Viaje a las estrellas VI: La tierra desconocida

Boldly going where no man (or woman) has gone before, climb aboard the Enterprise and let it fly and soar, as old friends gather, reunite, off to battle and to fight, strange new worlds, civilisations to explore.

They've got themselves into a pickle, a metaphorical hammer and sickle, Klingon labour camp, shackled and clamped, sentenced by a biased judicial.

Sabre rattling Klingon renegades attempt to destabilise the peace after a devastating moon fall.

The final Trek for the original crew of the Enterprise restores the talent behind the camera including Star Trek II's Nicholas Meyer as director and thus intelligence and high production values are back on screen after the stagnant Star Trek V. The Undiscovered Country is a generous cut of the franchise's sweet meat though it doesn't hold the same place in my affections as Trek's II, III and IV. The story is the series at it's best - a deft allegory of the fall of Soviet Communism with the old cast having to question their old assumptions about those 'Klingon bastards' who are now suing for peace with their Federation foes. The ensuing political double crosses, assassinations and space battles are far meatier and more interesting than anything in the previous film and this is all counterbalanced by something approaching poignancy given that the movie represents a final fling for our quasi-geriatric heroes. The direction and visual effects are top notch with Meyer getting the best out of the classic cast including a surprisingly descent turn from Shatner who rediscovers a bit of the old magic as a Kirk trying to reconcile his hatred of the enemy and his personal resentment against the practicalities of the peace initiative. Its really his movie, though Spock and McCoy have some good moments and Christopher Plummer's General Chang provides prime cut villainy with just a glint in his eye (literally just the one eye) and a stroke of his Klingon moustache. His propensity to quote Shakespeare is a bit of a hoary old cliché for your would-be enemy but it works nicely as a hallmark of a man who has invested in the culture of his adversaries in an attempt to best them intellectually. As a military man with an less than honourable agenda he's a far more convincing villain than any megalomaniac hell bent on world domination, partially because writers Meyer, Nimoy and Flinn understand that the real world grounding of the story invests it with a edge and a credibility that might otherwise be wanting. There are a few false notes - The Enterprise rescue of Kirk and McCoy has always felt a bit too clean and easy for my liking and the purple Klingon blood is just inaccurate for continuity purposes but I'll put my hands up to pedantry on that one. The major faux pas though is the final 'sign off' from the crew in which their signatures are 'written' across the screen. Its not the idea that's wrong its the fact we're looking at the actor's signatures and not those of the characters. It feels like a bit of mis-step because it betrays a misunderstanding of the fact that it's the characters that made the series fly not an interest in William Shatner, Deforrest Kelly and so on. From the moment I first saw it it never felt right to me but still, there you go. Gene Rodenberry just got to see this before he died and a good job too because I think he'd have been satisfied that his original crew had gone out on a something of a high note. He'd also never see the 4 movies that followed with the Next Generation cast and for that alone he may have got out at just the right time.

The final Star Trek film to feature the original cast is an enormous improvement after the awful fifth film, and might just be the best in the series. Much of it is probably thanks to the return of director Nicholas Meyer, who is responsible also for the classic Star Trek II: The Wrath Of Khan (while film III through V were directed by cast members). Meyer's very professional directing shows in every scene on ST-VI, and the old cast - William Shatner (Kirk), Leonard Nimoy (Spock), DeForest Kelly (McCoy), James Doohan (Scotty) and the rest - give here what is without doubt their finest performance. Mind - Shatner and Nimoy are by now 60 years old, while Kelly and Doohan are well into their 70s. But there isn't a trace of the pathetic silliness that characterized the fifth movie; Meyer knows what to do with these aging actors that wouldn't make them look like idiots. What we see in Star Trek VI is a much more mature approach, and the crew members have to face, more than an outside enemy, their own aging, and their fear of change. That fear is a key element here, and it's an issue that is well handled and is always relevant.

While the old cast members are doing splendidly here, the movie introduces some fantastic new characters. First and foremost, the experienced Shakespearean actor Christopher Plummer makes a fascinating villain in the conservative and suspicious Klingon General Chang, endlessly throwing out Shakespeare quotes on every turn. ('You haven't truly enjoyed Shakespeare until you've read it in the original Klingon') Also, Kim Cattrall, who achieved much success lately in the acclaimed 'Sex And The City'), plays the Vulcan Lt. Valeris and gives a great performance. Finally, David Warner gives a brief but memorable performance as the visionary Chancellor Gorkon. The real stars here, though, are Shatner and Kelly, whose attempt to save the Chancellor's life, as well as their trial for assassination before a Klingon court (CAMEO: Michael Dorn, who plays Worf in the Next Generation, plays Kirk and McCoy's attorney here - Colonel Worf. An ancestor, probably) make for some of the best scenes ever seen on Star Trek. The directing and camera work are splendid, and the script has just the right amount of self humor, which was dreadfully lacking from the fifth movie (e.g.: Spock: 'If I were human I believe my response would be "go to hell." ...If I were human.' All in all, a remarkable sign off for the original crew of the Enterprise and one of the best sci-fi movies of all time.

This entertaining outing deals with an accident on the Klingon moon that turns their planet inhabitable , it forces the Klingon Empire into a truce with the Federation . Reluctant Kirk (William Shatner) , despite his mistrust of the Klingons after they killed his son in Genesis, is assigned to escort a Klingon cruiser carrying the Klingon Chancellor to Earth for the meeting point . Enterprise crew is missioned to negotiate a peace treaty with Klingon leader (David Warner) but are double-crossed by renegade cohorts . During the journey to the ship , the Klingon cruiser is torpedoed , and Kirk and McCoy fall prey a trap , being taken prisoners after the Chancellor is killed by two Starfleet crewmen assassins . Spock immediately begins an investigation, while Kirk and McCoy( DeForest Kelley) are judged and sentenced to life on Rura Penthe - a far deep-frozen asteroid , there they meet a weird transformer being (Iman). Meanwhile, Spock has discovered that a Klingon Bird of Prey - one that can fire when cloaked , and under the command of Klingon General Chang (Christopher Plummer) - is the aircraft responsible for firing on the Chancellor, and the two killers came from the Enterprise . The crews of the Enterprise and the Excelsior piloted by Sulu (George Takei) must stop a plot to prevent a peace treaty between the Klingon Empire and the Federation . Meanwhile , Spock (Leonard Nimoy, also executive producer), Scotty (James Doohan), Uhura (Michelle Nichols) , Chekov (Walter Koenig) attempt to free Kirk and McCoy ; they also discover a conspiracy.

This epic story is concentrated on characters as well as thrill-packed action and special effects although there're numerous of that too . The movie has tension, brief touches of humor , emotion, suspense and sensational spacial scenarios like is customary development of the franchise . Spectacular, exciting , fast-paced , thrilling this is the description of this new outing of Star Trek , film that re-innovates the saga through a perfect pulse narrative that does not give a second of rest to the spectator who is trapped for two hours approx. in a genuine visual spectacle . Idealism ,humor , humanity , several agreeable characters and trademark effects abound and will please the enthusiasts such as the neophyte .

The top-notch acting convinces with the usual deliciously flamboyant interpretations from Shatner , Nimoy , Koenig , Takei , Nichols and especially Christopher Plummer in a super-villain role , while other secondary players as Kim Cattrall, Mark Lenard , Brock Peters, John Schuck , Micheal Dorn , Kurtwood Smith also make a nice work . The stirring final amazing the spectator , in which the thrilling and spectacular scenes create a perfect union that terminates with an ending that leaves you stuck in the armchair facing the formidable spectacle as a privileged witness . Fans of the series may find much to love , and others will be pleased . Exceptional soundtrack by Cliff Eidelman , he composes an impressive musical accompaniment to the film . Furthermore , a colorful and evocative cinematography by Hiro Narita . The motion picture is stunningly directed by Nicolas Meyer (Star Trek II : Wrath of Khan , Time after the time , The deceivers , The day after) who also concocted the story . Suitable for family viewing , it's an enjoyable adventure which young and old men will enjoy . Fans of the series will find this entry very amusing and fun . It is entertaining to watch and Trekkies are sure to love it , resulting to be one of the best and last installments with the original characters .

THE STORY: Peace negotiations between the Federation and Klingon Empire are interrupted by the assassination of a Klingon high official; Captain Kirk is blamed and thus he & McCoy get sentenced to an alien mining penal colony.

Like many of the original TV episodes which incorporated the important issues of the day into a futuristic space story, "Star Trek VI" (1991) is a morality play about the wall coming down in outer space, with the Klingons standing in for the Soviets. Nice moral about how radical change can be really scary -- there are some who are able to embrace it and others who have serious difficulty with it. In this case there are adverse reactions on both sides by those who believe they have too much invested in the present state of hostility.

HIGHLIGHTS: Watch out for the ravishing Kim Cattrall playing Vulcan Lieutenant Valeris. She adequately proves that sex appeal is not necessarily about nudity and flirtation, as Valeris is fully clothed and maintains a demeanor of sophistication the entire film. The formal dinner with the Klingons is also a highlight; it's reminiscent of Khan's powerful dinner scene from "Space Seed." When the dinner party ends and the Klingons beam away, each Enterprise crewmember shares a fitting exclamation of relief, including Scotty's "Thank God!" and McCoy's "I'm going to go find a pot of BLACK coffee." After everyone says their piece Spock merely looks around and characteristically raises an eyebrow. Kirk meanwhile returns to his cabin to "sleep it off" and voices his final log entry for the day: "Note to Galley: Romulan ale no longer to be served at diplomatic functions" (lol).

BEST HISTORICAL QUOTE: As General Chang prosecutes Kirk at the trial he screams out "DON'T WAIT FOR THE TRANSLATION -- ANSWER ME NOW!!" The writers ingeniously slipped this famous line in; it's a quote from U.N. Representative Adlai Stevenson during the Cuban missile crisis in 1962 wherein he drilled Soviet Ambassador Zorin.

BEST HOMAGE: It was twelve years before that Shatner uttered his ridiculously criticized "Oh my God" line in "The Motion Picture." Well, guess how he reacts when he meets an intimidating 7-foot pig-skinned alien in the mines? You guessed it.

I could go on with the highlights; this is just a taste of the many great scenes/bits.

FINAL ANALYSIS: This is the last film in which the entire original cast appear together, and it's a more-than-solid outing verging on greatness; a good chronicling of the events leading up to the Klingon-Federation alliance portrayed in Star Trek: The Next Generation. Although the film lacks the profundities of "The Motion Picture," "The Final Frontier" and "Generations," it's a more than satisfying romp -- very involving and fun, highlighted by a nice whodunit scenario. What more could a Trek fan ask for? Needless to say, a fine way to end The Original Series.

CRY HAVOK AND LET SLIP THE DOGS OF WAR!!