CALIFICACIÓN DE IMDb
5.6/10
6 k
TU CALIFICACIÓN
Shakes es bueno en su trabajo de payaso de fiestas - cuando está sobrio y aparece. Cinco payasos drogadictos le inculpan del asesinato de su jefe.Shakes es bueno en su trabajo de payaso de fiestas - cuando está sobrio y aparece. Cinco payasos drogadictos le inculpan del asesinato de su jefe.Shakes es bueno en su trabajo de payaso de fiestas - cuando está sobrio y aparece. Cinco payasos drogadictos le inculpan del asesinato de su jefe.
- Premios
- 1 nominación en total
Robin Williams
- Mime Class Instructor
- (as Marty Fromage)
- Dirección
- Guionista
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Opiniones destacadas
Comedian Bobcat Goldthwait made an interesting filmmaking debut with this not bad mix of comedy and drama. Bobcat plays "Shakes", a clown who is barely functioning in life. When he actually shows up for work, he does a decent enough job, but he just cannot stay off the sauce. This frustrates his patient girlfriend, Judy (MTV personality Julie Brown), and even his friends such as Stenchy (Blake Clark) and Dink (Adam Sandler, in one of his earliest film roles). Eventually, Shakes must pull it together and clear himself when he's framed for a murder.
Clearly, this has become a cult favourite, although this viewer would be lying if he said that he found it all that funny himself. It's mildly amusing at best, with some good moments, but it's never really inspired. One of the brightest bits of business occurs when Robin Williams shows up (billed as "Marty Fromage") as a mime teacher. It is also a hoot the way that clowns such as Shakes, Stenchy, and Dink declare war on mimes earlier in the picture and rough them up. It would have been nice had it been a little more of a dark comedy, but it never really gets that dark. Too much time is wasted with two unfunny cop characters.
Certainly the cast gets an A for effort. Bobcat is good in the lead, managing to elicit some sympathy along the way. Brown is sweet as his leading lady, speaking with a noticeable lisp. Tom Kenny (voice of Sponge Bob Squarepants) is a great sociopathic bad guy, "Binky" the clown. Other familiar faces include Florence Henderson, Sydney Lassick, La Wanda Page, Joel Murray, Tim Kazurinsky, and Paul Dooley.
Off-kilter enough to keep it watchable, with a bright wrap-up and a lively soundtrack.
Clearly, this has become a cult favourite, although this viewer would be lying if he said that he found it all that funny himself. It's mildly amusing at best, with some good moments, but it's never really inspired. One of the brightest bits of business occurs when Robin Williams shows up (billed as "Marty Fromage") as a mime teacher. It is also a hoot the way that clowns such as Shakes, Stenchy, and Dink declare war on mimes earlier in the picture and rough them up. It would have been nice had it been a little more of a dark comedy, but it never really gets that dark. Too much time is wasted with two unfunny cop characters.
Certainly the cast gets an A for effort. Bobcat is good in the lead, managing to elicit some sympathy along the way. Brown is sweet as his leading lady, speaking with a noticeable lisp. Tom Kenny (voice of Sponge Bob Squarepants) is a great sociopathic bad guy, "Binky" the clown. Other familiar faces include Florence Henderson, Sydney Lassick, La Wanda Page, Joel Murray, Tim Kazurinsky, and Paul Dooley.
Off-kilter enough to keep it watchable, with a bright wrap-up and a lively soundtrack.
Among my friends and myself it has become tradition to rent Shakes the Clown and watch it around New Years Eve. I'm not saying this is the best movie of all time. In fact, it is so appalingly bad that we have to see it once a year. Shakes is a screwed up mix between a serious film about alcoholism and a cheap comedy film full of dick jokes. Nothing more needs to be said, other than Robin Williams makes a great mime.
Henry Rollins broke humanity down, once, into "People who get Devo, and people who don't." You can do the same for this movie... there are people who get it, and people who don't, and you will never, ever convince someone that doesn't get this film that it's enjoyable. Just give up. If they can't see the humor in "Oh great, now I have to kill you too. Another red letter day for Binky..."
A reviewer at the Boston Globe once called this, "The Citizen Kane of alcoholic clown movies." Given the number of points of comparison, who could argue?
I was reminded of this when I recently saw the 2003 movie, "Bad Santa" -- which was a similar one-joke, cynical comedy about an obnoxious alcoholic employed as a character meant to bring joy into the lives of children. (The name "Shakes" takes on a whole new meaning when the lead character attempts to detox.) If that one joke works, so goes the movie. So for comparison, I recently rented it not long after seeing "Bad Santa."
While Bad Santa received a great number of favorable critical reviews, this movie wasn't as fortunate. Upon further review, I have to say that this movie never got the credit it deserved.
Is it a great movie? Oh no. This is a movie that attempts to be so bad and foul, rolling in its own filth, that best targets people with the right, low-expectation mindset. But you could also say that of "There's Something About Mary."
It employs humor in some of the background scenes a la "Airplane." Its use of cheesy 70s actors is pure genius and helps complete the joke. (Nevermind Robin Williams, an early Adam Sandler, and the then-future voice of Sponge Bob Squarepants as the evil Binky the Clown.) If you can manage a smirk during John Waters' "Mondo Trasho," you'll likely find the movie to be quite funny overall.
It's Bobcat's opus, and its no wonder he never really made much of anything since; the same was true for Orson Wells after "Citizen Kane"...
I was reminded of this when I recently saw the 2003 movie, "Bad Santa" -- which was a similar one-joke, cynical comedy about an obnoxious alcoholic employed as a character meant to bring joy into the lives of children. (The name "Shakes" takes on a whole new meaning when the lead character attempts to detox.) If that one joke works, so goes the movie. So for comparison, I recently rented it not long after seeing "Bad Santa."
While Bad Santa received a great number of favorable critical reviews, this movie wasn't as fortunate. Upon further review, I have to say that this movie never got the credit it deserved.
Is it a great movie? Oh no. This is a movie that attempts to be so bad and foul, rolling in its own filth, that best targets people with the right, low-expectation mindset. But you could also say that of "There's Something About Mary."
It employs humor in some of the background scenes a la "Airplane." Its use of cheesy 70s actors is pure genius and helps complete the joke. (Nevermind Robin Williams, an early Adam Sandler, and the then-future voice of Sponge Bob Squarepants as the evil Binky the Clown.) If you can manage a smirk during John Waters' "Mondo Trasho," you'll likely find the movie to be quite funny overall.
It's Bobcat's opus, and its no wonder he never really made much of anything since; the same was true for Orson Wells after "Citizen Kane"...
I've heard this is the " Citizen Kane of alcholic clown movies", and it may be!
¿Sabías que…?
- TriviaPeppy's make-up was patterned after John Wayne Gacy.
- ErroresWhen Shakes confronts Binky at the clown bar, the clown with the bright green hair loses his bright green chest hair.
- Citas
Female Clown Barfly: As soon as that camera is off, he gonna fuck that little dog.
- Créditos curiososNo identification with or similarity to actual persons, living or dead, or drunk or to actual events is intended or should be inferred.
- Bandas sonorasPregnant and Sad
Music by Steve Hunter
Lyrics by Bobcat Goldthwait (as Bob Goldthwait)
Performed by Tanya Scarlett
© 1991 Deacon Songs (ASCAP), Wicked Cheezy Music (ASCAP) and Illegal Film Music (ASCAP)
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Detalles
- Fecha de lanzamiento
- País de origen
- Idioma
- También se conoce como
- Shakes the Clown
- Locaciones de filmación
- Warner Brothers Burbank Studios - 4000 Warner Boulevard, Burbank, California, Estados Unidos(Studio and additional locations)
- Productora
- Ver más créditos de la compañía en IMDbPro
Taquilla
- Presupuesto
- USD 1,400,000 (estimado)
- Total en EE. UU. y Canadá
- USD 115,103
- Fin de semana de estreno en EE. UU. y Canadá
- USD 35,589
- 15 mar 1992
- Total a nivel mundial
- USD 115,103
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