Los jóvenes gánsters

As much as I love Gangster movies there is something that is not quite right about this film.Im not sure the problem is that the actors are just a little bit too young to pull it off if the film should have been an hour longer as there seems to be too much squeezed into 100 minutes. Having said all that i did enjoy this film. Christian Slater has a charm all of his own and is good as Lucky Luciano. Nice and Violent as well! 6 out of 10

Mobsters casts four young players of the day as four of the legendary gangland figures of the 20th Century in their salad days. Christian Slater, Patrick Dempsey, Richard Grieco, and Costas Mandylor play Lucky Luciano, Meyer Lansky, Bugsy Siegel, and Frank Costello respectively. The film is a fictionalized account of how the four of them wound up on top of the gangland heap.

Michael Gambon and Anthony Quinn play the two old style Mobsters who are rivals for the title of boss of all bosses in the New York City area. Playing Charles Ferranzano and Joe Masseria the two of them control most of the illegal liquor trade which gave organized crime in this country it's real foothold. But our young men prove to be tough, smart and resilient as they play off the two old bosses against the middle.

Mobsters as a film captures the ambiance of New York during prohibition very well. I'm not sure I would have cast Christian Slater as Lucky Luciano, still Slater does very well with the part. Richard Grieco as Bugsy Siegel is very good, you can see the genesis of Warren Beatty's character when he played Siegel in his film, Bugsy.

Note should also be mentioned of F. Murray Abraham as Twenties gambler Arnold Rothstein who was the initial sponsor of the young mobsters in training. And Nick Sadler is one frightening Mad Dog Coll. You'll see quite graphically where his nickname came from.

Mobsters is good viewing, not exactly historically accurate, but actually sticks closer to the truth than most films of this type.

I must say, I don't really agree with what most other people have to say about this movie. I must admit it has its ups and downs, especially when it comes to the casting. Casting Christian Slater as Lucky Luciano was just ridiculous. He is just so the wrong type. He is a good actor, but this part does not suit him at all! It is a different story for several other people. I must say I was very impressed with the performances of Richard Grieco and Lara Flynn Boyle. Richard clearly shows he can do a lot more than just being the pretty boy. He was probably the best choice for the part. Violent and sensual. He even manages to do a quite funny scene, when his character gets angry, because someone tells him he does not kill with style. I did not know what to expect from him, as I had only seen him in "21 Jump Street", but give him a chance, because he will not disappoint you. Lara Flynn Boyle's performance is wonderful. Too bad her part was so small, as I would have loved to see more of her in this movie. She shows here clearly she can do so much more than cheap comedies. Usually I would give this film 8 out of 10, but because of Richard and Lara, I will make it 9.

This movie is based on the rise of four leading organised crime figures, from the end of WW 1 to the early thirties. The central character, Charles (Lucky) Luciano (Christian Slater)is credited, if that's the right word, for introducing modern corporate governance to a group of organisations previously based on ethnic affiliation and loyalty to a chief. So, in the movie he and his associates Meyer Lansky, Frank Costello and Bugsy Siegel works to bring down two aging Dons whose time has come. The Dons, played by Anthony Quinn and Michael Gambon, are certainly ruthless, but their imaginations are limited. The young turks on the other hand see new markets and new alliances. In the new mafia, Irishmen, Russian Jews and others work alongside Italians.

The period is evoked beautifully in shades of brown and cream. Unfortunately many scenes have a certain sameness to them - a couple of hoods meet in some office or hotel for a delicate business chat, each armed to the teeth. When an impass is reached the guns blaze away. This gets boring after a while and you start to wonder why they don't use the phone sometimes. It isn't because the FBI are after them (the IRS was a bit more successful) and they have the New York cops in their pocket. There are some very bloody scenes depicted with gratuitious graphicness.

Luciano and to a lesser extent Lansky are quite sympathetically depicted, with many of the killings being of "let's kill them before they kill us variety." Poor old Tony Quinn is put down not even able to remember the guy whose death is being avenged. One thing that does come out is that organised crime was in the US long before the prohibition era, but the money made then financed the mob into many other areas, pre-eminently gambling in Cuba and Las Vegas. Meyer Lansky was the biggest investor in the early Vegas casino the "Flamingo", opened I think, by Bugsy Siegal.

This is a moderately interesting account, though with some substantial departures from the historical record. Apart from all the gore my objection to it is that it glamourises some very nasty people who did a great deal of damage to American public life. The FBI, and all its attacks on civil liberties, justified its existence by reference to organised crime, yet did little to stop it. After the time covered by the film Luciano was imprisoned not through the efforts of the FBI but through those of NY prosecutor Thomas Dewey. Luciano was eventually deported to Italy, after assisting the OSS, forerunner of the CIA, in their wartime dealings with the Sicilian mafia. Al Capone, a bit player here, was famously imprisoned for tax evasion. Meyer Lansky was charged with tax evasion in the early 1970s, but beat the rap. He died peacfully at 81 in retirement in Florida. His family not only maintain his grave, but also a web site about him.

I couldn't believe that this movie was going to be even somewhat good after looking at the cover of the box. Boy, was I wrong, Mobsters sure did not disappoint me and I think I've seen just about every mafia/mob movie ever made in the last 50 years. I'm not saying this goes up there with Goodfellas and The Godfathers, etc, but it definitely deserves some credit. The acting for the most part is very well-done. There is some good action with a fair amount of bloodshed, great set designs, and a good cast. I'm not sure exactly how historically accurate this movie is, but nevertheless, it pulls through to bring an overall excellent mob flick.