Implicado en un Crimen

the darkly humorous story of an alcholic party clown who is framed by coke-dealing rodeo clowns and must overcome his condescending feelings towards mimes when he must take refuge in one of their studios.

black comedy painted in neon colors with funny clown shoes for that disturbing effect. an issue as serious as alcoholism shouldn't b taken lightly, but the darkness within the "twisted balloon" bar is could be any hole in the wall drink joint over-run with industry regulars. its just this industry is full party clowns who pick on the artistic mimes and cower in fear of rodeo clowns.

binky is one of the most creepy & festive characters in recent years. his rationalizations of his behavior are text book. "u all loathe me... think my balloon animals suck". it seems strangely appropriate that the rodeo clowns are selling coke binky and his yes men.

this movie is full of incredible lines & visual humor (check out the office in the background when shakes is getting picked up at the police station during the conversation with the cops).

I've tried to get my friends to watch this movie with me, but they just can't get over the fact that there are CLOWNS everywhere! GROW UP! "Shakes the Clown" is a truly love-it-or-hate-it movie, with each side taking their stand solidly. Put me in the love column. The fact that everything is played dead serious despite the fact that they're clowns is what keeps this movie from just being stupid. Tom Kenny is PERFECTLY cast as Binky, the best comic villain I have ever seen. Most comic villains are either so bad they're cool, or so bad you can't bear to watch them. Mr. Kenny achieves a perfect balance of being totally unappealing, yet you want to keep watching to see him get it in the end. The best villains feel their actions are completely justified, and Binky is no different. His actions are completely self-preserving and in his mind justifiable. Shouts should also be given out to Adam Sandler and Julie Brown. While Adam often resorts to the easy laugh in his starring vehicles, he's perfect as the insecure clown with no confidence with his ability with the opposite sex. You can easily see why P.T. Anderson chose him to star in "Punch Drunk Love". People have a tendency to hate Julie Brown, and I can understand why, but I've always been a fan of hers. Her role as the put-upon barmaid/girlfriend of Shakes would have been annoying in any other movie, but given the circumstances involved, I find her absolutely adorable. The characters of HoHo, Boots, Stenchy, Owen Cheese, the two cops, the rodeo clowns, etc. are all perfectly cast. Especially memorable is the late Sydney Lassick as Peppy, the forcibly retired host of the TV show that Binky takes over. It's a crying shame that more people don't like this movie, as it would have given Bobcat more opportunities to do films HIS way. Why didn't this film make EW's top 50 cult movies? Until people get over their phobia of clowns, this flick is never going to get the respect it truly deserves, and that is a crying shame. 10/10

This movie was written, stars, and was directed by BCG. It is dark, there are drugs, alcohol, and inner demons. But all this is dealt with and lived by people who live 24/7 as clowns and mimes. They have clown bars etc. BCG two other semi well known movies are worlds greatest dad ( robin Williams (plays a mime here)) and God bless america (bill Murray's brother (plays a milkman here)). Those 2 movies are very dark comedies, and this is as well. I think a lot of people didnt get that because of the silly clown premise. It's dark, it's over the top, it's silly, a little raunchy,I think it's great overall. It needs a little 7 star love from others.

P s. See spongebob square pants (tom kenny) as a coked out psycho disco clown in this movie as well.

I really admired this movie for being a fairly apt take on alcoholism. In terms of pain and damage. They could have easily made Shakes a comical drunk, ala Arthur or some kind of wacky party animal, like Belushi in Animal House. Instead, Shakes the Clown is a seriously troubled individual. It's also realistic in that he hangs out with a bunch of alcoholics, who have just a little more control over their habit.

The jokes hit at about a 15% clip, but I thought the guy who played Binky was wonderfully cast. It's not a great movie, or even a good one -- I guess I was just surprised by the honesty in its portrayal of alcoholism.

And I'm not sure I needed to see Aunt Esther talk about her privates in such detail!

Comedian Bobcat Goldthwait made an interesting filmmaking debut with this not bad mix of comedy and drama. Bobcat plays "Shakes", a clown who is barely functioning in life. When he actually shows up for work, he does a decent enough job, but he just cannot stay off the sauce. This frustrates his patient girlfriend, Judy (MTV personality Julie Brown), and even his friends such as Stenchy (Blake Clark) and Dink (Adam Sandler, in one of his earliest film roles). Eventually, Shakes must pull it together and clear himself when he's framed for a murder.

Clearly, this has become a cult favourite, although this viewer would be lying if he said that he found it all that funny himself. It's mildly amusing at best, with some good moments, but it's never really inspired. One of the brightest bits of business occurs when Robin Williams shows up (billed as "Marty Fromage") as a mime teacher. It is also a hoot the way that clowns such as Shakes, Stenchy, and Dink declare war on mimes earlier in the picture and rough them up. It would have been nice had it been a little more of a dark comedy, but it never really gets that dark. Too much time is wasted with two unfunny cop characters.

Certainly the cast gets an A for effort. Bobcat is good in the lead, managing to elicit some sympathy along the way. Brown is sweet as his leading lady, speaking with a noticeable lisp. Tom Kenny (voice of Sponge Bob Squarepants) is a great sociopathic bad guy, "Binky" the clown. Other familiar faces include Florence Henderson, Sydney Lassick, La Wanda Page, Joel Murray, Tim Kazurinsky, and Paul Dooley.

Off-kilter enough to keep it watchable, with a bright wrap-up and a lively soundtrack.