Psicosis IV: El comienzo

If you liked the earlier sequels (with of course, the first one being inimitable) you may find this entertaining.

Tony Perkins seems deranged as ever, and there are some interesting conversations between him and CCH Pounder, (a radio shrink) as she tries to uncover what made Norman Bates the way he is...nature or nurture?... It may be genetic, but it could also have been his mother played by Olivia Hussey, a deranged woman who has an inappropriate relationship with her son.

Henry Thomas ("E.T." and "Beyond Obesession", among others) is sad and affecting as the young Norman Bates, who tries to be a good son to his mother, until she realizes he has become a man, wherein she begins to flip out.

Overall, for die-hard fans of the "Psycho" sequels.

Psycho IV was the swan song for America's favorite nutcase, as Anthony Perkins died of AIDS complications only a year or so after making it. But the character goes out in style.

In many ways it appears this film ignores the events of Psycho II and III in favor of a "where is he now" story which leads into a flashback that in part explains why Norman went crazy.

Tony Perkins gives a sympathetic performance as Norman. You actually feel sorry for him, particularly at the end (which I won't give away). Has he reformed? Is he still crazy?

Olivia Hussey, meanwhile, is marvelous as his insane mother. She's still one of the most underappreciated actresses in movies today, and there's a scene of her standing in a downpour in which she looks exactly like she did when she played Juliet back in 1968. Her scenes with Henry Thomas are full of tension -- including sexual tension, making much of this film an uncomfortable viewing experience. But you don't watch a Psycho movie to relax, do you? Argentine-born, British-raised Hussey also has one of the sexiest voices ever put on film -- although it's a bit odd hearing a midwestern woman having a British accent.

The rest of the supporting cast is also good, especially CCH Pounder as a talk radio host who attracts the attention of Norman.

My only real disappointment is they should have shot the flashbacks in black and white, as several scenes intentionally reflect the original film (Norman spies on his mother making love using the famous peep hole and also stabs a girl in much the same way (music included) that he killed Janet Leigh in the original film).

A fitting send off for one of the most terrifying characters in cinema history. I must go now ... my mother is calling me.

My father first rented this film in the summer of 1991. I was about ten years old when I watched it. I didn't understand most of it, but I liked it. I just re-watched it within the last few months as result of a sparked interest in both the movies and the books.

I liked how this film dove into Norman Bates's troubled past (that of course is an understatement). That was probably the best aspect of the film, not much else. I liked how Anthony Perkins once again reprised his signature role as Norman Bates after suffering that horrid humiliation from Psycho III. Olivia Hussey was wicked in this movie as Norman's mother. She must have taken lessons from Faye Dunaway in her role as Joan Crawford in Mommie Dearest. The way she yelled at him and stripped poor Norman of his manhood was just awful. But yet, she managed to stay human in certain scenes of the movie and not be such a demon. Henry Thomas did somewhat a good job playing Norman Bates as a teenager, but his performance lacked the geeky, child-like charm that Anthony Perkins had in the original film.

As for the rest of the actors, well, most of them aren't worth mentioning. Except for Thomas Schuster, who played Chet Rudolph, Norma Bates's midnight cowboy. His character was very cocky and rude, the kind of guy you love to hate. The kind of man mom would bring home and expect you to call dad, which in Norman's case was true. But that never came to pass, if you know the story line.

Director Mick Garris is no Alfred Hitchcock. He is no Richard Franklin either. But he does manage to deliver a good addition to the Psycho series. Not as good as Psycho or Psycho II, but good enough.

This movie is excellent as far as content goes. Many things that were unexplained in the original are dealt with, and not in a way that seems ridiculous. All that happens in part IV could conceivably have happened, so that's good.

Anthony Perkins does a wonderful job of recapturing the essence of the disturbed Norman Bates, and Henry Thomas is very believable as young Norman. His performance completely illustrates the up-bringing of Norman by his unstable mother.

Good supplement to the original, I thought.

After an onslaught of mass murder in PSYCHO III, Norman Bates is back....in a nice suburban home, with a lovely wife, and a new problem. He has to kill again.

Norman Bates, once again played excellently by the late, great and highly-talented Anthony Perkins, calls in to a radio talk-back show, where the topic of the night is matricide. Norman relives his past, and through these flashbacks we finally meet "Mother" -- played wonderfully by Olivia Hussey (man, she is SCARY!).

This film is a delightful surprise....there's not much bad to say about it. Henry Thomas captures "young Norman Bates" nicely, though I remember Norman Bates as being a bit more polite and friendly than portrayed here....but he still pulls off a good job as a mentally-abused and opressed psychopath in the makings.

Be aware, that this is not appropriate for anyone under the age of 15. No, it isn't "shocking," but there are strong incestual undertones. They are necassary, however, because they give more valid reasons for Norman's descent into sick obsession, rather than "He had a domineering mother," which we've all known for years.

PSYCHO IV has alot of character as a film, and is hard to forget. Perhaps the best sequel of the three.

Highly Recommended.