Un vaquero sin rumbo

It will surprise many Americans but Australia had a "wild west" like America. One can read up on Ned Kelly, for example. And they had a gold rush at Ballarat, in the state of Victoria (near Melbourne, I believe).

Their Outback, which starts just a few miles in from the coast, is the most desolate and hostile terrain one can encounter. And I have been to some deserts around the world. Kudos to the Aborigines for actually knowing how to survive in such a place.

So, add this with a hero (Selleck) who comes from Wyoming answering a somewhat vague ad from our urbane villain (Alan Rickman) who is a station (ranch) owner in the outback. Rickman wants a sharpshooter for a job unspecified. When Selleck learns the true purpose for his hiring he decides to right some wrongs.

It's a classic western of the solitary hero who stands up to evil and defeats it. The Sharps rifle is one of the stars, too.

And to some of our reviewers who think this shooting is a bit unbelievable, there are a handful of people who can shoot some long distances with just iron sights.

I have seen them.

If you like westerns you will like Quigley.

The sad thing about Quigley Down Under is that had this been done thirty years earlier the film would have warranted a major release the way a John Wayne or a James Stewart western would have had. Personally when I look at Tom Selleck and the way he plays the title character, I think James Garner. Selleck plays Matthew Quigley in the same dry, laconic manner that Garner patented.

This western is about as southwest as you can get without dealing with penguins and icebergs. Selleck has come to western Australia in answer to an advertisement by a local rancher requiring a skilled marksman with a rifle. He takes the three month voyage from San Francisco and arrives at Alan Rickman's local Ponderosa.

Remember this is Australia, a place settled by convict labor. On Rickman's spread it's mostly Scotch and Irish. But Rickman's problem isn't with them, it's with the aborigines.

Which brings us to why he wants Selleck's services with a long rifle. Essentially he wants Selleck to hunt them down and kill them at a distance, a bit of ethnic cleansing.

Fighting Indians was up close and personal at times. But just shooting people down like game, rubs Selleck the wrong way. He tells Rickman no with vigor. And that vigorous no gets Selleck and Laura San Giacomo a woman not playing with a full deck beaten up and thrown out in the outback with no means of survival.

Of course they survive and we learn a lot about San Giacomo. The reason for her insanity, it's more of a defense mechanism to keep out the world, because she's done something terrible that her conscience won't leave alone. It's a beautiful performance, probably the acting highlight of Quigley Down Under.

Of course there's plenty of action to satisfy any western fan on any continent. Alan Rickman is an especially loathsome villain, he makes his Sheriff of Nottingham in Kevin Costner's Robin Hood film look like a Girl Scout.

And the aborigines do learn to appreciate Selleck and the payback he exacts. They come through for him at critical times in the film.

Tom Selleck is a perfectly cast western hero, the kind I used to spend Saturday afternoon's watching.

I was weaned on westerns and so after a while you get numb by the vast amount of bad ones done over the years.I always thought a `twist'gives a western something more,a `hook'if you will.This IS such a flick.It is also fair to say I am NOT a huge Tom Selleck fan.That being said I think this has become one of my top 5 favorite westerns ever and top 10 movies of all time.The hook is the Outback and this twist is right on target.The Aborigine are the Indians and we have the evil land owner in Alan Rickman and the `Lady'in Laura San Giacomo.In Lieu of the Mexican Army we have the English.A interesting Rifle to rival a artillery piece or Gattling gun for interest. The basic story is again,good vs evil and redemption via true love.Tried and true western themes,but this Outback setting is the new hook that makes it well done. Fine vast action theme music and a down hill chase via horseback that is a classic.It had to be well shoot and filmed and it was.The ending had a `mystical'setting not seen in westerns but a staple of the Aborigine mystique if you will. The movie also serves to bring light to the shameful treating of the Aborigine in Australia that climaxed only in the last 20 years.A dirty secret only hinted at of the policy in force until the late 1960s of removing Aboriginal children from their families.A touching scene with Laura San Giacomo and a small Aborigine child hammer this home on no uncertain terms.This film works on so many levels it should be recognized as a Aborigine in Australia `message' film set to western theme.I cannot say enough and recommend this film to everyone.You will not be sorry.

The first western I ever saw, QUIGLEY DOWN UNDER is my favorite. It's a great homage to the classic westerns of the past, with all the best elements combined in a fun movie about one man's fight against an evil land baron who (unknown to the hero) wanted to hire him to kill the local Aborigines, not the dingos as the hero originally thought. Tom Selleck ads another top-notch western to his resume, long with THE SACKETTS, THE SHADOW RIDERS, and the more-recent CROSSFIRE TRAIL. Alan Rickman is great as the bad guy, one of those characters you love to hate, and the beautiful Laura San Giacomo is a perfect western girl, whose (thankfully) is not the kind who becomes kidnapped and must be rescued. In fact, she spends a good deal of the film away from the action, caring for an Aborigine baby who was the only survivor of a tribe massacre earlier in the film. Director Simon Wincer proves what a genius he is at making westerns. He gets the most from everything, from the costumes to the performances, from the sweeping panoramic shots of the Australian outback to Basil Poledouris's lush score. And of course, no review of QUIGLEY would be complete without mentioning that awesome Sharps rifle. I cringe every time that wonderful rifle is thrown to the ground by Rickman. Glad to see that a DVD release is on the way, though it appears to be sorely lacking in the bonus features department. Anybody who likes westerns should check this film out. It's pretty family-friendly, too, with no harsh swearing and violence that never gets bloody or glorified.

Underseen western which , after a few theatrical misfires (though I also enjoyed him in High Road to China), gave Tom Selleck a role which suited him perfectly. A role which, as a previous comment stated, John Wayne would have been right at home in. It can be argued that this is just a politically correct revisionist western wherein the American witnesses injustices on aborginals in a foreign land and is outraged to action despite the utter mistreatment of native Indians during this same period back home. Some may say it is so, but I prefer to think of Quigley as a man who came to Australia BECAUSE of the injustices he's known back home and is looking perhaps for something better. Selleck represents, as did John Wayne, the decent and noble side of America, and there is no doubt that this is a man given to stand up and do the right thing no matter where he is, Wyoming or Fremantle.

This aside, Quigley succeeds most as a light romance amidst the traditional shoot em up scenario. In fact, the love story is what drives it along most and provides it's most special moments. During a heartfelt speech beside the campfire, Cora relates how heartbreaking it was for her to have her Husband Roy, who blamed her for the death of their child, put her on a ship to Australia and walk away from her life not looking back. This is what matters to her most, as it matters to Quigley that she call him by his right name or he won't share his bed. When presented with their first parting, Quigley leaves Cora and the Aborigine baby in the cave and though assuring her he will return for her he rides away, without stopping to look back.

This is mere oversight on his part and it leads to the most moving scene in the film, one which never fails to bring a tear to my eye - when they are again about to be parted she asks him "I'll never see you again, Will I". He can't say because of what's ahead for him, but he puts his hand on her cheek and says "You sure look pretty in the morning sun". As he mounts his horse and rides off Cora watches after him wondering, as we are wondering, if he'll stop and look back. And then he does. It's one of the most thoughtful and emotionally fleeting moments in movie history. Too bad it hasn't been seen and appreciated by more people.

The musical score, by Basil Poledouris, is also a treat and it hits all the right notes. His score for Conan the Barbarian is an acknowledged classic but here I think he goes a step better. It truly is a nice piece of music to hear amid the action and quieter moments.

Quigley is a very good modern day western. It won't fail to entertain and it must surely be a film which both men and women can enjoy together. If they made more of these kinds of movies I definitely wouldn't complain.