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6.4/10
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TU CALIFICACIÓN
Un actor que ha trabajado en Broadway da clases de claqué a un grupo de inadaptados que, a través de sus clases de baile, se unen y se dan cuenta de lo que pueden lograr.Un actor que ha trabajado en Broadway da clases de claqué a un grupo de inadaptados que, a través de sus clases de baile, se unen y se dan cuenta de lo que pueden lograr.Un actor que ha trabajado en Broadway da clases de claqué a un grupo de inadaptados que, a través de sus clases de baile, se unen y se dan cuenta de lo que pueden lograr.
- Nominada a1 premio BAFTA
- 1 nominación en total
Opiniones destacadas
This movie wasn't meant to have deep meaning, it was meant to be enjoyed. This is the movie I plug in whenever I need a lift. Liza is thoroughly enjoyable. I never tire of watching her dance, and her voice is unbeatable, not to mention that she's a wonderful actress. The finale is great fun and shows Liza's unique style and pizazz -- there will always be only ONE Liza. I would recommend this movie to anyone who watches movies for the enjoyment of them, rather than expecting a movie to divulge the meaning of life.
I was privileged to see Liza perform in person just a few days ago, and although she no longer dances, she still has the quality and power in her voice that never fails to thrill me. She was truly delightful with her humor, professionalism and graciousness.
I love you Liza!!
I was privileged to see Liza perform in person just a few days ago, and although she no longer dances, she still has the quality and power in her voice that never fails to thrill me. She was truly delightful with her humor, professionalism and graciousness.
I love you Liza!!
Unless you're a huge Liza Minnelli fan, you might not be drawn to a movie whose synopsis is "Liza teaches a dance class to a group of beginners and they all learn about life." But take my unbiased recommendation: This movie is heartwarming, inspiring, and extremely fun. If you really hate dancing, then yes, shy away from it. But even if Cabaret isn't your favorite movie ever, there's a really good chance you'll love this one.
Based off a highly successful British play, the opening scene is a textbook "give everyone their entrance" scene which you can totally imagine on the stage. Meek Sheila McCarthy is extremely internal and clearly needs to "step out". Ellen Greene doesn't have much character development, but her fantastic figure is distracting enough to make the audience forget she even has a character. Andrea Martin is over-the-top in everything, even her sneezes. Bill Irwin is the only guy in the class, and he feels a bit awkward "stepping out" of his comfort zone, but he also enjoys getting a bit embarrassed. Jane Krakowski is a young nurse who's more sensitive than she lets on. Robyn Stevan wears great 1991 fashions, and she chews gum and flirts with every man in sight - despite having a husband. Carol Woods is frazzled and frumpy, but her enthusiasm makes up for her skills. Finally, there's a new student: Julie Walters. She is so adorable! I had no idea she could dance, but I also had no idea that she had such a fantastic figure when she was younger! In nearly every scene, she wears skintight bodysuits and prances around with her perfectly coiffed hair and sweet expressions. What an absolute doll! If you just think of her as Mrs. Weasley (like the rest of the under-40 crowd), you'll be shocked to see her in this.
A very enjoyable part of the movie is to see the journey of the students' talent. They start off the movie (and spend a great deal of it) as very backwards dancers. Their timing is off, they can't remember the steps, and one of them can't spin around in a circle without falling over. As you see from later on in the movie, they're all very accomplished dancers (or if you recognize names from the cast like Jane Krakowski and Ellen Greene, you already know they're dancers) so it's very cute to see them dummy-down their skills. And you can imagine how much fun they had pretending they couldn't dance!
Now for the teacher: Liza Minnelli really pulls out all the stops in this movie. You can see the many layers of emotion she feels while teaching beginners' tap when she was once a Broadway hopeful. She has dramatic acting when her personal life crumbles, and inspirational pizazz when getting her students prepared for a performance. Plus, she has a big solo number that really shows off her dancing talent!
Liza's faithful sidekick is the piano accompanist who is more than just a piano player (incidentally, sometimes she nods off during class). They have each other's backs and really care about each other outside of class. She's an older, frumpy, overweight lady whom I didn't even recognize until she started talking - but then again, I'm in the minority. Most people think of Shelley Winters as the frumpy frump in The Poseidon Adventure. I think of her as younger, slimmer, and far cuter, like in Frenchie and Playgirl. However, when you're a fan of someone, you're a fan no matter how old they get or how much weight they put on. I like Shelley, and I always will.
So, gather up a group of your girlfriends (and bring in one fellow for fun) and pop in Stepping Out for movie night. It's very enjoyable, and really makes you feel good. I'm looking forward to watching it time after time.
Based off a highly successful British play, the opening scene is a textbook "give everyone their entrance" scene which you can totally imagine on the stage. Meek Sheila McCarthy is extremely internal and clearly needs to "step out". Ellen Greene doesn't have much character development, but her fantastic figure is distracting enough to make the audience forget she even has a character. Andrea Martin is over-the-top in everything, even her sneezes. Bill Irwin is the only guy in the class, and he feels a bit awkward "stepping out" of his comfort zone, but he also enjoys getting a bit embarrassed. Jane Krakowski is a young nurse who's more sensitive than she lets on. Robyn Stevan wears great 1991 fashions, and she chews gum and flirts with every man in sight - despite having a husband. Carol Woods is frazzled and frumpy, but her enthusiasm makes up for her skills. Finally, there's a new student: Julie Walters. She is so adorable! I had no idea she could dance, but I also had no idea that she had such a fantastic figure when she was younger! In nearly every scene, she wears skintight bodysuits and prances around with her perfectly coiffed hair and sweet expressions. What an absolute doll! If you just think of her as Mrs. Weasley (like the rest of the under-40 crowd), you'll be shocked to see her in this.
A very enjoyable part of the movie is to see the journey of the students' talent. They start off the movie (and spend a great deal of it) as very backwards dancers. Their timing is off, they can't remember the steps, and one of them can't spin around in a circle without falling over. As you see from later on in the movie, they're all very accomplished dancers (or if you recognize names from the cast like Jane Krakowski and Ellen Greene, you already know they're dancers) so it's very cute to see them dummy-down their skills. And you can imagine how much fun they had pretending they couldn't dance!
Now for the teacher: Liza Minnelli really pulls out all the stops in this movie. You can see the many layers of emotion she feels while teaching beginners' tap when she was once a Broadway hopeful. She has dramatic acting when her personal life crumbles, and inspirational pizazz when getting her students prepared for a performance. Plus, she has a big solo number that really shows off her dancing talent!
Liza's faithful sidekick is the piano accompanist who is more than just a piano player (incidentally, sometimes she nods off during class). They have each other's backs and really care about each other outside of class. She's an older, frumpy, overweight lady whom I didn't even recognize until she started talking - but then again, I'm in the minority. Most people think of Shelley Winters as the frumpy frump in The Poseidon Adventure. I think of her as younger, slimmer, and far cuter, like in Frenchie and Playgirl. However, when you're a fan of someone, you're a fan no matter how old they get or how much weight they put on. I like Shelley, and I always will.
So, gather up a group of your girlfriends (and bring in one fellow for fun) and pop in Stepping Out for movie night. It's very enjoyable, and really makes you feel good. I'm looking forward to watching it time after time.
Stepping Out is a gentle feel good musical comedy with plenty of dance numbers. It was supposed to mark a return to form for Liza Minnelli after years of drink and drugs issues.
Minnelli plays Mavis a one time professional dancer in a chorus line in New York who has moved to Buffalo. She starts a dance studio for beginners and ends up getting invited to put on a show for charity.
Her dance class are mainly female with just one guy (Bill Irwin) and range widely in age. Julie Walters plays a hygiene obsessed housewife, Shelly Winters is the temperamental pianist. Everyone has some side issues or problem but will these no hopers get their dance act together in time for the show is the essence of the story.
This is a sweet and enjoyable enough film. Its unpretentious fun, Minnelli does enough to show that in essence she has squandered her talent since her Oscar winning turn as Sally Bowles and there are enough familiar faces in the film to keep your feet tapping along.
Minnelli plays Mavis a one time professional dancer in a chorus line in New York who has moved to Buffalo. She starts a dance studio for beginners and ends up getting invited to put on a show for charity.
Her dance class are mainly female with just one guy (Bill Irwin) and range widely in age. Julie Walters plays a hygiene obsessed housewife, Shelly Winters is the temperamental pianist. Everyone has some side issues or problem but will these no hopers get their dance act together in time for the show is the essence of the story.
This is a sweet and enjoyable enough film. Its unpretentious fun, Minnelli does enough to show that in essence she has squandered her talent since her Oscar winning turn as Sally Bowles and there are enough familiar faces in the film to keep your feet tapping along.
Stepping Out isn't commonly spoken of nowadays, which is a shame as the film is a brilliant combination of Shelley Winters' comedy, Liza Minnelli's stamina and voice and superb performances by the 'Mavis Turner Tappers'. The story is inspiring as a group of amateur tap dancers try to make it to the top, and I watch it whenever I feel depressed - It raises your spirits and confidence.
Often incorrectly classified as a musical, "Stepping Out" is actually a delightful comedy-drama with an excellent ensemble cast. British playwright Richard Harris has Americanized his script and added more detailed plot developments for this film version. It's suitable for the whole family, and definitely worth renting (some night when you don't feel like "Stepping Out"). Everyone is bound to have a favorite in the cast, whether it's Liza herself, veteran actress Shelley Winters, comedian Bill Irwin, or "Ally McBeal's" Jane Krakowski. All turn in hilariously touching performances -- and yes, there is a song-and-dance number at the end, for all you Liza fans! Once you've watched, you'll want everyone to see "Stepping Out"!
¿Sabías que…?
- TriviaRan for an incredible ten weeks at the Varsity Theatre in Des Moines, Iowa, after opening on Christmas Day 1991 as their holiday attraction with a revamped ad campaign, written by the owner of the theatre, who was determined to book this movie despite its unimpressive opening the previous October. The owner reluctantly sent back the print ten weeks later only because Paramount Pictures needed a copy (for reasons unspecified), since they had only made eight prints. Otherwise this movie was booked for an indefinite run at this theatre, a specialty house known for very long runs. The last two weeks were heavily advertised as such, as this movie was earning significant repeat business.
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Detalles
- Fecha de lanzamiento
- País de origen
- Sitio oficial
- Idioma
- También se conoce como
- 影舞追夢
- Locaciones de filmación
- Búfalo, Nueva York, Estados Unidos(Exterior)
- Productora
- Ver más créditos de la compañía en IMDbPro
Taquilla
- Presupuesto
- USD 12,000,000 (estimado)
- Total en EE. UU. y Canadá
- USD 246,000
- Fin de semana de estreno en EE. UU. y Canadá
- USD 94,492
- 6 oct 1991
- Total a nivel mundial
- USD 246,000
- Tiempo de ejecución
- 1h 46min(106 min)
- Color
- Relación de aspecto
- 1.85 : 1
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