Un vaquero sin rumbo

I was weaned on westerns and so after a while you get numb by the vast amount of bad ones done over the years.I always thought a `twist'gives a western something more,a `hook'if you will.This IS such a flick.It is also fair to say I am NOT a huge Tom Selleck fan.That being said I think this has become one of my top 5 favorite westerns ever and top 10 movies of all time.The hook is the Outback and this twist is right on target.The Aborigine are the Indians and we have the evil land owner in Alan Rickman and the `Lady'in Laura San Giacomo.In Lieu of the Mexican Army we have the English.A interesting Rifle to rival a artillery piece or Gattling gun for interest. The basic story is again,good vs evil and redemption via true love.Tried and true western themes,but this Outback setting is the new hook that makes it well done. Fine vast action theme music and a down hill chase via horseback that is a classic.It had to be well shoot and filmed and it was.The ending had a `mystical'setting not seen in westerns but a staple of the Aborigine mystique if you will. The movie also serves to bring light to the shameful treating of the Aborigine in Australia that climaxed only in the last 20 years.A dirty secret only hinted at of the policy in force until the late 1960s of removing Aboriginal children from their families.A touching scene with Laura San Giacomo and a small Aborigine child hammer this home on no uncertain terms.This film works on so many levels it should be recognized as a Aborigine in Australia `message' film set to western theme.I cannot say enough and recommend this film to everyone.You will not be sorry.

The sad thing about Quigley Down Under is that had this been done thirty years earlier the film would have warranted a major release the way a John Wayne or a James Stewart western would have had. Personally when I look at Tom Selleck and the way he plays the title character, I think James Garner. Selleck plays Matthew Quigley in the same dry, laconic manner that Garner patented.

This western is about as southwest as you can get without dealing with penguins and icebergs. Selleck has come to western Australia in answer to an advertisement by a local rancher requiring a skilled marksman with a rifle. He takes the three month voyage from San Francisco and arrives at Alan Rickman's local Ponderosa.

Remember this is Australia, a place settled by convict labor. On Rickman's spread it's mostly Scotch and Irish. But Rickman's problem isn't with them, it's with the aborigines.

Which brings us to why he wants Selleck's services with a long rifle. Essentially he wants Selleck to hunt them down and kill them at a distance, a bit of ethnic cleansing.

Fighting Indians was up close and personal at times. But just shooting people down like game, rubs Selleck the wrong way. He tells Rickman no with vigor. And that vigorous no gets Selleck and Laura San Giacomo a woman not playing with a full deck beaten up and thrown out in the outback with no means of survival.

Of course they survive and we learn a lot about San Giacomo. The reason for her insanity, it's more of a defense mechanism to keep out the world, because she's done something terrible that her conscience won't leave alone. It's a beautiful performance, probably the acting highlight of Quigley Down Under.

Of course there's plenty of action to satisfy any western fan on any continent. Alan Rickman is an especially loathsome villain, he makes his Sheriff of Nottingham in Kevin Costner's Robin Hood film look like a Girl Scout.

And the aborigines do learn to appreciate Selleck and the payback he exacts. They come through for him at critical times in the film.

Tom Selleck is a perfectly cast western hero, the kind I used to spend Saturday afternoon's watching.

I loved this movie!

Ex-Confederate officer Matthew Quigley immigrates to Australia to forget the horrors he has recently witnessed. He was hired in advance by the owner of the Marsten Waters Ranch. When he arrives, things are definitely not what he expected due to the fawning treatment he receives from Marsten that comes with the request that he carry out a program of racial purity...

Selleck's performance as Quigley is first rate. I easily believed that although Quigley had watched more than his share of Man's Inhumanity, yet he managed to hang onto his integrity. The character finds himself in a situation where his own actions can transform the circumstances for better. He did not go looking for a fight, but by God, he will finish this one.

Even so, the character of Crazy Cora is my favorite. She is the victim of cruelty also but did not fare as well as Quigley. She is damaged goods, unable to take care of herself in any significant way when the story opens. In the course of the story, she is the one who recovers her Humanity. It is really her story as much as Quigley's.

An excellent movie. Simon Sez check it out.

Unlike most "modern" westerns, this one is unburdened by the usual Hollywood flaws: overproduction, overacting and a massive cast of big names demanding their share of "face time." Selleck & San Giacomo do a masterful job of creating honest, three-dimensional characters facing a truly evil antagonist -- a part played with fiendish perfection by the superb Alan Rickman. Even the minor characters on both sides are well-cast and well-acted. Two other "stars" of this exceptionally fine film are Quigley's Sharps rifle and the musical score. The unusual, catchy theme will stick in your mind, and some of the dialogue will pass into screen legend, such as Quigley's remark about the Colt revolvers: "I said I didn't have much use for them. I never said I didn't know how to use one." To be sure, the writers take a few necessary liberties with the plot to make everything work, as in any movie, but it does work well. My wife, who is a gun enthusiast but not a big fan of westerns, has watched "Quigley" 7 or 8 times and never tires of it. There are a few films that will bear watching that often: The Usual Suspects, All About Eve, High Noon, Casablanca -- to name a few. Quigley is one of these.

The first western I ever saw, QUIGLEY DOWN UNDER is my favorite. It's a great homage to the classic westerns of the past, with all the best elements combined in a fun movie about one man's fight against an evil land baron who (unknown to the hero) wanted to hire him to kill the local Aborigines, not the dingos as the hero originally thought. Tom Selleck ads another top-notch western to his resume, long with THE SACKETTS, THE SHADOW RIDERS, and the more-recent CROSSFIRE TRAIL. Alan Rickman is great as the bad guy, one of those characters you love to hate, and the beautiful Laura San Giacomo is a perfect western girl, whose (thankfully) is not the kind who becomes kidnapped and must be rescued. In fact, she spends a good deal of the film away from the action, caring for an Aborigine baby who was the only survivor of a tribe massacre earlier in the film. Director Simon Wincer proves what a genius he is at making westerns. He gets the most from everything, from the costumes to the performances, from the sweeping panoramic shots of the Australian outback to Basil Poledouris's lush score. And of course, no review of QUIGLEY would be complete without mentioning that awesome Sharps rifle. I cringe every time that wonderful rifle is thrown to the ground by Rickman. Glad to see that a DVD release is on the way, though it appears to be sorely lacking in the bonus features department. Anybody who likes westerns should check this film out. It's pretty family-friendly, too, with no harsh swearing and violence that never gets bloody or glorified.