Spotswood

The Australians have always been great with these kind of movies, feel good comedies. Probably more so than the Americans ever have been, and in part, I think it is because any sort of conflict never really appears as such. Somehow, even when things go wrong, the effect is so neutral, or at least not so bad, that you know things are going to work out. Cosi and The Castle are two recent examples that I can think of. And, funny enough, these are movies that Toni Collette usually shows up in.

This is the story of a British efficiency expert (Anthony Hopkins) hired by an Australian shoe maker (Alwyn Kurts) to assess the progress of his Mocassin factory. What initially appears to be a standard job, turns out to be a lesson in compassion and common sense as the efficiency expert befriends the people who have worked nearly thirty years in the factory.

Our subtext is that of a love story when a young man named Carey (Ben Mendelsohn) is eager to date the boss's rather arrogant daughter, Cheryl (Rebecca Riggs), who is not interested, and is in fact, involved with a sleazy coworker (a very young Russel Crowe). Although, it is one of those stories where it is obvious that the fellow is overlooking the perfect girl for him (Toni Collette, who Mendelsohn also co-stars with in 'Cosi').

It is a sweet comedy, and one you'll likely enjoy if you have been satisfied with other recent Australian feel-good comedies. It's quite a nice, funny little film with great performances all around.

SPOTSWOOD, which, in American release, is called THE EFFICIENCY EXPERT, is a rewarding movie for those who pay attention. I've watched it three times in the last three nights and liked it more each time. Briefly, Anthony Hopkins plays one of these guys who goes from company to company telling management how costs can be cut. It being Anthony Hopkins, you know he's going to look calm and cool while hating what he's doing. (Think of MEET JOE BLACK.) If you've seen the Ealing comedies from the 50s you'll see that SPOTSWOOD is much in the mode of those. The best part of this movie is its focus on the factory Hopkins visits. The characters are droll, but relatively realistic, and, of course, you don't want Hopkins to cause them the misfortune he seems poised to introduce into their lives. The movie is a bit weak in relating the story of Carey (Ben Mendelsohn), a young machinist who worships the boss's daughter from afar. Given that this is a comedy about workers versus big money, the love triangle almost derails the satire (enter Toni Collete as the saintly factory girl Ben Mendelsohn keeps ignoring.) In any case, even in its weak spots it's so well-acted (dig Russell Crowe as an up-and-coming shark) that it holds your interest. There is a really great scene of pure cinema. This is a slot-car race, filled with suspense and laughter. I have yet to see an Australian movie that didn't have at least one almost impossible-to-film moment. The land that gave us 90-some minutes of almost-impossible-to-film moments (that's THE ROAD WARRIOR, of course) offers a marvelous mini-moment in this scene. There is at least one great sight gag ("Don't turn the key until I tell you...") and some very moving moments led by Alwyn Kurts as the owner of the targeted factory. This is a very well-made, amusing motion picture. Also, check out Hopkins in one scene in close-up, when he's laying down his cynical law to Alwyn Kurts. He's got the back of his hand just under his own jaw-bone, and he's moving it in a sawing action. It reminded me of Brando in APOCALYPSE NOW.

This film shows us a slice of Australian work life as globalisation takes over. The workers in a small shoe factory, having grown up with the "job for life" paradigm, are examined by an efficiency expert called in by the boss, a man who wants to "modernise" without cutting staff.

Many well-known Australian actors appear in this film. It is a gentle and sympathetic look at the effects of economic change. The film also has comic moments where adolescent boys try to ask out a good-looking girl without much success.

This film is not a "must-see", but it passes the time acceptably.

Although this film is about the upheavals in Australia in the 60s, it could easily be reset in the mid to late-2000s with the economic upheaval that the US has been having as well. Companies having a person coming in to re-evaluate what they are doing to find the efficiency leaks/breaks that are causing the company to lose more money than gain, based upon 3 rules that he tells later in the movie.

Anthony Hopkins was the bad guy just in 1991, a year before this movie, and he does the same in this film, but less than a resident evil that he did in the prior movie. You can see the struggles his character is having while playing the bad guy at the company and reporting to the head of the company changes that needs to be made. You almost feel sorry for Anthony Hopkin's character to have to make these life-changing decisions that affect so many other folks lives and livelihoods.

Seeing it now in 2014 (almost 25 years later), it's interesting seeing that Anthony Hopkins stays true to form to his classic Anthony Hopkins self. No disappointment there; how could anything go wrong seeing him in the movies?

BTW, their wardrobes are classic 60s and loved the lady in pink (from head to toe), even with the pink lipstick.

Even thinking briefly of this film and I end up humming this tune all day just like Carey's Dad. If you love films which are truly character-driven and sublime in the details, then this film will delight you. You may even begin to see the romance in sitting looking out over an oil refinery or the expertise demanded for racing slot-cars. What a little gem.