The Perfect Weapon

This is one of my all time favorite martial arts flicks. Is the acting going to win any awards? No. But what makes it great is that Speakman takes hits when he is fighting, a lot of hits and sometimes he goes down and other times he uses incorporates the hit into his attack but he isn't Superman and he does take a beating. This gives the fight scenes a realism missing from so many movies of this kind. Unfortunately in his small catalog of movies Speakman never had another of this level. As much as I want to like LWM (and part of me still loves the movie) I hate Chuck Norris too much to separate his nonsense from his characters. I know this statement will win me no love for this review but Jeff Speakman should have had that long, successful run over crazy old Chuck Norris.

This is my favorite martial arts movie. The plot is easy to follow, which makes it good for non-martial arts viewers like me. Jeff has an easygoing personality and is very easy on the eyes. There are some elements of Asian-American meets Asian, and Jeff melts into that world almost effortlessly. The opening scene is memorable as Jeff shows us some of his martial arts moves in full condition, and has a good opening song. The film never drags. Great movie for couples to watch together as it isn't necessarily a "guy" film. Unfortunately, Jeff never followed through on the promise he showed in this, his best film. He later started doing mellow kind of dad movies. His time would have been better spent developing his acting abilities, which are rather wooden. But it's a good kind of b-grade acting.

As Steve Segal's career began to decline, Jeff Speakman's was on the rise. Of the various martial arts movies Speakman did,l this is by the far the best, although Lord knows it is no masterpiece. There is very little plot other than revenge, but the fight scenes are well done and plentiful. Many familiar faces (Mako, James Hong, Toru Tanaka) are on hand to support Speakman, who is about as good an actor as Segal, which is to say not particularly good. But he looks great in the fight scenes. A young and delectable Mariska Hargitay, later of L&O: SVU, is along for the ride. Speakman was one of several actors that Hollywood briefly employed to capitalize on Segal's success. None lasted all that long. It took the arrival of Jet Li to spark new interest in martial arts flicks.

Where can I learn to fight like that? This movie is fantastic. The fight scenes are choreographed perfectly and make Speakman out to be a good fighter, but not invincible(he does get hit a few times, quite nastily I might add). This is much better than a Steven Seagal film where he never suffers one blow from the bad guys. The way Speakman moves is breathtaking. Its almost hard to believe that what he's doing is actually a martial art. But it is. And he does it so well.

The plot in this movie is simple: its just another revenge flick. This makes the movie easier to watch because you don't have to really watch the plot, just the action. Its rather disappointing that after this and Street Knight, speakman was reduced to doing low-budget films. He deserves another big budget movie like this. Fantastic action, fantastic martial arts choreography make this a 10/10 movie. If you haven't seen it yet you must WATCH IT NOW.

Jeff Speakman's performance in "The Perfect Weapon" is awesome. This plot is able to magnificently interweave furious action sequences with the literary theme of the return home. While the plot differs markedly from that of "The Odyssey" by the epic bard Homer, there is still one vital thread that can be explored: both heroes return home after a long exile to kick ass and reclaim their positions in society. The ensuing list of possible contrasts and comparisons is exhausting if not infinite. However, if one is to understand one point, it is that in both works, martial arts are employed to signify the process of social transition; the re-integration of the hero into society.

To be a little less formal, let use the martial arts aspect as a segue into a nifty little observation. Jeff Speakman is a reasonably well known proponent of Ed Parker's Kenpo Karate, developed in U.S. during the 1940s and 1950s. "The Perfect Weapon" is an excellent primer on the power and wisdom of this art. The clearest example of this exposition is at Master Lo's Kenpo school, where Speakman learns both the skills and valuable lesson he will keep with him for the rest of his life; the most important being the difference between the tiger and the dragon. Yet, the movie is set in Koreatown, where Tae Kwon Do is the martial art du jour. The korean flags are prominent in the gym scene, and the references to Korean culture abound. There appears then, to be a subtle not so subtle match up between Kenpo Karate and Tae Kwon Do. The climax of this tension comes as Speakman confronts Leo Lee (Bandana) in the gym, looking for a guy who is 'good in Tae Kwon Do.' Does the ensuing three on one fight symbolize the clash of fighting styles? No one will ever know what Ed Parker or Mark DiSalle wanted to achieve here, but the contrast is too present to be simply a coincidence.

Alas, all reviews must end somewhere, and though I have much more to say, I will end my two cents with a small criticism of the action in the film. Anyone with a decent amount of martial arts experience will note that in the final warehouse scene, the knife attacks are undoubtedly more akin to training exercises than to real street techniques, but then again that may have been purposely done. It is also worth noting that this author has minimal training in Kajukenbo (an art based on Kenpo) and is far from an expert in the field.

The one thing that I can say with reasonable auctoritas is that this movie is electric from start to finish.