Viaje a las estrellas VI: La tierra desconocida

The Klingon home world Kronos is in trouble after its moon Praxis explodes. It's estimated that Kronos has 50 years of life left. The Klingon Chancellor Gorkon and Ambassador Sarek want a permanent peace. Spock volunteers Kirk and the Enterprise to escort the Chancellor to Earth for peace talks. Kirk is not happy. He hates them for the murder of his son David, and he doesn't trust them. The thing is he's not the only one. A conspiracy is afoot to derail the peace process for good.

This is obviously alluding to the end of the Cold War in our time. The parallels to the old Soviet Union is unmistakable. Christopher Plummer is wonderful strutting around spouting Shakespeare. This is a fitting end to the original 6 and arguably the best of them. The special effects and production value is superior to ST5. And it has seismic implication for the Star Trek universe. It is a great movie with a thrilling political mystery to boot.

After an ecological disaster the future of the Klingons is in doubt; there only chance of survival is forging a peace with the Federation. A reluctant Captain Kirk is ordered to take the Enterprise to a rendezvous point and escort the Klingon chancellor to the peace conference. They meet and have a dinner together then, shortly after the Klingons return to their ship, it appears as though the Enterprise is firing on them even though nobody on the bridge is giving any such orders. In the immediate aftermath two men in Star Fleet uniforms beam aboard the Klingon vessel and shoot many people including the Chancellor before leaving again. Wishing to prove their innocence Kirk and Dr McCoy beam over to help but are arrested and ultimately jailed on a frozen penal colony. If they are to survive they must escape from their prison and their colleagues aboard the enterprise must find out who is the true villain behind the attempted sabotage of the peace conference.

Too my mind this is one of the best 'Star Trek' films. The story is top notch; providing good reasons for the events we see. This leads to plenty of action scenes; a sense of peril, especially for Kirk and McCoy; and, something we don't usually get in 'Star Trek' films... a mystery. This mystery means that much of the fil can be looked on as a sci-fi police procedural/spy thriller as the crew sift the evidence, hunt down clues and close in on the real culprits. While the identity of the most important of these culprits wasn't too surprising their motivation wasn't quite as villainous as one might expect. As well as action and mystery there were moments of humour; notably a Klingon warrior who constantly quotes 'the Klingon playwright' Shakespeare! The cast does a fine job; as one would expect all the regulars impress in their established roles; also notable are Kim Cattrall, as Lt. Valeris; David Warner, as Chancellor Gorkon; Christopher Plummer as Chang and Iman as the shapeshifting prisoner Martia. While only in a small part it was fun seeing Michael Dorn, who will later play Worf, as the Klingon lawyer representing Kirk and McCoy at their trial. Overall I'd say this is a must see for all Star Trek fans.

The Klingon empire is on the edge of destruction but not by the sword by but the destruction of a power planet and the pollution of the empire's atmosphere. The Klingons approach the Federation to talk peace and Kirk and the Enterprise are dispatched to rendezvous with their Chancellor to escort him and his entourage to the peace talks. After a night awkwardly "entertaining" the Klingon party, they return to their ship when, out of nowhere, it appears that the Enterprise fire on the Klingon ship before two crew members board to assassinate the Chancellor. However this leaves Kirk and McCoy the prisoners of the Klingons with the Federation unable to reach them for fear of derailing what little is left of the peace process. Meanwhile Spock tries to piece together what happened and rescue his friend.

After the rather flat part V, it was a positive sign to see writer of the superior parts II and IV and director of II returning to the film series. And indeed it proved to be as this was yet again fuel for the myth of the "odd number curse" of the Star Trek films as it turned out to be one of the stronger of the original films. The plot is a great bit of action with its basis in political conspiracy while Spock gets to play Sherlock back on the Enterprise. The parallels with real life peace movements and the difficulties of preparing for peace are interesting but not forced down your throat. Many viewers will get the references to Adlai Stevenson in the Cuba Missile Crisis ("don't wait for the translation"), the use of the famous Nixon proverb and generally the theme of Kirk struggling to come to terms with the idea of peace after so many years of war and loss to the Klingons; however if you don't get them it doesn't matter.

The action works well and is delivery with confidence by Meyer but it also helps that his script does make for a strong story (unlike the fifth film for example). The humour of the film is much better as well as it is an addition and doesn't feel out of place (again, like it did in the fifth film). There are some nice touches in here but my personal favourite is the reference to Shatner's ego in the "I can't believe I kissed you" line (again a welcome awareness within the series after Shatner ran amuck across the fifth film). Shatner is much better here than before. He is reigned in and is still hammy but he has material to work with and he does well. Nimoy has fun with his investigation while Kelley provides the usual stuff in a good way. Support from Doohan, Nichols and others is as good as always. Cattrall is OK while Warner has more to do than in the last film. Dorn makes the link to the next generation of films and, importantly, the film is given a good "baddie" in the shape of Chang. Picking up from Khan, Plummer delivers a deliciously hammy villain, complete with Shakespeare quotes, and provides a great adversary for Shatner's Kirk.

Overall then a fitting sign-off for the original crew and one of the stronger of the original films. The story is engaging with good subtexts, the action is exciting, the performances roundly good and, most importantly, it is fun.

This entertaining outing deals with an accident on the Klingon moon that turns their planet inhabitable , it forces the Klingon Empire into a truce with the Federation . Reluctant Kirk (William Shatner) , despite his mistrust of the Klingons after they killed his son in Genesis, is assigned to escort a Klingon cruiser carrying the Klingon Chancellor to Earth for the meeting point . Enterprise crew is missioned to negotiate a peace treaty with Klingon leader (David Warner) but are double-crossed by renegade cohorts . During the journey to the ship , the Klingon cruiser is torpedoed , and Kirk and McCoy fall prey a trap , being taken prisoners after the Chancellor is killed by two Starfleet crewmen assassins . Spock immediately begins an investigation, while Kirk and McCoy( DeForest Kelley) are judged and sentenced to life on Rura Penthe - a far deep-frozen asteroid , there they meet a weird transformer being (Iman). Meanwhile, Spock has discovered that a Klingon Bird of Prey - one that can fire when cloaked , and under the command of Klingon General Chang (Christopher Plummer) - is the aircraft responsible for firing on the Chancellor, and the two killers came from the Enterprise . The crews of the Enterprise and the Excelsior piloted by Sulu (George Takei) must stop a plot to prevent a peace treaty between the Klingon Empire and the Federation . Meanwhile , Spock (Leonard Nimoy, also executive producer), Scotty (James Doohan), Uhura (Michelle Nichols) , Chekov (Walter Koenig) attempt to free Kirk and McCoy ; they also discover a conspiracy.

This epic story is concentrated on characters as well as thrill-packed action and special effects although there're numerous of that too . The movie has tension, brief touches of humor , emotion, suspense and sensational spacial scenarios like is customary development of the franchise . Spectacular, exciting , fast-paced , thrilling this is the description of this new outing of Star Trek , film that re-innovates the saga through a perfect pulse narrative that does not give a second of rest to the spectator who is trapped for two hours approx. in a genuine visual spectacle . Idealism ,humor , humanity , several agreeable characters and trademark effects abound and will please the enthusiasts such as the neophyte .

The top-notch acting convinces with the usual deliciously flamboyant interpretations from Shatner , Nimoy , Koenig , Takei , Nichols and especially Christopher Plummer in a super-villain role , while other secondary players as Kim Cattrall, Mark Lenard , Brock Peters, John Schuck , Micheal Dorn , Kurtwood Smith also make a nice work . The stirring final amazing the spectator , in which the thrilling and spectacular scenes create a perfect union that terminates with an ending that leaves you stuck in the armchair facing the formidable spectacle as a privileged witness . Fans of the series may find much to love , and others will be pleased . Exceptional soundtrack by Cliff Eidelman , he composes an impressive musical accompaniment to the film . Furthermore , a colorful and evocative cinematography by Hiro Narita . The motion picture is stunningly directed by Nicolas Meyer (Star Trek II : Wrath of Khan , Time after the time , The deceivers , The day after) who also concocted the story . Suitable for family viewing , it's an enjoyable adventure which young and old men will enjoy . Fans of the series will find this entry very amusing and fun . It is entertaining to watch and Trekkies are sure to love it , resulting to be one of the best and last installments with the original characters .

The final Trek for the original crew of the Enterprise restores the talent behind the camera including Star Trek II's Nicholas Meyer as director and thus intelligence and high production values are back on screen after the stagnant Star Trek V. The Undiscovered Country is a generous cut of the franchise's sweet meat though it doesn't hold the same place in my affections as Trek's II, III and IV. The story is the series at it's best - a deft allegory of the fall of Soviet Communism with the old cast having to question their old assumptions about those 'Klingon bastards' who are now suing for peace with their Federation foes. The ensuing political double crosses, assassinations and space battles are far meatier and more interesting than anything in the previous film and this is all counterbalanced by something approaching poignancy given that the movie represents a final fling for our quasi-geriatric heroes. The direction and visual effects are top notch with Meyer getting the best out of the classic cast including a surprisingly descent turn from Shatner who rediscovers a bit of the old magic as a Kirk trying to reconcile his hatred of the enemy and his personal resentment against the practicalities of the peace initiative. Its really his movie, though Spock and McCoy have some good moments and Christopher Plummer's General Chang provides prime cut villainy with just a glint in his eye (literally just the one eye) and a stroke of his Klingon moustache. His propensity to quote Shakespeare is a bit of a hoary old cliché for your would-be enemy but it works nicely as a hallmark of a man who has invested in the culture of his adversaries in an attempt to best them intellectually. As a military man with an less than honourable agenda he's a far more convincing villain than any megalomaniac hell bent on world domination, partially because writers Meyer, Nimoy and Flinn understand that the real world grounding of the story invests it with a edge and a credibility that might otherwise be wanting. There are a few false notes - The Enterprise rescue of Kirk and McCoy has always felt a bit too clean and easy for my liking and the purple Klingon blood is just inaccurate for continuity purposes but I'll put my hands up to pedantry on that one. The major faux pas though is the final 'sign off' from the crew in which their signatures are 'written' across the screen. Its not the idea that's wrong its the fact we're looking at the actor's signatures and not those of the characters. It feels like a bit of mis-step because it betrays a misunderstanding of the fact that it's the characters that made the series fly not an interest in William Shatner, Deforrest Kelly and so on. From the moment I first saw it it never felt right to me but still, there you go. Gene Rodenberry just got to see this before he died and a good job too because I think he'd have been satisfied that his original crew had gone out on a something of a high note. He'd also never see the 4 movies that followed with the Next Generation cast and for that alone he may have got out at just the right time.