral ,Bibiana Fernández , among others . Enjoyable musical score by Ryuichi Sakamoto ; adding some wonderful songs . Brilliant and luxurious cinematography by Alfredo Mayo.
The motion picture was realized in his peculiar style by Pedro Almodovar ; he often uses symbolism and metaphorical techniques to portray circular story lines , though here he directs a special melodrama , including his ordinary touches . Almodovar directs throughout with splendid zip and he usually portrays strong female characters and transsexuals and along his career getting some important international prizes . His first feature film, Pepi, Luci, Bom (1980), was made in 16 mm and blown-up to 35 mm for public release . In 1987, he and his brother Agustín Almodóvar established their own production company : El Deseo, S. A. The "Almodóvar phenomenon" has reached all over the world , making his films very popular in many countries . Oscar-winning Spanish director Pedro Almodovar who made successes such as Labyrinth of passions , Law of desire , Women on the verge of a nervous breakdown , Bad education , All about my mother , Talk to her , Broken embraces , The Skin I Live In and many others . The latest from acclaimed Spanish director , Pedro Almodovar's I'm So Excited (Los Amantes Pasajeros) competing for the inaugural best European comedy honor during the upcoming 26th edition of the European Film Awards . And his last hits as Julieta and Dolor y gloria with Antonio Banderas .
Agreeable film full of feeling , outlandish characters , haunting mood-pieces , Spanish Neo-realism , and sense of style but not totally satisfactory , including conventional pitfalls , profanities and a lot of sexual scenes . The picture deals with a veteran singer returns after 15 years abroad to perform in Madrid and finds her troublesome daughter , stablishing a physical and problematic relationship between them . It is sad and amusing , but like the rest of the movie mostly sad . This results to be an off-the-wall as well as semi-ironic melodrama , including familiar absurdities , dysfunctional roles and many other things ; featuring two feminist heroines of classical proportions . The picture is pretty well but turns out to be inferior to Almodovar's subsequent entries such as ¨The skin I live in¨, ¨Volver¨ , ¨The bad education¨ or ¨Talk to her¨. The result is undiluted scabrous drama , crazy strings of plots , sharp images , plenty of colorful images and marvellous songs from Luz Casal . Filmmaker piles up on the contrivances , turns and twisted events so that the picture to have success . It's a piquant look at a peculiar family involving strange and complicated situations during its half an hour runtime . And being influenced by American Romantic Dramas and especially by director Douglas Sirk . Nice interpretations by all cast , outstanding Marisa Paredes , Victoria abril and Miguel Bose. Furthermore , a notorious support cast such as : Anna Lizaran , Cristina Marco , Féodor Atkine ,Miriam Díaz-Aroca , Pedro Díez del Corral ,Bibiana Fernández , among others . Enjoyable musical score by Ryuichi Sakamoto ; adding some wonderful songs . Brilliant and luxurious cinematography by Alfredo Mayo.
The motion picture was realized in his peculiar style by Pedro Almodovar ; he often uses symbolism and metaphorical techniques to portray circular story lines , though here he directs a special melodrama , including his ordinary touches . Almodovar directs throughout with splendid zip and he usually portrays strong female characters and transsexuals and along his career getting some important international prizes . His first feature film, Pepi, Luci, Bom (1980), was made in 16 mm and blown-up to 35 mm for public release . In 1987, he and his brother Agustín Almodóvar established their own production company : El Deseo, S. A. The "Almodóvar phenomenon" has reached all over the world , making his films very popular in many countries . Oscar-winning Spanish director Pedro Almodovar who made successes such as Labyrinth of passions , Law of desire , Women on the verge of a nervous breakdown , Bad education , All about my mother , Talk to her , Broken embraces , The Skin I Live In and many others . The latest from acclaimed Spanish director , Pedro Almodovar's I'm So Excited (Los Amantes Pasajeros) competing for the inaugural best European comedy honor during the upcoming 26th edition of the European Film Awards . And his last hits as Julieta and Dolor y gloria with Antonio Banderas .
I have seen almost all Almodovar films, as he is a unique and eccentric director with vision. Eccentricity is not the case with this one. Humour is almost absent. Maybe you have by now figured out I prefer other, more humorous and provokative Almodovar films. Not that it's no good. It is, with tight acting and nice storyline. It didn't touch me though, as it was supposed to, and as a friend suggested. See also other Almodovar reviews by me to see what I mean.
For something completely different from this, see the next film of Almodovar, 1993, KIKA, as well as LABYRINTH OF PASSION, MATADOR. Blasphemous, humorous, explosive! Whatever the case, I should recommend this to people who saw other more exessive Almodovar films and didn't like it. This is much more serious, with firm storyline and great acting by everyone, as well as TALK TO HER.
For something completely different from this, see the next film of Almodovar, 1993, KIKA, as well as LABYRINTH OF PASSION, MATADOR. Blasphemous, humorous, explosive! Whatever the case, I should recommend this to people who saw other more exessive Almodovar films and didn't like it. This is much more serious, with firm storyline and great acting by everyone, as well as TALK TO HER.
A very enjoyable, intricate tale that elevates its somewhat mundane plot by turning things in a new direction whenever it starts to get stale. It's got a lot of the usual Almodovar stamps: high melodrama mixed with black comedy, insane coincidences, twisted relationships and of course dazzling use of color. Early on the theme of mother-daughter rivalry reminded me of AUTUMN SONATA, so I was quite tickled to hear the relationship being directly compared to that film later on. The movie doesn't have the magic of Almodovar's best works, perhaps because the performances as a whole aren't that impressive. However, even second-tier Almodovar is better than most stuff out there... it's got some really good laughs and an engaging series of twists and reversals. The out-of-nowhere prison dance scene is delightfully offbeat (although I felt like Almodovar was actually holding back a bit).
In our Spanish Cinema class we have watched many Spanish movies. Most of these movies were boring and had horrible endings, but Tacones Lejanos wasn't bad. Pedro Almodovar is a good director and both High Heels and Women on the Board of a Nervous Breakdown held our class' interest, and did not disappoint us too badly with their endings.
¿Sabías que…?
- TriviaPedro Almodóvar often brings a scene or character from his previous film to be reused in his next production. In this case, Victoria Abril would go to star in Kika as another TV journalist.
- ErroresThe phone that rings after Rebecca comes home after getting out of jail is muted, yet it rings.
- Citas
Becky del Páramo: My daughter, Do you hate me?
Rebeca: No , I love you very much mother.
Becky del Páramo: I was afraid you hated me.
Rebeca: I hated you sometimes, but even on those times I never stop loving you.
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- How long is High Heels?Con tecnología de Alexa
Detalles
Taquilla
- Total en EE. UU. y Canadá
- USD 1,710,057
- Fin de semana de estreno en EE. UU. y Canadá
- USD 74,103
- 22 dic 1991
- Total a nivel mundial
- USD 1,710,876
- Tiempo de ejecución1 hora 52 minutos
- Relación de aspecto
- 1.85 : 1
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By what name was Tacones lejanos (1991) officially released in India in English?
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